598. ST. FRANCIS WITH THE "STIGMATA."

_Filippino Lippi_ (Florentine: 1457-1504). _See 293._

St. Francis, the founder of the Franciscan Order of monks (the

Black Friars), was the great apostle of Works, whilst St.

Dominic, the founder of the Dominican Order (White Friars),

was the great apostle of Faith. It was the teaching of these

two orders that gave the impetus to the church building, from

which grew the art revival at Florence in the thirteenth

century. "The gospel of works, according to St. Francis, lay

in three things. You must work without money, and be poor.

You must work without pleasure, and be chaste. You must work

according to orders, and be obedient." And so truly did he in

his own works exemplify the life of Christ, that, according to

the legend of the time, he received also in his own person the

wounds (or "stigmata") of the Crucified One--here visible on

his hands. ("Take my yoke upon you"; or "Take up the cross and

follow me.") "His reception of the 'stigmata' is, perhaps, a

marvellous instance of the power of imagination over physical

conditions; perhaps an equally marvellous instance of the

swift change of metaphor into tradition; but assuredly, and

beyond dispute, one of the most influential, significant, and

instructive traditions possessed by the Church of Christ."

The saint is here represented in glory; choirs of singing angels

encompass him; for now "the wounds of his Master are his inheritance,

the cross--sign not of triumph, but of trial, is his reward" (_Mornings

in Florence_, i. 8, 13; iii. 64). Inscribed on the picture below are

some lines from a Latin hymn to St. Francis, exhorting others to follow

him, and to advance as he did the standards of their king ("Let those

who depart out of Egypt follow him, and be united to him, in whom the

standards of the King come forth for us in clear light").

The floating angels recall those by Botticelli, but the pupil's work

is not here so good: these angels seem after all to be standing,

Botticelli's to be indeed floating in thin air. Lippi, too, learnt

no doubt from him the goldsmith's work, seen here in the indented

background to the picture.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 334 / 1401 题