873. THE COAST OF SCHEVENINGEN.

_W. van de Velde_ (Dutch: 1633-1707). _See 149._

"A scene well known to those who have visited the Hague, and frequently

represented by Van de Velde. There are the high sand-hills to the

left, and above them are seen a few fishermen's huts and the little

church of Scheveningen. Along the beach are numerous figures, variously

grouped and employed; the most conspicuous are several persons near a

post-waggon. The sea is quietly rolling in to the shore, impelled by a

light breeze. The figures are painted with exquisite finish and spirit

by Adrian van de Velde" (Mrs. Jameson). Sir Robert Peel bought this

picture from the Pourtalès Collection for £800. It is a characteristic

specimen of the master, showing how his version of the sea was coloured

by that "mixture of sand and sea-water" which belongs to his native

coasts. "I have come," writes Fromentin, "to Scheveningen. Before me is

the calm, gray, fleecy North Sea. Who has not seen it? One thinks of

Ruysdael, of Van Goyen, of Van de Velde. One easily finds their point

of view. I could tell you the exact place where they sat, as if the

trace of them had remained imprinted for two centuries: the sea is on

the left; the ridged sand-hills stand out on the right, stretch away,

diminish and are lost insensibly in the dim horizon; the grass is poor;

the sand-hills are pale; the sea-shore is colourless; the sea is like

milk; the sky has silky clouds and is wonderfully aerial."

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 545 / 1401 题