Ascribed to _Pollajuolo_ (Florentine: 1429-1498). _See 292._

The Greeks, seeing the perpetual verdure of the laurel, personified

it in the story of Apollo and Daphne (= laurel), which told how the

sun-god was enamoured of her. But she, praying to be delivered from

his pursuit, was changed by the gods into a laurel--her two arms are

here sprouting, just as the god has caught her in his embrace; and he,

crowning his head with the leaves, ordained that the tree should for

ever bloom and be sacred to his divinity (see further for the story of

Apollo and Daphne under 520). The fact that Phoebus Apollo was also

the god of song has suggested a pretty adaptation of the legend to the

case of poets who sing for love and earn the laurel wreath--

Yet, what he sung in his immortal strain,

Though unsuccessful, was not sung in vain:

All, but the Nymph that should redress his wrong,

Attend his passion and approve his song.

Like Phoebus thus, acquiring unsought praise,

He catched at love, and filled his arms with bays.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 581 / 1401 题