1206. LANDSCAPE AND FIGURES.

_Salvator Rosa_ (Neapolitan: 1615-1673). _See 84._

A good example of Salvator's scenic effects in landscape. The sense of

power in the painting, the "vigorous imagination, the dexterous and

clever composition" of Salvator are well shown; but "all are rendered

valueless by coarseness of feeling, and habitual non-reference to

nature." (See for further examination of Salvator's deficiencies in

this respect _Modern Painters_, vol. i. pt. ii. sec. i. ch. vii. § 5,

sec. iii. ch. iii. § 7, sec. vi. ch. i. § 11; vol. ii. pt. iii. sec.

ii. ch. ii. § 19.)

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 797 / 1401 题