PSALM X.

1 (ל) Why, Jehovah, dost Thou stand far off?

Why veilest [Thine eyes] in times of extremity?

2 Through the pride of the wicked the afflicted is burned away;

They are taken in the plots which these have devised.

3 For the wicked boasts of his soul's desire,

And the rapacious man renounces, contemns, Jehovah.

4 The wicked, by (lit., according to) the uplifting of his nostrils,

[says,] He will not inquire;

There is no God, is all his thought.

5 His ways are stable at all times;

High above [him] are Thy judgments, remote from before him;

His adversaries--he snorts at them.

6 He says in his heart, I shall not be moved;

To generation after generation, [I am he] who never falls into

adversity.

7 Of cursing his mouth is full, and deceits, and oppression;

Under his tongue are mischief and iniquity.

8 He couches in the hiding-places of the villages;

In secret he slays the innocent;

His eyes watch the helpless.

9 He lies in wait in secret, like a lion in his lair;

He lies in wait to seize the afflicted;

He seizes the afflicted, dragging him in his net.

10 He crouches, he bows down,

And there falls into his strong [claws] the helpless.

11 He says in his heart, God forgets;

He hides His face, He will not ever see it.

12 (ק) Rise! Jehovah, God! lift up Thy hand!

Forget not the afflicted.

13 Wherefore does the wicked blaspheme God,

[And] say in his heart, Thou wilt not inquire?

14 (ר) Thou hast seen, for Thou, Thou dost behold mischief and

trouble, to take it into Thy hand;

To Thee the helpless leaves himself;

The orphan, Thou, Thou hast been his Helper.

15 (ש) Break the arm of the wicked;

As for the evil man, inquire for his wickedness [till] Thou find

none.

16 Jehovah is King for ever and aye;

The nations are perished out of the land.

17 (ת) The desire of the meek Thou hast heard, Jehovah;

Thou wilt prepare their heart, wilt make Thine ear attentive

18 To do judgment for the orphan and downtrodden;

Terrible no more shall the man of the earth be.

Psalms ix. and x. are alike in their imperfectly acrostic structure,

the occurrence of certain phrases--_e.g._, the very uncommon

expression for "times of trouble" (ix. 9; x. 1), "Arise, O Lord" (ix.

19; x. 12)--and the references to the nations' judgment. But the

differences are so great that the hypothesis of their original unity

is hard to accept. As already remarked, the enemies are different. The

tone of the one psalm is jubilant thanksgiving for victory won and

judgment effected; that of the other is passionate portraiture of a

rampant foe and cries for a judgment yet unmanifested. They are a

pair, though why the psalmist should have bound together two songs of

which the unlikenesses are at least as great as the likenesses it is

not easy to discover. The circumstances of his day may have brought

the cruelty of domestic robbers close upon the heels of foreign foes,

as is often the case, but that is mere conjecture.

The acrostic structure is continued into Psalm x., as if the last

stanza of ix. had begun with the regular Kaph instead of the cognate

Qoph; but it then disappears till ver. 12, from which point it

continues to the end of the psalm, with the anomaly that one of the

four stanzas has but one verse: the unusually long verse 14. These

four stanzas are allotted to the four last letters of the alphabet.

Six letters are thus omitted, to which twelve verses should belong.

The nine non-acrostic verses (3-11) are by some supposed to be

substituted for the missing twelve, but there are too many verbal

allusions to them in the subsequent part of the psalm to admit of

their being regarded as later than it. Why, then, the break in the

acrostic structure? It is noticeable that the (acrostic) psalm ix. is

wholly addressed to God, and that the parts of x. which are addressed

to Him are likewise acrostic, the section vv. 3-11 being the vivid

description of the "wicked," for deliverance from whom the psalmist

prays. The difference of theme may be the solution of the difference

of form, which was intended to mark off the prayer stanzas and to

suggest, by the very continuity of the alphabetical scheme and the

allowance made for the letters which do not appear, the calm flow of

devotion and persistency of prayer throughout the parenthesis of

oppression. The description of the "wicked" is as a black rock damming

the river, but it flows on beneath and emerges beyond.

The psalm falls into two parts after the introductory verse of

petition and remonstrance: vv. 3-11, the grim picture of the enemy of

the "poor"; and vv. 12-18, the cry for deliverance and judgment.

The first stanza (vv. 1, 2) gives in its passionate cry a general

picture of the situation, which is entirely different from that of

Psalm ix. The two opposite characters, whose relations occupy so much

of these early psalms, "the wicked" and "the poor," are, as usual,

hunter and hunted, and God is passive, as if far away, and hiding His

eyes. The voice of complaining but devout remonstrance is singularly

like the voice of arrogant godlessness (vv. 4-11), but the fact which

brings false security to the one moves the other to prayer. The

boldness and the submissiveness of devotion are both throbbing in that

"Why?" and beneath it lies the entreaty to break this apparent apathy.

Ver. 2 spreads the facts of the situation before God. "Through the

pride of the wicked the afflicted is burned," _i.e._, with anguish,

_pride_ being the fierce fire and _burning_ being a vigorous

expression for anguish, or possibly for destruction. The ambiguous

next clause may either have "the wicked" or "the poor" for its

subject. If the former (R. V.), it is a prayer that the retribution

which has been already spoken of in Psalm ix. may fall, but the

context rather suggests the other construction, carrying on the

description of the sufferings of the poor, with an easy change to the

plural, since the singular is a collective. This, then, being how

things stand, the natural flow of thought would be the continuance of

the prayer; but the reference to the enemy sets the psalmist on fire,

and he "burns" in another fashion, flaming out into a passionate

portraiture of the wicked, which is marked as an interruption to the

current of his song by the cessation of the acrostic arrangement.

The picture is drawn with extraordinary energy, and describes first

the character (vv. 3-6) and then the conduct of the wicked. The style

reflects the vehemence of the psalmist's abhorrence, being full of

gnarled phrases and harsh constructions. As with a merciless scalpel

the inner heart of the man is laid open. Observe the recurrence of

"saith," "thoughts," and "saith in his heart." But first comes a

feature of character which is open and palpable. He "boasts of his

soul's desire." What is especially flagrant in that? The usual

explanation is that he is not ashamed of his shameful lusts, but

glories in them, or that he boasts of succeeding in all that he

desires. But what will a good man do with his heart's desires? Ver. 7

tells us, namely breathe them to God; and therefore to boast of them

instead is the outward expression of godless self-confidence and

resolve to consult inclination and not God. The word rendered _boast_

has the two significations of _pray_ and _boast_, and the use of it

here, in the worse one, is parallel with the use of _bless_ or

_renounce_ in the next clause. The wicked is also "rapacious," for

"covetous" is too weak. He grasps all that he can reach by fair or

foul means. Such a man in effect and by his very selfish greed

"renounces, contemns God." He may be a worshipper; but his "blessing"

is like a parting salutation, dismissing Him to whom it is addressed.

There is no need to suppose that conscious apostacy is meant. Rather

the psalmist is laying bare the under-meaning of the earth-bound man's

life, and in effect anticipates Christ's "Ye cannot serve God and

mammon" and Paul's "covetousness which is idolatry."

The next trait of character is practical atheism and denial of Divine

retribution. The Hebrew is rough and elliptical, but the A.V. misses

its point, which the R.V. gives by the introduction of "saith." "The

pride of his countenance" is literally "the elevation of his nose."

Translate those upturned nostrils into words, and they mean that God

will not require (seek, in the sense of punish). But a God who does

not punish is a dim shape, through which the empty sky is seen, and

the denial (or forgetfulness) of God's retributive judgment is

equivalent to denying that there is a God at all.

Thus armed, the wicked is in fancied security. "His ways are

firm"--_i.e._, he prospers--and, in the very madness of arrogance, he

scoffs at God's judgments as too high up to be seen. His scoff is a

truth, for how can eyes glued to earth see the solemn lights that move

in the heavens? Purblind men say, We do not see them, and mean, They are

not; but all that their speech proves is their own blindness. Defiant of

God, he is truculent to men, and "snorts contempt at his enemies." "In

his heart he says, I shall not be moved." The same words express the

sane confidence of the devout soul and the foolish presumption of the

man of the earth; but the one says, "because He is at my right hand,"

and the other trusts in himself. "To all generations I shall not be in

adversity" (R.V.). The Hebrew is gnarled and obscure; and attempts to

amend the text have been made (compare Cheyne, Grätz _in loc._), but

needlessly. The confidence has become almost insane, and has lost sight

altogether of the brevity of life. "His inward thought is that he shall

continue for ever" (Psalm xlix.). "Pride stifles reason. The language of

the heart cannot be translated into spoken words without seeming

exaggeration" (Cheyne). He who can be so blind to facts as to find no

God may well carry his blindness a step further and wink hard enough to

see no death, or may live as if he did not.

Following the disclosure of the inner springs of life in the secret

thoughts comes, in vv. 7-10, the outcome of these in word and deed. When

the wicked "lets the rank tongue blossom into speech," the product is

affronts to God and maledictions, lies, mischiefs, for men. These stuff

the mouth full, and lie under the tongue as sweet morsels for the

perverted taste or as stored there, ready to be shot out. The deeds

match the words. The vivid picture of a prowling lion seems to begin in

ver. 8, though it is sometimes taken as the unmetaphorical description

of the wicked man's crime. The stealthy couching of the beast of prey,

hiding among the cover round the unwalled village or poorly sheltered

fold, the eyes gleaming out of the darkness and steadfastly fixed on the

victim with a baleful light in them, belong to the figure, which is

abruptly changed in one clause (ver. 9 _c_) into that of a hunter with

his net, and then is resumed and completed in ver. 10, where the R.V.

is, on the whole, to be preferred--"He croucheth; he boweth down"--as

resuming the figure at the point where it had been interrupted and

finishing it in the next clause, with the helpless victim fallen into

the grip of the strong claws. With great emphasis the picture is rounded

off (ver. 11) with the repetition of the secret thought of God's

forgetfulness, which underlies the cruel oppression.

This whole section indicates a lawless condition in which open violence,

robbery, and murder were common. In Hosea's vigorous language, "blood

touched blood," the splashes being so numerous that they met, and the

land was red with them. There is no reason to suppose that the picture

is ideal or exaggerated. Where in the turbulent annals of Israel it is

to be placed must remain uncertain; but that it is a transcript of

bitter experience is obvious, and the aspect which it presents should be

kept in view as a corrective of the tendency to idealise the moral

condition of Israel, which at no time was free from dark stains, and

which offered only too many epochs of disorganisation in which the dark

picture of the psalm could have been photographed from life.

The phrases for the victims in this section are noteworthy: "the

innocent"; "the helpless"; "the poor." Of these the first and last are

frequent, and the meaning obvious. There is a doubt whether the last

should be regarded as the designation of outward condition or of

disposition, _i.e._ whether "meek" or "poor" is the idea. There are two

cognate words in Hebrew, one of which means one who is bowed down,

_i.e._ by outward troubles, and the other one who bows himself down,

_i.e._ is meek. The margin of the Hebrew Bible is fond of correcting

these words when they occur in the text and substituting the one for the

other, but arbitrarily; and it is doubtful whether in actual usage there

is any real distinction between them. "Helpless" is a word only found in

this psalm (vv. 8, 10, 14), which has received various explanations, but

is probably derived from a root meaning _to be black_, and hence comes

to mean _miserable_, _hapless_, or the like. All the designations refer

to a class--namely, the devout minority, the true Israel within

Israel--and hence the plurals in vv. 10, 12, and 17.

The second part of the psalm (ver. 12 to end) is the prayer, forced

from the heart of the persecuted remnant, God's little flock in the

midst of wolves. No trace of individual reference appears in it, nor

any breath of passion or vengeance, such as is found in some of the

psalms of persecution; but it glows with indignation at the

blasphemies which are, for the moment, triumphant, and cries aloud to

God for a judicial act which shall shatter the dream that He does not

see and will not requite. That impious boast, far more than the

personal incidence of sufferings, moves the prayer. As regards its

form, the reappearance of the acrostic arrangement is significant, as

is the repetition of the prayer and letter of ix. 19, which binds the

two psalms together. The acrostic reappears with the direct address to

God. The seven verses of the prayer are divided by it into four

groups, one of which is abnormal as containing but one verse, the

unusual length of which, however, somewhat compensates for the

irregularity (ver. 14). The progress of thought in them follows the

logic of emotional prayer rather than of the understanding. First,

there are a vehement cry for God's intervention and a complaint of His

mysterious apparent apathy. The familiar figure for the Divine

flashing forth of judgment, "Arise, O Lord," is intensified by the

other cry that He would "lift His hand." A God who has risen from His

restful throne and raised His arm is ready to bring it down with a

shattering blow; but before it falls the psalmist spreads in God's

sight the lies of the scornful men. They had said (ver. 11) that He

forgot; the prayer pleads that He would not forget. Their confidence

was that He did not see nor would requite; the psalmist is bold to ask

the reason for the apparent facts which permit such a thought. The

deepest reverence will question God in a fashion which would be

daring, if it were not instinct with the assurance of the clearness of

His Divine knowledge of evil and of the worthiness of the reasons for

its impunity. "Wherefore doest Thou thus?" may be insolence or faith.

Next, the prayer centres itself on the facts of faith, which sense

does not grasp (ver. 14). The specific acts of oppression which force

out the psalmist's cry are certainly "seen" by God, for it is His very

nature to look on all such ("Thou" in ver. 14 is emphatic); and faith

argues from the character to the acts of God and from the general

relation of all sin towards Him to that which at present afflicts the

meek. But is God's gaze on the evil an idle look? No; He sees, and the

sight moves Him to act. Such is the force of "to take it into Thy

hand," which expresses the purpose and issue of the beholding. What He

sees He "takes in hand," as we say, with a similar colloquialism. If a

man believes these things about God, it will follow of course that he

will leave himself in God's hand, that uplifted hand which prayer has

moved. So ver. 14 is like a great picture in two compartments, as

Raphael's Transfiguration. Above is God, risen with lifted arm,

beholding and ready to strike; beneath is the helpless man, appealing

to God by the very act of "leaving" himself to Him. That absolute

reliance has an all-prevalent voice which reaches the Divine heart, as

surely as her child's wail the mother's; and wherever it is exercised

the truth of faith which the past has established becomes a truth of

experience freshly confirmed. The form of the sentence in the Hebrew

(the substantive verb with a participle, "Thou hast been helping")

gives prominence to the continuousness of the action: It has always

been Thy way, and it is so still. Of course "fatherless" here is

tantamount to the "hapless," or poor, of the rest of the psalm.

Then at last comes the cry for the descent of God's uplifted hand (vv.

15, 16). It is not invoked to destroy, but simply to "break the arm"

of, the wicked, _i.e._ to make him powerless for mischief, as a

swordsman with a shattered arm is. One blow from God's hand lames, and

the arm hangs useless. The impious denial of the Divine retribution

still affects the psalmist with horror; and he returns to it in the

second clause of ver. 15, in which he prays that God would "seek

out"--_i.e._, require and requite, so as to abolish and make utterly

non-existent--the wicked man's wickedness. The yearning of every heart

that beats in sympathy with and devotion to God, especially when it is

tortured by evil experienced or beheld flourishing unsmitten, is for

its annihilation. There is no prayer here for the destruction of the

doer; but the reduction to nothingness of his evil is the worthy

aspiration of all the good, and they who have no sympathy with such a

cry as this have either small experience of evil, or a feeble

realisation of its character.

The psalmist was heartened to pray his prayer, because "the nations

are perished out of His land." Does that point back to the great

instance of exterminating justice in the destruction of the

Canaanites? It may do so, but it is rather to be taken as referring to

the victories celebrated in the companion psalm. Note the recurrence

of the words "nations" and "perished," which are drawn from it. The

connection between the two psalms is thus witnessed, and the

deliverance from foreign enemies, which is the theme of Psalm ix., is

urged as a plea with God and taken as a ground of confidence by the

psalmist himself for the completion of the deliverance by making

domestic oppressors powerless. This lofty height of faith is preserved

in the closing stanza, in which the agitation of the first part and

the yearning of the second are calmed into serene assurance that the

_Ecclesia pressa_ has not cried nor ever can cry in vain. Into the

praying, trusting heart "the peace of God, which passeth

understanding," steals, and the answer is certified to faith long

before it is manifest to sense. To pray and immediately to feel the

thrilling consciousness, "Thou hast heard," is given to those who pray

in faith. The wicked makes a boast of his "desire"; the humble makes

a prayer of it, and so has it fulfilled. Desires which can be

translated into petitions will be converted into fruition. If the

heart is humble, that Divine breath will be breathed over and into it

which will prepare it to desire only what accords with God's will, and

the prepared heart will always find God's ear open. The cry of the

_hapless_, which has been put into their lips by God himself, is the

appointed prerequisite of the manifestations of Divine judgment which

will relieve the earth of the incubus of "the man of the earth."

"Shall not God avenge His own elect, though He bear long with them? I

tell you that He will avenge them speedily." The prayer of the humble,

like a whisper amid the avalanches, has power to start the swift,

white destruction on its downward path; and when once that gliding

mass has way on it, nothing which it smites can stand.

The Expositor's Bible: The Psalms, Vol. 1 Psalms I.-XXXVIII. · 第 32 / 74 题