671. MADONNA AND CHILD ENTHRONED

_Garofalo_ (Ferrarese: 1481-1559). _See 81._

This fine picture was originally the principal altar-piece of

the church of San Guglielmo (St. William) at Ferrara. Hence the

introduction of that saint (on our left)--a beautiful face, into which

the artist has put, one may think, all his local piety. The saint

is in armour, for William--the institutor of the hermit order of

Guglielmites--was originally a soldier, and was "given," says one of

his biographers, "unto a licentious manner of living, too common among

persons of that profession." It was to escape from such temptations

that he became a holy penitent, and fought thenceforward in mountain

solitudes, as a soldier of Christ against the flesh and the devil.

Beside him stands St. Clara, "the very ideal of a gray sister, sedate

and sweet, sober, steadfast, and demure." She gazes on a crucifix, for

she too had renounced the pomps and vanities of the world. Her wealth

of golden hair was cut off, it is said, by St. Francis; her fortune she

gave to hospitals, and herself became the foundress of the Order of

"Poor Clares." St. Francis stands on the other side of the throne, and

besides him is "good St. Anthony" (see under 776).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 384 / 1401 题