282. THE GLORIFICATION OF THE VIRGIN.

_Bertucci_ (Umbrian: 16th Century).

Formerly ascribed in the Official Catalogue to Lo Spagna (for

whom see under 1032); by other critics attributed to Giovanni

Battista of Faenza, called Bertucci (the monkey), an artist

who borrowed both from the Umbrian School and from Lorenzo

Costa. The similarity between this picture and No. 629, by the

latter artist, especially in the playing angels at the foot of

the throne, is remarkable (see Richter's _Italian Art in the

National Gallery_, p. 52). Works by Bertucci are to be seen in

the picture gallery of Faenza.

The little angels are very pretty. Notice the three peering out from

under the Virgin's robe. On the marble platform below one angel plays

a white-headed pipe; the other, a six-stringed rebec, which is very

accurately represented.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 287 / 1401 题