59. THE BRAZEN SERPENT.

_Rubens_ (Flemish: 1577-1640). _See_ 38.

"It is interesting to observe the difference in the treatment of

this subject by the three great masters, Michael Angelo, Rubens,

and Tintoret.... Rubens and Michael Angelo made the fiery serpents

huge boa-constrictors, and knotted the sufferers together with them.

Tintoret makes ... the serpents little flying and fluttering monsters,

like lampreys with wings; and the children of Israel, instead of being

thrown into convulsed and writhing groups, are scattered, fainting in

the fields, far away in the distance. As usual, Tintoret's conception,

while thoroughly characteristic of himself, is also truer to the words

of Scripture. We are told that 'the Lord sent fiery serpents among the

people, and they _bit_ the people'; we are not told that they crushed

the people to death. And, while thus the truest, it is also the most

terrific conception.... Our instinct tells us that boa-constrictors do

not come in armies; and we look upon the picture with as little emotion

as upon the handle of a vase, or any other form worked out of serpents,

when there is no probability of serpents actually occurring" (_Stones

of Venice_: Venetian Index, "Rocco, Scuola di San," No. 24).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 139 / 1401 题