Borrow could look at Nature without thinking of himself—a rare gift, for
Nature, as I have said, has been disappointed in man. Her great desire
from the first has been to grow an organism so conscious that it can turn
round and look at her with intelligent eyes. She has done so at last,
but the consciousness is so high as to be self-conscious, and man cannot
for egotism look at his mother after all. Borrow was a great exception.
Thoreau’s self-consciousness showed itself in presence of Nature,
Borrow’s in presence of man. The very basis of Borrow’s nature was
reverence. His unswerving belief in the beneficence of God was most
beautiful, most touching. In his life Borrow had suffered much: a
temperament such as his must needs suffer much—so shy it was, so proud,
and yet yearning for a close sympathy such as no creature and only
solitary communing with Nature can give. Under any circumstances, I say,
Borrow would have known how sharp and cruel are the flints along the
road—how tender are a poet’s feet; but _his_ road at one time was rough
indeed; not when he was with his gipsy friends (for a tent is freer than
a roof, according to the grammarian of Codling Gap, and roast hedgehog is
the daintiest of viands), but when he was toiling in London, his fine
gifts unrecognized and useless—_that_ was when Borrow passed through the
fire. Yet every sorrow and every disaster of his life he traced to the
kindly hand of a benevolent and wise Father, who sometimes will use a
whip of scorpions, but only to chastise into a right and happy course the
children he loves.
Apart from the instinctive rectitude of his nature, it was with Borrow a
deep-rooted conviction that sin never goes, and never can go, unpunished.
His doctrine, indeed, was something like the Buddhist doctrine of
Karma—it was based on an instinctive apprehension of the sacredness of
“law” in the most universal acceptation of that word. Sylvester
Boswell’s definition of a free man, in that fine, self-respective
certificate of his, as one who is “free from all cares or fears of law
that may come against him,” is, indeed, the gospel of every true
nature-worshipper. The moment Thoreau spurned the legal tax-gatherer the
law locked the nature-worshipper in gaol. To enjoy nature the soul
_must_ be free—free not only from tax-gatherers, but from sin; for every
wrongful act awakes, out of the mysterious bosom of Nature herself, its
own peculiar serpent, having its own peculiar stare, but always hungry
and bloody-fanged, which follows the delinquent’s feet whithersoever they
go, gliding through the dewy grass on the brightest morning, dodging
round the trees on the calmest eve, wriggling across the brook where the
wrongdoer would fain linger on the stepping-stones to soothe his soul
with the sight of the happy minnows shooting between the
water-weeds—following him everywhere, in short, till at last, in sheer
desperation, he must needs stop and turn, and bare his breast to the
fangs; when, having yielded up to the thing its fill of atoning blood,
Nature breaks into her old smile again, and he goes on his way in peace.
All this Borrow understood better than any man I have ever met. Yet even
into his doctrine of Providence Borrow imported such an element of whim
that it was impossible to listen to him sometimes without a smile. For
instance, having arrived at the conclusion that a certain lieutenant had
been cruelly ill used by genteel magnates high in office, Borrow
discovered that since that iniquity Providence had frowned on the British
arms, and went on to trace the disastrous blunder of Balaklava to this
cause. Again, having decided that Sir Walter Scott’s worship of
gentility and Jacobitism had been the main cause of the revival of
flunkeyism and Popery in England, Borrow saw in the dreadful monetary
disasters which overclouded Scott’s last days the hand of God, whose plan
was to deprive him of the worldly position Scott worshipped at the very
moment when his literary fame (which he misprized) was dazzling the
world.
And now as to the gipsy wanderings. As I have said, no man has been more
entirely misunderstood than Borrow. That a man who certainly did (as F.
H. Groome says) look like a “colossal clergyman” should have joined the
gipsies, that he should have wandered over England and Europe, content
often to have the grass for his bed and the sky for his hostry-roof, has
astonished very much (and I believe scandalized very much) this age. My
explanation of the matter is this: Among the myriads of children born
into a world of brick and mortar there appears now and then one who is
meant for better things—one who exhibits unmistakable signs that he
inherits the blood of those remote children of the open air who,
according to the old Sabæan notion, on the plains of Asia lived with
Nature, loved Nature and were loved by her, and from whom all men are
descended. George Borrow was one of those who show the olden strain.
Now, for such a man, born in a country like England, where the modern
fanaticism of house-worship has reached a condition which can only be
called maniacal, what is there left but to try for a time the gipsy’s
tent? On the Continent house-worship is strong enough in all conscience;
but in France, in Spain, in Italy, even in Germany, people do think of
something beyond the house. But here, where there are no romantic
crimes, to get a genteel house, to keep (or “run”) a genteel house, or to
pretend to keep (or “run”) a genteel house, is the great first cause of
almost every British delinquency, from envy and malignant slander up to
forgery, robbery, and murder. And yet it is a fact, as Borrow discovered
(when a mere lad in a solicitor’s office), that to men in health the
house need not, and should not, be the all-absorbing consideration, but
should be quite secondary to considerations of honesty and sweet air,
pure water, clean linen, good manners, freedom to migrate at will, and,
above all, freedom from “all cares or fears of law” that may come against
a man in the shape of debts, duns, and tax-gatherers.
Against this folly of softening our bodies by “snugness” and degrading
our souls by “flunkeyism,” Borrow’s early life was a protest. He saw
that if it were really unwholesome for man to be shone upon by the sun,
blown upon by the winds, and rained upon by the rain, like all the other
animals, man would never have existed at all, for sun and wind and rain
have produced him and everything that lives. He saw that for the
cultivation of health, honesty, and good behaviour every man born in the
temperate zone ought, unless King Circumstance says “No,” to spend in the
open air eight or nine hours at least out of the twenty-four, and ought
to court rather than to shun Nature’s sweet shower-bath the rain, unless,
of course, his chest is weak.
The evanescence of literary fame is strikingly illustrated by recalling
at this moment my first sight of Borrow. I could not have been much more
than a boy, for I and a friend had gone down to Yarmouth in March to
enjoy the luxury of bathing in a Yarmouth sea, and it is certainly a
“good while”—to use Borrow’s phrase—since I considered _that_ a luxury
suitable to March. On the morning after our arrival, having walked some
distance out of Yarmouth, we threw down our clothes and towels upon the
sand some few yards from another heap of clothes, which indicated, to our
surprise, that we were not, after all, the only people in Yarmouth who
could bathe in a biting wind; and soon we perceived, ducking in an
immense billow that came curving and curling towards the shore, such a
pair of shoulders as I had not seen for a long time, crowned by a head
white and glistening as burnished silver. (Borrow’s hair was white I
believe, when he was quite a young man.) When the wave had broken upon
the sand, there was the bather wallowing on the top of the water like a
Polar bear disporting in an Arctic sun. In swimming Borrow clawed the
water like a dog. I had plunged into the surf and got very close to the
swimmer, whom I perceived to be a man of almost gigantic proportions,
when suddenly an instinct told me that it was Lavengro himself, who lived
thereabouts, and the feeling that it was he so entirely stopped the
action of my heart that I sank for a moment like a stone, soon to rise
again, however, in glow of pleasure and excitement: so august a presence
was Lavengro’s then!
I ought to say, however, that Borrow was at that time my hero. From my
childhood I had taken the deepest interest in proscribed races such as
the Cagots, but especially in the persecuted children of Roma. I had
read accounts of whole families being executed in past times for no other
crime than that of their being born gipsies, and tears, childish and yet
bitter, had I shed over their woes. Now Borrow was the recognized
champion of the gipsies—the friend companion, indeed, of the proscribed
and persecuted races of the world. Nor was this all: I saw in him more
of the true Nature instinct than in any other writer—or so, at least, I
imagined. To walk out from a snug house at Rydal Mount for the purpose
of making poetical sketches for publication seemed to me a very different
thing from having no home but a tent in a dingle, or rather from Borrow’s
fashion of making all Nature your home. Although I would have given
worlds to go up and speak to him as he was tossing his clothes upon his
back, I could not do it. Morning after morning did I see him undress,
wallow in the sea, come out again, give me a somewhat sour look, dress,
and then stride away inland at a tremendous pace, but never could I speak
to him; and many years passed before I saw him again. He was then half
forgotten.
For an introduction to him at last I was indebted to Dr. Gordon Hake, the
poet, who had known Borrow for many years, and whose friendship Borrow
cherished above most things—as was usual, indeed, with the friends of Dr.
Hake. This was done with some difficulty, for, in calling at Roehampton
for a walk through Richmond Park and about the Common, Borrow’s first
question was always, “Are you alone?” and no persuasion could induce him
to stay unless it could be satisfactorily shown that he would not be
“pestered by strangers.” On a certain morning, however, he called, and
suddenly coming upon me, there was no retreating, and we were introduced.
He tried to be as civil as possible, but evidently he was much annoyed.
Yet there was something in the very tone of his voice that drew my heart
to him, for to me he was the Lavengro of my boyhood still. My own
shyness had been long before fingered off by the rough handling of the
world, but his retained all the bloom of youth, and a terrible barrier it
was, yet I attacked it manfully. I knew that Borrow had read but little
except in his own out-of-the-way directions; but then unfortunately, like
all specialists, he considered that in these his own special directions
lay all the knowledge that was of any value. Accordingly, what appeared
to Borrow as the most striking characteristic of the present age was its
ignorance.
Unfortunately, too, I knew that for strangers to talk of his own
published books or of gipsies appeared to him to be “prying,” though
there I should have been quite at home. I knew, however, that in the
obscure English pamphlet literature of the last century, recording the
sayings and doings of eccentric people and strange adventurers, Borrow
was very learned, and I too chanced to be far from ignorant in that
direction. I touched on Bamfylde Moore Carew, but without effect.
Borrow evidently considered that every properly educated man was familiar
with the story of Bamfylde Moore Carew in its every detail. Then I
touched upon beer, the British bruiser, “gentility-nonsense,” the
“trumpery great”; then upon etymology, traced hoity-toityism to _toit_, a
roof,—but only to have my shallow philology dismissed with a withering
smile. I tried other subjects in the same direction, but with small
success, till in a lucky moment I bethought myself of Ambrose Gwinett.
There is a very scarce eighteenth-century pamphlet narrating the story of
Ambrose Gwinett, the man who, after having been hanged and gibbeted for
murdering a traveller with whom he had shared a double-bedded room at a
seaside inn, revived in the night, escaped from the gibbet irons, went to
sea as a common sailor, and afterwards met on a British man-of-war the
very man he had been hanged for murdering. The truth was that Gwinett’s
supposed victim, having been attacked on the night in question by a
violent bleeding at the nose, had risen and left the house for a few
minutes’ walk in the sea-breeze, when the press-gang captured him and
bore him off to sea, where he had been in service ever since. The story
is true, and the pamphlet, Borrow afterwards told me (I know not on what
authority), was written by Goldsmith from Gwinett’s dictation for a
platter of cowheel.
To the bewilderment of Dr. Hake, I introduced the subject of Ambrose
Gwinett in the same manner as I might have introduced the story of
“Achilles’ wrath,” and appealed to Dr. Hake (who, of course, had never
heard of the book or the man) as to whether a certain incident in the
pamphlet had gained or lost by the dramatist who, at one of the minor
theatres, had many years ago dramatized the story. Borrow was caught at
last. “What?” said he, “you know that pamphlet about Ambrose Gwinett?”
“Know it?” said I, in a hurt tone, as though he had asked me if I knew
‘Macbeth’; “of course I know Ambrose Gwinett, Mr. Borrow, don’t you?”
“And you know the play?” said he. “Of course I do, Mr. Borrow?” I said,
in a tone that was now a little angry at such an insinuation of crass
ignorance. “Why,” said he, “it’s years and years since it was acted; I
never was much of a theatre man, but I did go to see _that_.” “Well, I
should rather think you _did_, Mr. Borrow,” said I. “But,” said he,
staring hard at me, “_you_—you were not born!” “And I was not born,”
said I, “when the ‘Agamemnon’ was produced, and yet one reads the
‘Agamemnon,’ Mr. Borrow. I have read the drama of ‘Ambrose Gwinett.’ I
have it bound in morocco with some more of Douglas Jerrold’s early
transpontine plays, and some Æschylean dramas by Mr. Fitzball. I will
lend it to you, Mr. Borrow, if you like.” He was completely conquered.
“Hake!” he cried, in a loud voice, regardless of my presence. “Hake!
your friend knows everything.” Then he murmured to himself, “Wonderful
man! Knows Ambrose Gwinett!”
It is such delightful reminiscences as these that will cause me to have
as long as I live a very warm place in my heart for the memory of George
Borrow.
From that time I used to see Borrow often at Roehampton, sometimes at
Putney, and sometimes, but not often, in London. I could have seen much
more of him than I did had not the whirlpool of London, into which I
plunged for a time, borne me away from this most original of men; and
this is what I so greatly lament now: for of Borrow it may be said, as it
was said of a greater man still, that “after Nature made _him_ she
forthwith broke the mould.” The last time I ever saw him was shortly
before he left London to live in the country. It was, I remember well,
on Waterloo Bridge, where I had stopped to gaze at a sunset of singular
and striking splendour, whose gorgeous clouds and ruddy mists were
reeling and boiling over the West-End. Borrow came up and stood leaning
over the parapet, entranced by the sight, as well he might be. Like most
people born in flat districts, he had a passion for sunsets. Turner
could not have painted that one, I think, and certainly my pen could not
describe it; for the London smoke was flushed by the sinking sun and had
lost its dunness, and, reddening every moment as it rose above the roofs,
steeples, and towers, it went curling round the sinking sun in a rosy
vapour, leaving, however, just a segment of a golden rim, which gleamed
as dazzlingly as in the thinnest and clearest air—a peculiar effect which
struck Borrow deeply. I never saw such a sunset before or since, not
even on Waterloo Bridge; and from its association with “the last of
Borrow” I shall never forget it.