1682. VIRGIN AND CHILD.

_Francesco di Giorgio_ (Sienese: 1439-1502).

Francesco di Giorgio Martini was one of the most distinguished

architects and engineers of his time. He wrote a treatise on

"Civil and Military Architecture," and was a great authority,

says Vasari, on "all instruments required for the purposes of

war." There are two altar-pieces by him in the Siena Academy,

and he also occasionally produced works in sculpture: "this he

could do very conveniently, being a man of fair possessions as

well as of remarkable ability, wherefore he did not work for

the sake of gain, but for his own pleasure, and when he felt

inclined, to the end that he might leave honourable memorials

of his existence behind him."

"This quaint little picture represents the Virgin in the attitude of

walking, leading the Infant Saviour by the hand. She wears a white

dress, shaded blue, with a small gold pattern delicately painted upon

it, and a rose-coloured mantle lined with dark green, and holds in her

right hand a branch of roses. The drapery falls with much grace, and

she looks down with a sweet expression to the Child" (_National Gallery

Report_, 1899).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 973 / 1401 题