226. VIRGIN AND CHILD, WITH ST. JOHN AND ANGELS.

_School of Botticelli_ (1447-1510). _See_ 1034.

This is a copy of a picture by Botticelli in the Rospigliosi Palace at

Rome. In the background is a hedge of roses, Botticelli's favourite

flower. "No man has ever yet drawn, and none is likely to draw for

many a day, roses as well as Sandro has drawn them" (_Fors Clavigera_,

1872, xii. 2). And he painted them, just as he painted his Madonnas,

from life, and from everyday life--for even as late as forty years ago,

Florence was "yet encircled by a wilderness of wild rose." It should be

noticed, further, that there was a constant Biblical reference in the

flowers which the painters consecrated to their Madonnas--especially

the rose, the emblem of love and beauty. The background in Madonna

pictures is frequently, as here, a piece of garden trellis: "a garden

enclosed is my sister, my spouse" (Song of Solomon, iv. 12).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 244 / 1401 题