1445, 1446. STUDIES OF FLOWERS.

_Rachel Ruysch_ (Dutch: 1664-1750).

One of the few female painters represented in the Gallery.

Rachel Ruysch was the daughter of a professor of anatomy, and

began to study art at an early age. She married Julian Pool,

a portrait-painter, and had a large family. She continued the

practice of her art until she reached an advanced age, always

signing her pictures with her maiden name. Notwithstanding

her industry, the number of her pictures is somewhat small,

and it was jokingly said in her time that "she produced more

children than pictures." The labour she devoted to her work was

astonishing; two pictures alone are said to have occupied her

for seven years; and these she bestowed on one of her daughters

as a marriage portion. She was admirable in her manner of

grouping as well as in pencilling; each flower is relieved by

its neighbour, and all are kept in perfect harmony. She was

fond of introducing among her flowers the insects peculiar to

them (notice the butterfly in 1446); and these she depicted

with microscopic accuracy. "Had her colouring been less cold,

she would certainly have equalled her illustrious rival, Van

Huysum" (Bryan's _Dictionary of Painters_, and Havard's _Dutch

School_, p. 268).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 937 / 1401 题