867. THE FARM COTTAGE.

_Adrian van de Velde_ (Dutch: 1636-1672).

Adrian, the son of William van de Velde the elder, the marine

painter, first studied under his father, and next under

Wynants, the landscape painter. He showed his talent very

early. "Wynants," said that painter's wife, when the young

Adrian entered his studio, "you have found your master." He

afterwards studied the figure under Wouwerman. His talent was

versatile, for he painted figures, animals, and landscapes with

equal truth and refinement. His large canvases (_e.g._ No. 80

in the Wallace Collection) are hard, and leave the spectator

cold; but his cabinet pictures are refined in outline and

delicate in tone. He was fond of village scenery with cattle

introduced, in which kind are several good examples in our

Gallery. He was also successful in winter scenes. Of his sandy

coast scenes there is a choice example in the Six Collection

at Amsterdam. The value and interest of many pictures by

Ruysdael, Van der Heyden, Hobbema, and other painters of the

time, were enhanced by figures inserted by Adrian. He must have

had wonderful facility and industry, for in addition to these

insertions, and in spite of his short life, the catalogue of

his own pictures includes nearly 200 items.

This picture is signed, and dated 1658. The effect is that of a fine

warm summer afternoon.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 539 / 1401 题