1455. THE CIRCUMCISION.

_Giovanni Bellini_ (Venetian: 1426-1516). _See 189._

A picture of Bellini's earlier period, the original of numerous

versions and copies in private and public galleries, presented to the

National Gallery by one of the trustees, the Earl of Carlisle. The

Virgin is "one of those magnificent Venetian women whose _morbidezza_

profoundly moved the painters of their country, marked by a grave,

suave, and restful expression, instinct with unconscious dignity; this

is the countenance of a Venetian woman to the life, not over refined,

but full of repose, the repose of vigour and conscious strength,

not the languor of debility" (_Athenæum_). The diaper of the High

Priest's robe contains figures of antelopes, a curious instance of the

straightforward mode of the artist, who, no doubt, employed as a model

a veritable robe, and one of Oriental or Sicilian origin. Embroideries

of this category were frequently used in Venice of old. The same

Oriental embroidery is to be seen in pictures by other Venetian artists

in which the High Priest is introduced.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 944 / 1401 题