PSALM XIX.

1 The heavens declare the glory of God,

And the work of His hands the firmament makes known.

2 Day to day pours forth speech,

And night to night shows knowledge.

3 There is no speech and no words;

Not heard is their voice.

4 In all the earth their line goes forth, and in the end of the

world their words;

For the sun has He set a tent in them,

5 And he is like a bridegroom going out from his chamber;

He rejoices like a hero to run (his) course.

6 From the end of the heavens is his going forth, and his circuit

unto their ends;

And nothing is hid from his heat.

7 The law of Jehovah is perfect, restoring the soul;

The testimony of Jehovah is trusty, making wise the simple.

8 The precepts of Jehovah are right, rejoicing the heart;

The commandment of Jehovah is pure, enlightening the eyes.

9 The fear of Jehovah is clean, standing for ever;

The judgments of Jehovah are truth: they are righteous altogether.

10 They are more to be desired than gold and than abundant [gold]

refined,

And they are sweeter than honey and the droppings of the

honeycomb.

11 Moreover, Thy servant is warned by them;

In keeping them is reward abundant.

12 Inadvertencies who can discern?

From hidden sins absolve me.

13 Also from presumptuous [sins] keep back Thy servant: let them not

rule over me;

Then shall I be guiltless, and I shall be absolved from great

transgression.

14 Accepted be the words of my mouth and meditation of my heart in

Thy sight,

Jehovah, my Rock and my Kinsman-redeemer!

Is this originally one psalm or bits of two, pieced together to suggest

a comparison between the two sources of knowledge of God, which the

authors did not dream of? The affirmative is strongly _main_tained, but,

we may venture to say, not so strongly _sus_tained. The two parts are

said to differ in style, rhythm, and subject. Certainly they do, but the

difference in style accounts for the difference in structure. It is not

an unheard-of phenomenon that cadence should change with theme; and if

the very purpose of the song is to set forth the difference of the two

witnesses to God, nothing can be more likely than such a change in

measure. The two halves are said to be put together abruptly without

anything to smooth the transition. So they are, and so is ver. 4 put by

the side of ver. 3; and so does the last turn of thought (vv. 12-14)

follow the second. Cyclopean architecture without mortar has a certain

impressiveness. The abruptness is rather an argument for than against

the original unity, for a compiler would have been likely to try to make

some sort of glue to hold his two fragments together, while a poet, in

the rush of his afflatus, would welcome the very abruptness which the

manufacturer would avoid. Surely the thought that binds the whole into a

unity--that _Jehovah_ is _El_, and that nature and law witness to the

same Divine Person, though with varying clearness--is not so strange as

that we should have to find its author in some late editor unknown.

Vv. 1-6 hymn the silent declaration by the heavens. The details of

exposition must first be dealt with. "Declare" and "makes known" are

participles, and thus express the continuity of the acts. The

substance of the witness is set forth with distinct reference to its

limitations, for "glory" has here no moral element, but simply means

what Paul calls "eternal power and Godhead," while the Divine name of

God ("El") is used in intended contrast to "Jehovah" in the second

half, a _nuance_ which must be obliterated if this is a conglomerate

psalm. "His handiwork," in like manner, limits the revelation. The

heavens by day are so marvellously unlike the heavens by night that

the psalmist's imagination conjures up two long processions, each

member of which passes on the word entrusted to him to his

successor--the blazing days with heaven naked but for one great light,

and the still nights with all their stars. Ver. 3 has given

commentators much trouble in attempting to smooth its paradox. Tastes

are curiously different, for some critics think that the familiar

interpretation gives a flat, prosaic meaning, while Cheyne takes the

verse to be a gloss for dull readers, and exclaims, "How much the

brilliant psalm fragment gains by its omission!" _De gustibus_, etc.

Some of us may still feel that the psalmist's contrast of the awful

silence in the depths of the sky and of the voice that speaks to

opened ears thrills us with something very like the electric touch of

poetry. In ver. 4 the thought of the great voices returns. "Their

line" is usually explained as meaning their sphere of influence,

marked out, as it were, by a measuring cord. If that rendering is

adopted, ver. 4 _b_ would in effect say, "Their words go as far as

their realm." Or the rendering "sound" may be deduced, though somewhat

precariously, from that of _line_, since a line stretched is musical.

But the word is not used as meaning the string of an instrument, and

the very slight conjectural emendation which gives "voice" instead of

"line" has much to recommend it. In any case the teaching of the verse

is plain from the last clause, namely the universality of the

revelation. It is singular that the mention of the sun should come in

the close of the verse; and there may be some error in the text,

though the introduction of the sun here may be explained as completing

the picture of the heavens, of which it is the crowning glory. Then

follows the fuller delineation of his joyous energy, of his swift

strength in his course, of his penetrating beams, illuminating and

warming all. Why should the glowing metaphors, so natural and

vigorous, of the sun coming forth from his bridal chamber and,

hero-like, running his race, be taken to be traces of ancient myths

now innocently reclaimed from the service of superstition? To find in

these two images a proof that the first part of the psalm belongs to

the post-exilic "literary revival of Hebrew mythology" is surely to

lay more on them than they can bear.

The scientific contemplation of nature is wholly absent from

Scripture, and the picturesque is very rare. This psalmist knew

nothing about solar spectra or stellar distances, but he heard a voice

from out of the else waste heavens which sounded to him as if it named

God. Comte ventured to say that the heavens declare the glory of the

astronomer, not of God; but, if there be an order in them, which it is

a man's glory to discover, must there not be a mind behind the order,

and must not the Maker have more glory than the investigator? The

psalmist is protesting against stellar worship, which some of his

neighbours practised. The sun was a creature, not a god; his "race"

was marked out by the same hand which in depths beyond the visible

heavens had pitched a "tent" for his nightly rest. We smile at the

simple astronomy; the religious depth is as deep as ever. Dull ears do

not hear these voices; but whether they are stopped with the clay of

earthly tastes and occupations, or stuffed with scientific wadding of

the most modern kind, the ears that do not hear God's name sounded

from the abysses above, have failed to hear the only word which can

make man feel at home in nature. Carlyle said that the sky was "a sad

sicht." The sadness and awfulness are taken away when we hear the

heavens telling the glory of God. The unscientific psalmist who did

hear them was nearer the very heart of the mystery than the scientist

who knows everything else about them but that.

With an abrupt transition which is full of poetical force, the singer

turns to the praises of the better revelation of Jehovah. Nature

speaks in eloquent silence of the strong God, but has no witness to

His righteous will for men or His love to them which can compare with

the clear utterances of His law. The rhythm changes, and in its

cadence expresses the psalmist's exuberant delight in that law. In vv.

7-11 the clauses are constructed on a uniform plan, each containing a

name for the law, an attribute of it, and one of its effects. The

abundance of synonyms indicates familiarity and clear views of the

many sides of the subject. The psalmist had often brooded on the

thought of what that law was, because, loving its Giver, he must needs

love the gift. So he calls it "law," or teaching, since there he found

the best lessons for character and life. It was "testimony," for in it

God witnessed what He is and what we should be, and so witnessed

against sin; it was a body of "precepts" (statutes, A.V.) giving rich

variety of directions; it was "commandment," blessedly imperative; it

was "fear of the Lord," the effect being put for the cause; it was

"judgments," the decisions of infinite truth concerning duty.

These synonyms have each an attribute attached, which, together, give

a grand aggregate of qualities discerned by a devout heart to inhere

in that law which is to so many but a restraint and a foe. It is

"perfect," as containing without flaw or defect the ideal of conduct;

"sure" or reliable, as worthy of being absolutely followed and certain

to be completely fulfilled; "right," as prescribing the straight road

to man's true goal; "pure" or bright, as being light like the sun, but

of a higher quality than that material brilliance; "clean," as

contrasted with the foulness bedaubing false faiths and making idol

worship unutterably loathsome; "true" and "wholly righteous," as

corresponding accurately to the mind of Jehovah and the facts of

humanity and as being in full accordance with the justice which has

its seat in the bosom of God.

The effects are summed up in the latter clauses of these verses, which

stand, as it were, a little apart, and by the slight pause are made more

emphatic. The rhythm rises and falls like the upspringing and sinking of

a fountain. The law "restores the soul," or rather refreshes the life,

as food does; it "makes the simple wise" by its sure testimony, giving

practical guidance to narrow understandings and wills open to easy

beguiling by sin; it "rejoices the heart," since there is no gladness

equal to that of knowing and doing the will of God; it "enlightens the

eyes" with brightness beyond that of the created light which rules the

day. Then the relation of clauses changes slightly in ver. 9, and a

second attribute takes the place of the effect. It "endures for ever,"

and, as we have seen, is "wholly righteous." The Old Testament law was

relatively imperfect and destined to be done away, but the moral core of

it abides. Being more valuable than all other treasures, there is wealth

in the very desire after it more than in possessing these. Loved, it

yields sweetness in comparison with which the delights of sense are

bitter; done, it automatically rewards the doer. If obedience had no

results except its inward consequences, it would be abundantly repaid.

Every true servant of Jehovah will be willing to be warned by that

voice, even though it rebuke and threaten.

All this rapture of delight in the law contrasts with the impatience

and dislike which some men entertain for it. To the disobedient that

law spoils their coarse gratifications. It is as a prison in which

life is wearisomely barred from delights; but they who dwell behind

its fences know that these keep evils off, and that within are calm

joys and pure pleasures.

The contemplation of the law cannot but lead to self-examination, and

that to petition. So the psalmist passes into prayer. His shortcomings

appal, for "by the law is the knowledge of sin," and he feels that

beyond the sin which he knows, there is a dark region in him where foul

things nestle and breed fast. "Secret faults" are those hidden, not from

men, but from himself. He discovers that he has hitherto undiscovered

sins. Lurking evils are most dangerous because, like aphides on the

under-side of a rose leaf, they multiply so quickly unobserved; small

deeds make up life, and small, unnoticed sins darken the soul. Mud in

water, at the rate of a grain to a glassful, will make a lake opaque.

"Happy is he that condemneth not himself in that thing which he

alloweth." Conscience needs educating; and we have to compare ourselves

with the ideal of perfect life in Jesus, if we would know our faults,

as young artists go over their copies in front of the masterpiece. But

the psalmist knows that, servant of God though he is, he is in danger

from another class of sins, and so prays to be held back from

"presumptuous sins," _i.e._ wilful conscious transgressions. Such

deliberate contraventions of law tend to become habitual and despotic;

so the prayer follows that they may not "have dominion." But even that

is not the lowest depth. Deliberate sin, which has gained the upper

hand, is but too apt to end in apostacy. "Great transgression" is

probably a designation for casting off the very pretence of worshipping

Jehovah. That is the story of many a fall. First, some unsuspected evil

habit gnaws away the substance of the life, as white ants do wood,

leaving the shell apparently intact; then come sins open and palpable,

and these enslave the will, becoming habits, and then follows entire

abandonment of the profession of religion. It is a slippery, dark

stairway, and the only safety is in not setting foot on the top step.

God, and God only, can "keep us back." He will, if we cling to Him,

knowing our weakness. Thus clinging, we may unblamed cherish the daring

hope that we shall be "upright and innocent," since nothing less than

entire deliverance from sin in all its forms and issues can correspond

to the will of God concerning us and the power of God in us, nor satisfy

our deepest desires.

The closing aspiration is that Jehovah would accept the song and prayer.

There is an allusion to the acceptance of a sacrifice, for the phrase

"be acceptable" is frequent in connection with the sacrificial ritual.

When the words of the mouth coincide with the meditation of the heart,

we may hope that prayers for cleansing from, and defence against, sin,

offered to Him whom our faith recognises as our "strength" and our

"Redeemer," will be as a sacrifice of a sweet smell, well-pleasing to

God. He best loves the law of Jehovah who lets it teach him his sin, and

send him to his knees; he best appreciates the glories of the silent

heavens who knows that their witness to God is but the prelude of the

deeper music of the Scriptures' declaration of the heart and will of

Jehovah, and who grasps Him as his "strength and his Redeemer" from all

evil, whether evil of sin or evil of sorrow.

The Expositor's Bible: The Psalms, Vol. 1 Psalms I.-XXXVIII. · 第 41 / 74 题