_Garofalo_ (Ferrarese: 1481-1559). _See 81._
It is interesting to compare this with other versions of the subject
in the Gallery--_e.g._ 76, 726, 1417. What we may call the necessary
component parts of the picture are all present--the angel with cup
and cross, the sleeping apostles, a crowd with torches approaching.
But Garofalo's picture seems cold and unimaginative as compared with
Correggio's, Bellini's, or Mantegna's.