88. ERMINIA AND THE SHEPHERDS.

_Annibale Carracci_ (Eclectic-Bologna: 1560-1609). _See_ 9.

A scene from the "Jerusalem Delivered" by Carracci's contemporary,

Tasso. Erminia from the beleaguered city of Jerusalem had beheld

the Christian knight, Tancred, whom she loved, wounded in conflict.

Disguised in the armour of her friend Clorinda, wearing a dark blue

cuirass with a white mantle over it, she stole forth at night to tend

him. The sentinels espy her and give her chase. But she outstrips them

all, and after a three days' flight finds herself amongst a shepherd

family, who entertain her kindly. The old shepherd is busily making

card-baskets, and listening to the music of his children. Their fear

gives place to delight as the strange warrior, having dismounted from

her horse and thrown off her helmet and shield, unbinds her tresses and

discloses herself a woman--

An old man, on a rising ground,

In the fresh shade, his white flocks feeding near,

Twig baskets wove; and listen'd to the sound

Trill'd by three blooming boys, who sat disporting round.

These, at the shining of her silver arms,

Were seized at once with wonder and despair;

But sweet Erminia sooth'd their vain alarms,

Discovering her dove's eyes and golden hair.

"Follow," she said, "dear innocents, the care

Of heaven, your fanciful employ;

For the so formidable arms I bear,

No cruel warfare bring, nor harsh annoy

To your engaging tasks, to your sweet songs of joy."

From Landseer's _Catalogue_, p. 214.

This picture has sometimes been ascribed to Domenichino; as the latter

was occasionally employed by Annibale to execute his designs, both

masters may have had a share in the work.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 162 / 1401 题