2621. WILLOWS.

_Charles François Daubigny_ (French: 1817-1878).

Daubigny was the youngest member of the "Barbizon" group;

and, though he has artistic affinity with them, and regarded

Corot as his master, he painted not in their chosen district,

but on the banks of the Oise. His landscapes have not the

poetry of Corot's, nor the force of Rousseau's; but they

are more comfortable, as it were, and human. Corot's world

might be inhabited by dryads; in Rousseau's landscapes man

is subordinate or overpowered; Daubigny paints nature as the

pleasant abode of human beings fond of the country--commons

not too remote from a garden wall, the banks of pleasant

streams where men may boat or fish. The country with him is

full of fresh air. "There is a story told of a poor young

man, afflicted with consumption, who coming suddenly before a

work of Daubigny, exclaimed, 'Ah, I can breathe better now'"

(Thomson's _Barbizon School_, p. 283).

Daubigny's life is in accord with what have been suggested

above as characteristic notes of his art. He had no privations,

storms, or struggles. He was born at Paris, in an artistic

family; and as a youth assisted his father in painting boxes,

clock-cases and the like. He was a delicate child, and had

lived much with his nurse Bazot at Valmondois on the Oise,

where too he afterwards spent many holidays and where in later

years he made his home. At the age of 18 he went to Italy,

where the pictures of Claude especially attracted him. On his

return he was engaged for a time as a picture-restorer. He

studied with Paul Delaroche, but struck out a line for himself

in landscape pictures and etchings, and his works gradually

found favour. He had a boat made for voyaging on the Oise and

Seine, and this served as a floating studio. He built himself a

house at Auvers on the Oise, which was decorated with paintings

by Corot and other artist-friends. In 1866 he was invited by

Leighton and others to visit England, and he exhibited at the

Academy. In 1859 he had been made a Chevalier of the Legion of

Honour, and in 1874 he was promoted to the grade of Officer.

On his death-bed he said to those about him "Adieu; I am going

to see above if friend Corot has found me any _motifs_ for

landscapes."

Sunset effect on a lake; with brilliant colours piercing through the

trees to the water. Signed, and dated 1874.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 1214 / 1401 题