THE INN KITCHEN.

Shall I not take mine ease in mine inn?

FALSTAFF.

DURING a journey that I once made through the Netherlands, I had arrived

one evening at the Pomme d’Or, the principal inn of a small Flemish

village. It was after the hour of the table d’hote, so that I was

obliged to make a solitary supper from the relics of its ampler board.

The weather was chilly; I was seated alone in one end of a great gloomy

dining-room, and, my repast being over, I had the prospect before me

of a long dull evening, without any visible means of enlivening it. I

summoned mine host and requested something to read; he brought me the

whole literary stock of his household, a Dutch family Bible, an almanac

in the same language, and a number of old Paris newspapers. As I sat

dozing over one of the latter, reading old news and stale criticisms,

my ear was now and then struck with bursts of laughter which seemed to

proceed from the kitchen. Every one that has travelled on the Continent

must know how favorite a resort the kitchen of a country inn is to the

middle and inferior order of travellers, particularly in that equivocal

kind of weather when a fire becomes agreeable toward evening. I threw

aside the newspaper and explored my way to the kitchen, to take a peep

at the group that appeared to be so merry. It was composed partly of

travellers who had arrived some hours before in a diligence, and partly

of the usual attendants and hangers-on of inns. They were seated round

a great burnished stove, that might have been mistaken for an altar at

which they were worshipping. It was covered with various kitchen vessels

of resplendent brightness, among which steamed and hissed a huge copper

tea-kettle. A large lamp threw a strong mass of light upon the group,

bringing out many odd features in strong relief. Its yellow rays

partially illumined the spacious kitchen, dying duskily away into remote

corners, except where they settled in mellow radiance on the broad side

of a flitch of bacon or were reflected back from well-scoured utensils

that gleamed from the midst of obscurity. A strapping Flemish lass,

with long golden pendants in her ears and a necklace with a golden heart

suspended to it, was the presiding priestess of the temple.

Many of the company were furnished with pipes, and most of them with

some kind of evening potation. I found their mirth was occasioned by

anecdotes which a little swarthy Frenchman, with a dry weazen face and

large whiskers, was giving of his love-adventures; at the end of each of

which there was one of those bursts of honest unceremonious laughter in

which a man indulges in that temple of true liberty, an inn.

As I had no better mode of getting through a tedious blustering evening,

I took my seat near the stove, and listened to a variety of travellers’

tales, some very extravagant and most very dull. All of them, however,

have faded from my treacherous memory except one, which I will endeavor

to relate. I fear, however, it derived its chief zest from the manner in

which it was told, and the peculiar air and appearance of the narrator.

He was a corpulent old Swiss, who had the look of a veteran traveller.

He was dressed in a tarnished green travelling-jacket, with a broad belt

round his waist, and a pair of overalls with buttons from the hips to

the ankles. He was of a full rubicund countenance, with a double chin,

aquiline nose, and a pleasant twinkling eye. His hair was light, and

curled from under an old green velvet travelling-cap stuck on one side

of his head. He was interrupted more than once by the arrival of guests

or the remarks of his auditors, and paused now and then to replenish his

pipe; at which times he had generally a roguish leer and a sly joke for

the buxom kitchen-maid.

I wish my readers could imagine the old fellow lolling in a huge

arm-chair, one arm a-kimbo, the other holding a curiously twisted

tobacco-pipe formed of genuine ecume de mer, decorated with silver chain

and silken tassel, his head cocked on one side, and a whimsical cut of

the eye occasionally as he related the following story.

The Sketch-Book of Geoffrey Crayon · 第 32 / 55 题