1375. CHRIST IN THE HOUSE OF MARTHA.

_Velazquez_ (Spanish: 1590-1660). _See 197._

A picture of the earliest, or Seville period of the painter. Though

professedly a religious subject, it is in reality one of the

_bodegones_, or tavern-pieces, which had come into favour at Seville

during the end of the sixteenth century--naturalistic studies of

the tavern and the kitchen. "They are certainly to be valued," says

Pacheco, "when painted as Velazquez paints them, for in this branch

he has attained such an eminence that he has left room for no rival.

They deserve high esteem; for with these elements and with portraiture

he discovered the true imitation of Nature." In the background, shown

through a window or square opening in the wall, is seen an inner

chamber with Christ addressing Martha, who stands, and Mary, who kneels

before Him.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 890 / 1401 题