1675. PORTRAIT OF AN OLD LADY.

_Rembrandt_ (Dutch: 1606-1669). _See 45._

A noble portrait. Rembrandt was a painter who reverenced old age, and

gave its dignity and beauty to faces the least promising. We may notice

especially the pathetic eyes,--with an expression at once so living

and so sorrowful, and the character in the hands which Rembrandt never

failed to give his sitters. The old lady wears a large white ruff,

"evidently clinging to the costume of her earlier years, for ruffs had

long been out of fashion at the time when the picture was painted." The

picture has been known as the Burgomaster's Wife, but this description

is without authority or probability. There is another portrait of

the same old lady in Lord Wantage's possession (No. 15 in the Academy

Exhibition, 1899). Lord Wantage's picture is dated 1661.

The two magnificent pictures just described, which hold their own

triumphantly even on a wall of masterpieces,[251] were formerly in

possession of Sir William Middleton, Bart., great-uncle to Lady de

Saumarez, and were exhibited at the British Institution in 1858. Since

that date they had been lost to sight until they were purchased for

the National Gallery in 1899.[252] They are believed to have been in

possession of the Lee family, Lady de Saumarez's ancestors, from the

time that they were painted, but they may have come into the family

with a certain John van Enkoren, a Dutch gentleman, who married a

second cousin of Sir William Middleton.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 970 / 1401 题