1048. PORTRAIT OF A CARDINAL.

_Italian School_ (16th century).

_See also_ (p. xx)

Painted on copper, a material which seems first to have been used for

painting in the School of Antwerp. M. Auguste Cartan, of Besançon, in

a paper by him in the _Courrier de l'Art_ (June 25, 1886), points out

the resemblance between this portrait and one, also on copper, in the

museum at Besançon, ascribed to Scipione Pulzone, surnamed Gaetano

(1550-1558), a painter who has been called "the Van Dyck of the Roman

School." A contemporary biographer speaks of Gaetano's portraits as

being so conscientious that every hair is painted, and of his skill in

rendering various stuffs; both these characteristics may be observed

in the present picture. In the same paper M. Cartan identifies the

Cardinal as Cardinal Sirleto, Librarian of the Vatican 1570-1585, and

tutor of S. Carlo Borromeo. There is a bust of Cardinal Sirleto in the

church of San Lorenzo at Rome, and M. Cartan declares the resemblance

between the bust and this portrait to be unmistakable. There is also

in the Corsini Palace at Rome a bust portrait of the same personage by

Scipione Gaetano.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 690 / 1401 题