797. A MAN'S PORTRAIT.

_Cuyp_ (Dutch: 1620-1691). _See 53._

This excellent portrait serves to remind us that, unlike most of his

fellow landscape painters, Cuyp could paint his own figures. Indeed

we have seen that he sometimes painted them in other landscapes, see

No. 152. The picture is signed "Aetatis suae 56, 1649. A. Cuyp fecit."

Cuyp is one of the most various of all the Dutch masters. "What

universality in the hand that could paint skies more glowing than

those of Both, clouds as vaporous as those of Van de Cappelle, water

more luminous than Van de Velde's, cattle as true to nature as Paul

Potter's, horses better than Wouverman's, horsemen more distinguished

than Vandyck's! Sometimes, too--and there is a noble example in our

National Gallery--we find Aelbert Cuyp painting portraits, not in the

stiff precise way that the father painted them, but with a freedom of

touch and a brilliancy of colour that place him between Van der Helst

and Rembrandt" (_Quarterly Review_, October 1891, and Fromentin's' _Les

Maitres d'autrefois_, "Hollande," ch. viii.).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 473 / 1401 题