232. THE ADORATION OF THE SHEPHERDS.

_Francisco Zurbaran_ (Spanish: 1598-1662). _See_ 230.

A characteristic and fine example of the naturalistic treatment of

such subjects by the Spanish School; formerly supposed to be an

early work of Velazquez, now attributed by the authorities of the

Gallery, following M. de Beruete, to Zurbaran.[116] The affinity of

the Spanish School in this respect to the Italian naturalists may be

seen by a glance at No. 172 in the late Italian Room. In the distance

is the guiding angel as the star of the Epiphany. It is a pretty

piece of observation of child nature that makes the painter show the

boy offering his animals to the infant Christ. One remembers George

Eliot's "young Daniel" (in _Scenes of Clerical Life_), who says to Mr.

Gilfil, by way of making friends, "We've got two pups, shall I show

'em yer? One's got white spots." Zurbaran was noted for his successful

delineation of animals. Palomino mentions with approbation his picture

of an enraged dog from which chance observers used to run away, and of

a yearling lamb, deemed by the possessor of more value than a hecatomb

of full-grown sheep.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 248 / 1401 题