FREDERICK MARRYAT

1792-1848

[Sidenote: F. Marryat’s _Life and Letters of Captain Marryat_.]

“Although not handsome, Captain Marryat’s personal appearance was very

prepossessing. In figure he was upright, and broad-shouldered for

his height, which measured five feet ten inches. His hands, without

being under-sized, were remarkably perfect in form, and modelled by

a sculptor at Rome on account of their symmetry. The character of

his mind was borne out by his features, the most salient expression

of which was the frankness of an open heart. The firm decisive mouth

and massive thoughtful forehead were redeemed from heaviness by the

humorous light that twinkled in his deep-set gray eyes, which, bright

as diamonds, positively flashed out their fun, or their reciprocation

of the fun of others. As a young man, dark crisp curls covered his

head; but, later in life, when, having exchanged the sword for the pen

and the ploughshare, he affected a soberer and more patriarchal style

of dress and manner, he wore his gray hair long, and almost down to

his shoulders. His eyebrows were not alike, one being higher up and

more arched than the other, which peculiarity gave his face a look of

inquiry, even in repose. In the upper lip was a deep cleft, and in his

chin as deep a dimple--a pitfall for the razor, which, from the ready

growth of his dark beard, he was often compelled to use twice a day.”

[Sidenote: _The Cornhill_, 1876.]

“He was not a tall man--five feet ten--but I think intended by nature

to be six feet, only having gone to sea when still almost a child, at a

time when the between-decks were very low-pitched, he had, he himself

declared, had his growth unnaturally stopped. His immensely powerful

build and massive chest, which measured considerably over forty inches

round, would incline one to this belief. He had never been handsome,

as far as features went, but the irregularity of his features might

easily be forgotten by those who looked at the intellect shown in his

magnificent forehead. His forehead and his hands were his two strong

points. The latter were models of symmetry. Indeed, while resident

at Rome, at an earlier period of his life, he had been requested by a

sculptor to allow his hand to be modelled. At the time I now speak of

him he was fifty-two years of age, but looked considerably younger.

His face was clean-shaved, and his hair so long that it reached almost

to his shoulders, curly in light loose locks like those of a woman.

It was slightly gray. He was dressed in anything but evening costume

on the present occasion, having on a short velveteen shooting-jacket

and coloured trousers. I could not help smiling as I glanced at his

dress--recalling to my mind what a dandy he had been as a young

man.”--1844.

Word Portraits of Famous Writers · 第 76 / 141 题