1145. SAMSON AND DELILAH.

_Andrea Mantegna_ (Paduan: 1431-1506). _See 274._

Samson, whose giant's strength lay in his hair, fell into the toils

of Delilah (Judges xvi.), who delivered him to his enemies by cutting

off his hair as he lay asleep. On the trunk of the olive tree behind,

Mantegna has carved the moral he drew from the tale: "Foemina diabolo

tribus assibus est mala peior" (woman is a worse evil than the devil

by the three pennies which bind you to her).[227] But though Mantegna

has taken his subject from the Bible, his treatment of it is in the

classical spirit. "Apart from the fact that her attention is directed

to the mechanical operation, Delilah's expression is one of absolute

and entire unconcern. Look of cunning, or of deceit, or of triumph

there is none. Mantegna was not the man to shirk expression when he

deemed the subject required it; probably, therefore, he left the

features impassive in obedience to the formula of a certain school of

antique sculpture, that all violent emotion should be avoided" (see

_Times_, June 18, 1883).

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