1409. THE MARRIAGE OF ST. CATHERINE.

_Andrea Cordelle Agii_ (Venetian: School of Bellini).

This picture is a repetition of one by Andrea Previtali in the

sacristy of the Church of San Giobbe at Venice, and the painter

has been supposed to be the same as Previtali. This, however,

is probably not the case. The present picture is signed (on a

cartellino) "1504: Andreas Cordelli Agy dissipulus Jovannis

Bellini pinxit." He similarly describes himself as a pupil

of John Bellini on a picture in the Poldi Pezzoli Gallery at

Milan. Judging from his name, "twists and needles," he or his

father was probably a pedlar (Layard's edition of "Kugler," i.

334).

"The conjecture that Andrea Previtali is identical with Andrea Cordelle

Agii seems to me," says Morelli, "untenable. Both were fellow-scholars

in the workshop of Giovanni Bellini, and it is undeniable that in

some of their works they closely resemble each other; but this may be

explained by the fact that the one probably copied the cartoons or even

the pictures of the other. The few signed works which I have met with

by Cordelle Agii appear to me, however, to be more refined and lifelike

in expression, and his landscapes are warmer and less vividly green in

tone, than those of Previtali" (_Roman Galleries_, p. 237 _n._). As

a picture by Previtali hangs close by (No. 695), the reader is in a

position to consider the justness of the critic's remarks for himself.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 906 / 1401 题