2512. THE MAGDALEN.

_Correggio_ (Parmese: 1494-1534). _See 10._

"The art of Correggio with its deep sense of beauty and its tender

sensibility was peculiarly fitted," says Signor Ricci, "to give life

and grace to the figure of the Magdalen. He introduced it in many of

his large compositions, and made it the subject of several separate

studies, but not one of the latter has survived." If this be an

authentic work, the statement requires correction; but the head of the

Magdalen is not convincingly Correggiesque.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 1114 / 1401 题