In the dead watches of the night

As time drifts by on endless flight,

Drowsing upon our couch we hear

A distant clock sound faint but clear,

And chiming from its lonely tower

Ring out the solemn midnight hour.

That warning stirs the unquiet air

A golden day has flown - but where?

Another burns to greet the dawn

But one day has forever gone -

And pendulum and iron tongue

Their mournful requiem have sung.

Aghast the present moment flies

Midway between eternities,

As, winging on without a stay

Tomorrow flees from yesterday,

And vanished moments that have been

Will never come to us again!

THE GOLDEN ROD

What dazzling shape is this that seems to rise

At the command

Of some magician, till it glorifies

The barren sand?

A stately canopy for some proud elve!

And that rich sheen

The grand creation of the gnomes that delve

Grotesque, unseen,

In caverns dim. There while the forges ring

To blow on blow

Those humble artisans are burnishing

That wondrous glow!

How gorgeously the molten yellow gleams

As they combine

The sand’s bright ore with sunlight’s minted beams

In rare design.

Until the wealth that jade green leaves disguise

And buds enfold!

Wells upward with resplendent ecstasies

In jets of gold!

Fountains that o’er the sterile desert play

Erect and tall

With pendent droplets from their golden spray

That never fall.

Oases of enchantment where the bees

And beetles come,

To mingle with the murmur of the seas

Their drowsy hum.

Such splendor glitters in each regal nod

Of gilded bloom

We pause in doubt; is this the golden rod,

Or seraph’s plume?

A scepter, or perchance a magic wand

For elfin kings?

Our fancy pictures in each jewelled frond

Fantastic things.

And still our wonder grows, and a vague fear

Of regions banned

Steals o’er us--lest our footsteps draw too near

To fairyland!

WILD ROSES

Whence comes that swooning fragrance on the air

That riot of rich color on the hill

Like smouldering embers? red, deep red, and fair

They are, beyond our groping words. We thrill

To inner surgings of unuttered things

When we behold, strewn o’er this alien lea

Exotic bloom that to our spirit sings

In perfume sweet as lifting melody,

Fresh from immortal Eden’s radiant bowers

Where angels coveted our earthly flowers.

Like elfin torches tipped with odorous fire

Raining their ashen petals on the grass,

These flowering censers rouse a wild desire

For beauty yet unseen, in those who pass

This solitary way. O incense sweet!

The bees are drunken with it, the wild bees

And dragon flies that hunt this still retreat

Far from the world of men. Is it for these

That Nature lavishes her perfume rare

To scent this moorland waste and wandering air?

Wild roses, O but they were meant to be

More than the sweet companions of an hour;

Theirs is a loftier role, their destiny

In this sad world, to glorify the power

Of beauty welling up beyond the range

Of mortal view. Strange ecstasies concealed

Aforetime from our blighting frost and change

Aurora’s swinging gates have here revealed;

Such perfect beauty as the seraph knows

Hid in that floral miracle - a rose.

THE COAST GUARD STATION

Stout fortress on the battle line

Of shrieking winds and thunderous surge,

A barbican against the brine,

A challenge to the breakers’ dirge;

Not all the wild Atlantic’s wrath

Can bar your men from life boats frail,

Nor all the fury of the gale

Can swerve them from their destined path!

The churning foam may pelt and freeze,

The stinging sleet cut to the bone,

They venture forth on perilous seas,

They venture forth, unsung, alone.

Like knights of olden time arrayed

In oilskin armor, theirs the role

To battle with the raging shoal

And beard the tempest unafraid!

No martial strains ring in their ears,

No banners blaze their desperate way;

Only a wife or mother peers

From distant sand dunes through the spray.

And yet no crown that fame may give

Can e’re transcend the solemn pride

Of men, whatever may betide,

Who risk their lives that men may live.

KEEPER OF THE LIGHT

Aloft within the beacon tower alone

She trims the lamps that send their luminous beams

Far out into the night. The eerie moan

Of the wild shoal is smothered by the screams

Of winds that make the thrumming walls resound

With deafening din. She listens, mute with dread,

To voices mingling vaguely in the sound

Of the storm maddened waves, and shakes her head.

“Is it the waves?” she mutters. Bent and old

Her fingers tremble so,--but not from cold!

Her husband tosses on his cot below

Burning with fever, often calls her name.

But she must stand his watch though none may know

Of her long vigil. Vestal of a flame

Whose warning beams guide mariners aright

Mid perilous reefs, through all engulfing gloom

Though unclean spirits rage throughout the night

Riding the furious winds in rain and spume,

No matter if she shivers and turns pale,

Her courage, like her light, endures the gale.

But what drives hard like spray against the glass

Hurtling from out the dark? a tiny form

With battered wings, a tern which flees, alas,

Like some lost soul from the pursuing storm

Dashed to the rocks below. “Dear God!” she cries

“Why must my light that points great ships the way

“Be blooded by his piteous sacrifice?

“Life saving beams, who gave them power to slay?

“How hopelessly must good and evil blend

“When harmless birds meet such a cruel end.”

ON CHATHAM BARS

On Chatham bars the surges moan

And sea birds cry;

A gull goes winging stark and lone

Across the sky;

While on the shore, with menace low,

Mutters the seething undertow.

O’er Chatham bars a frighted cloud

Goes driven fast;

The shoals are answering hoarse and loud

The roaring blast,

And joining that wild revelry

Of frenzied winds and raging sea.

Through blinding sands with bended head

The coast guard goes

By Chatham bars, in silent dread

For well he knows,

That surf may leave, on its retreat,

Some ghastly trophy at his feet!

On Easter morn the mourners stand

On Chatham hill,

To chant again His high command,

Of - “Peace be still”

And scatter flowers upon the wave

To drift above some nameless grave.

For Chatham bars are silent now

On Easter Day,

Before that solemn group who bow

Their heads and pray

To Him, the Risen One, Who said,

“Then shall the sea give up its dead.”

THE OLD TIMER’S LAMENT

O where is the Cape that I used to know

In the quaint old days of the long ago?

The weathered house with its friendly smoke

From the looming background of silver oak;

And the huge brick oven that flanked the grate

Where the fireplace yawned like the flaming gate

Of a fairy world to my childish gaze

While the russets sputtered before the blaze--

Was there ever such comfort and homey cheer

As the Cape that my memory holds so dear?

There were braided rugs on the sanded floor

And that queer round cellar--what bounteous store

Of pickle and relish and sweet preserve

Seemed overflowing each ample curve!

What jars of berries and stewed beach plum

And jugs--half hidden--of cherry rum--

And jugs that frothed with potato yeast,

And the dainties saved for Thanksgiving’s feast

I think of them often and sigh--“Heigh-ho”

O where is the Cape that I used to know?

And that open chamber and corded bed

Where I listened to pattering rain overhead.

Rope handled sea chests and leathern trunks

And models of clippers and Chinese junks,

And apples drying in clustered strings

With numberless other wonderful things.

No cave from the storied Arabian Nights

Was filled with more treasures and marvelous sights

Than our storehouse under the eaves could show--

O where is the Cape that I used to know?

And the fragrant gardens that memory links

With the olden days--O those sweet Cape pinks,

And the hollyhocks and the columbine,

And the savory herbs by the ivy vine,

With the fish nets drying along the slope

Mid tangles of buoys and fresh tarred rope--

Yes the modern gardens are trim and neat

But I often think--“Do they smell as sweet

“As those beds where the roses loved to grow?”

O where is the Cape that I used to know?

The captains turned from the seven seas

To end their days in such homes as these;

And the tales they spun for my youthful ear

I have waited a lifetime their like to hear.

But they sleep where the mournful willows bend

O’er that silent city where voyages end;

Though their memory lingers in many a page

Of log books crumbling with salt and age,

And many a rare old curio--

O where is the Cape that I used to know?

But time flows on like the ceaseless tide

And cabins clutter the country side

Like nesting gulls. Where the horse, hock deep,

Once plodded the sands the autos sweep

Before my eyes in a dizzy blur

Of mad confusion and noise and stir.

For peace and quiet have never a place

In this modern world with its feverish pace

With its movie glare and its radio--

O where is the Cape that I used to know?

REVERY

Sweet angel of the backward look

And trailing wings,

We wander by Time’s restless brook

Of transient things

That from some far off, unseen nook

Forever springs.

Old Time may lay aside his glass

For just a day,

Let not the jewelled moments pass

But bid them stay,

The while we stretch upon the grass

In revery.

[Illustration]

THE OLD HULK

Moored to the decaying piling

Of a ruined wharf, and whiling

Endless hours away in dreams of days gone by,

Lies a battered hulk, dismasted,

Broken backed and tempest blasted,

Like a dolphin fast aground and left to die.

Deck awash and planking slanted

Like a broken lily planted

In the mud, where every tide the eddies swirl,

Years have gone since last it floated

And the sea growths all unnoted,

Underneath its rotting timbers twine and curl.

Often when my footsteps tended

To that lonely shore that ended

All its voyagings there sounded in my ear,

What the shrilling sea birds uttered

And the voiceless current muttered

Solemn messages it meant for me to hear;

“Far off seas no more beguile me

“But their memories reconcile me

“To the shelter of this silver mirrored cove

“Where my outline seems engraven

“Like an etching. Safe in haven

“I am home at last, and nevermore shall rove.”

THE MODERNISTS

Bam, wham!

Clangor of cymbals and shriek of a fife,

That stabs like a knife.

Zam, slam!

Bang on the tambourine, beat on the drums,

Symphony comes!

Greet her with tom-toms while savages dance,

Let any discord the riot enhance,

Down with all melody, harmony, poise,

Give us more noise!

Tonal inebriates, drunken with sound,

Pound, brothers, pound!

Furiously, frenziedly, round and around

Whirls the mad medley of ear splitting notes,

Like the yelling of demons with flame blackened throats.

Music is stricken, is dying, ’tis said,

Over her head,

Set all the boiler works off on a spree!

Jazz and more jazz in a mad jamboree,

Music is dead!

But still in the morning the song sparrow sings

And blithely she wings,

And from her gay throat a sweet melody springs,

Old as the Pyramids, new as the dawn,

Music will live when this madness has gone.

Blah, blurb!

Pronoun and verb.

For poetry give us a barbaric yawp

Slop, Stop!

The stuff that some long haired Bohemian raves

Would make Keats and Tennyson turn in their graves

Miscalled free verse,

And trash that is worse.

Nothing too banal or trite or absurd,

Such is the artistic triumph preferred,

To melodies sung

When old Homer was young.

Out with the rhyming brook, limpid and pure,

Open a sewer!

Let the nymph Poesy cover her face,

Downcast and blushing at such a disgrace.

Garbage of words and cesspool of thought

Columns and pages of rubbish and rot,

Only a blot!

This is not Poesy spawned in the mire,

High on Olympus she still sounds her lyre

With the immortals. Her rapt, vibrant fire

Blasts like a flame

All the abortions brought forth in her name.

Smear, daub!

Plaster on canvas an unsightly gob

Yellow and scarlet and purple and pink,

Looks like a mess that has spilled in the sink.

But call it a sunset o’er Harlem, in truth

Or a beautiful woman enamoured with youth.

Just a name, any name that you think of will do,

And if you insert a poor outline or two,

Be sure that you violate all the known rules.

The masters were fools!

For painting is only a sleep walker’s trance.

Walpurgis is with us so on with the dance!

For the forms that great Phidias carved out of stone

Misshapen monstrosities, muscle and bone

Now simper and leer,

At vapid admirers who openly jeer

At beauty of tinting or outline or form

And foment a storm,

Of sickly approval at each newest fright

That clutters our galleries, angers our sight.

For art is a blight!

O that some genius great hearted and sane

Would banish such trash of a disordered brain!

For beauty will ever be noble and fine

And speaking through music or color or line

Her voice is divine!

WHEN THE LOCUSTS ARE IN BLOOM

When the locusts are in bloom

Every bud - a riven tomb

Yields a spirit form, emerging pure as snow,

Dancing lightly on the breeze

Like the foam on fairy seas,

Swinging like enchanted censers to and fro.

And the moonbeams, white and chaste,

Through the branches interlaced,

How they seem to drip into each ivory cup,

Where anon, the summer heats

Mingle all those honeyed sweets

That the bee, with nectar drunken, loves to sup.

Wondrous pendants set with gems

Clinging to the swaying stems

How each chalice overflows into the stream

Of the scented hours that glide

Down a timeless, golden tide

To the islands where the lotus eaters dream.

So we idly float along

On the bluebird’s lilting song

To a region where the blossoms never die.

For through all the cloying hours

In the thralldom of the flowers

Fancy roams in far off cloudlands of the sky.

THE HARVEST OF THE SEA

It is harvest time in the teeming sea

And the surges labor tirelessly

Like toil bent reapers with sickles of foam

They garner the harvest and carry it home,

Till the beaches throb to the rhythmic beat

As they strew it in windrows at our feet.

Slender strands like a whip lash, tear

At the cowering sands - ’tis the Dead-Man’s Hair

And the rockweed bulges with bulbous lumps

All yellow and brown, with the jagged stumps

Of kelp stalks wrenched by the undertow

From sunken glens where the sea things grow.

Eel grass rolled by the waves at play

In fresh cut swaths like the new mown hay;

Lettuce that glints with a fragile sheen:

And Irish moss with its mottled green

And cream and purple and pink and brown

From the matted gulfs where sailors drown!

Algae dyed like a fresh blown rose

Red is their telltale hue that glows

On the white sands edging the brooding sea.

A network of delicate imagery

Like the thin fine lines of an etching traced

That the blundering surges have not erased.

Harvest from tide tilled fields that bloom

Deep down where the sunlight fades in gloom.

Gardens of sinister mystery

Under the waves of the heaving sea.

Gardens the living may never know

Where dead men drift in the ebb and flow!

Jungles where fishes and creatures strange

Through the lush profusion may freely range.

Not for the living but for the dead

Are those fields submerged that we may not tread,

But their harvest is scattered within our reach

By the wild waves mourning along the beach.

BEACH GRASS

Tremulous as elfin lances

Are the thin shafts of the beach grass,

Blades and tufted points that quiver

Eerily to winds of midnight;

Magic strings on lyres enchanted,

Strings that strum a lilting cadence

Played upon by fairy fingers.

Beach grass blades that whirl and struggle

In the clutch of boisterous breezes.

Needle tips that mark strange circles

In the cowering sands beneath them,

Tracings of a fairy stylus,

Runic etchings vague and ghostlike.

Tenuous roots, like bamboo jointed

Delving, burrowing neath the surface

Of the rough hewn sand dunes moulded

By great Nature’s groping fingers;

(Waves and tempests are her fingers)

With their living network binding

Crumbling sands that melt and vanish -

In a woven web of fibre.

Threading with tenacious purpose

Mantles lovely and protective,

Till the battered landscape brightens

Smiles through scars and cruel gashes

Smiles in glossy, rippling beach grass

Undulating in the breezes

Like a field of ripened barley.

Beach grass, desperate, clinging, gripping

Braving wrath of winter tempests,

Scourged by sands that sting like nettles,

Blinding clouds that lash and smother,

Wet with driven spume and frosted,

With the salt and oft half buried,

As the tortured dunes roll landward,

Uncouth monsters, struggling, straining

By the rage of Neptune driven

Stumbling, sprawling, lurching onward.

But the beach grass, fragile, yielding

Like a seine whose mesh entangles,

Binds their heaving bulks together -

In a fibrous web of rootlets;

Gripping fiercely for each foothold

Yielding grudgingly and battling

Till the storm winds howl in fury,

And the baffled ocean smothers

Futile wrath in foam and roaring,

Till the lowly beach grass triumphs;

Holds in magic chains the forces

Of ungovernable chaos.

Beach grass drawing life and nurture

From the sterile sands, a living

Energy from out the desert.

Hardy warrior, silent tamer

Of primeval urgings rampant,

Barrier to the clamorous ocean,

Staunch preserver of the landscape,

Not content with curbing surges

Or restraining restless sand dunes,

How you bless that sterile desert

With your wild and pensive beauty;

Cover o’er its savage harshness

With the mantle of your verdure

Till your patient, steadfast purpose

Glorifies the vanquished sea shore.

THE SWAMP HERON

“Quawk”, comes that harshly guttural note

In the night stillness, hear it? “Quawk”.

A hoarse “good hunting” from the throat

Of a night heron, feathered gawk,

Ungainly, droll, the awkward child

And threadbare outcast of the wild.

’Tis not his custom to intrude

Where others are, while on his way

To his beloved solitude

Nor has he overmuch to say;

His only greeting is a squawk

But filled with cheer, a friendly “Quawk”.

Thanks, humble neighbor of the moors

For such philosophy is rare;

Though neither grace nor charm are yours

You envy no one, nor compare

Their lissome poise - your stilt like walk!

Their lilting song - your throaty “Quawk”.

He knows, illfavored bird of night

The finest feathers in the dark

Are little worth, nor pleasing flight

Nor beauty’s form with none to mark;

Contented but to nightly stalk

His supper like a wise old quawk.

THE THROES OF CREATION

Crash and a smother of foam

Drowned in a booming roar!

That is the way the surge comes home

Pounding along the shore.

Hiss and a seething tongue

Laps at the crumbling sand!

That is the way the sea has wrung

Room from the grudging land.

Rasp of the undertow

As its white tongue flays the beach,

Flensing the pebbles to and fro

Into its treacherous reach.

Ever the sob and moan

Of the tortured ledges rings

Grinding to dust and welding to stone

Ever the hammer swings.

Never a solid ground

Nor a fixed and steadfast place;

Shoals new risen and islands drowned

Sculpture the landscape’s face.

Thus were the corners laid

For the continents and the seas;

That is the way the world was made

Out of such conflicts as these.

Up from the ocean’s bed;

Into the ocean cast

Surging through infinite ages ahead

Out of an infinite past.

[Illustration:

The Methodist Meeting House at South Truro was known to many old

timers as Hog’s Back Church. The following verses were written

while it was still standing, though long deserted and neglected.

But to those who knew and admired it, as I did, it deserves

something more than the simple granite slab that marks its site.

For it remains a lasting memory of a former era on old Cape Cod.]

HOG’S BACK CHURCH

Foursquare it stands!

A stalwart witness year by year

To courage steadfast but austere.

The toilworn hands

That shaped its beams and laid its floors

Are folded now. The toilers lie

In marble dotted rows nearby

Though some found graves on distant shores

And some were lost at sea!

This fickle, carefree world might heed

Those iron men of Pilgrim breed,

Though rude their lives and stern their bent

They built a during monument

To strict integrity.

Foursquare it stands!

And gazes out o’er Pamet Bay

Once whitened by the sails that lay

Where now are choking sands.

The weathered houses prim and square

That marked the hillsides everywhere

Have disappeared,

But that old church in stately pride

Still dominates the countryside;

Is still revered.

Foursquare it stands!

The dust upon the pulpit lies

Whence lurid texts and prophecies

Were hurled like burning brands.

No more the silent walls are stirred

By thunders of Jehovah’s wrath

That seekers for the “Narrow Path”

Once, trembling, heard;

They reverenced an awful Name

And glimpsed the pit of quenchless flame

In God’s own word.

Foursquare it stands on hallowed ground

And from its lonely windswept height

A landmark like a beacon light

Its spire is seen for leagues around.

Though times may change, and changing creeds

Are modified to modern needs

Still staunch and true,

Memorial of a former age

It keeps the priceless heritage

From olden time to new.

The plaster from the ceiling falls

On creaking floors, and in the dead

Of night there sounds the ghostly tread

Of phantom footsteps. But the walls

Still battle with the winter gale

That roars about the ancient spire,

Nor all its torrents can avail

To drown that spark of living fire -

The spirit of that temple set

On crowning heights, lest men forget!

Foursquare it stands!

The bell, long silent, seems to ring

And to the world its message fling;

“I yield alone to God’s commands.

“Though all about may change, not I.

“True to my settled destiny

“I still remain.

“Though constancy be but a wraith

“Steadfastly I have kept the faith

“And shall maintain

“That faith, unfaltering, down the years

“Through all the shoals of doubts and fears,

“A lighthouse on that shoreless sea

“That broadens to Eternity”.

There, like the Sphinx the old church broods

Among its deepening solitudes.

In simple grandeur let it stand

For years unborn, to bless the land,

And when its timeworn tower has gone

Still may its memory linger on.

* * * * *

_Struck by lightning in a thunder storm

on the night of March 21, 1940 and

totally destroyed._

BEYOND THE POINT

A ridge of sand dunes barricades the rim

Of the horizon like a gilded bar

To roving sight; a lonely point, the brim

Of earth against the moaning surge. Afar

My glances wander, wistfull, ill at ease

From longing to explore those far off seas.

The murmuring tide creeps up before my feet

And leaves a shell or two, a broken spray

Of strange sea growth; then to some chill retreat

In ocean’s depths it slowly ebbs away.

How blithely thought can trail the screaming terns

Beyond the boundaries that the eye discerns!

On the horizon looms that point beside

The pathless main, a prison door to me;

For I would follow on that restless tide

To lands remote beyond a shoreless sea;

Through shimmering haze how like a magic wand

That dune ridged finger beckons me beyond!

The rolling hills enclose me and the sky

Bends overhead, but these are different things;

Somehow they do not seem to press so nigh

As that wind fretted wall of sand that rings

My little world about, and intervenes

To shut my vision from enchanted scenes.

And though in happier days I sailed those seas

Around the globe upon the buoyant trades

To Ceylon, Singapore and Celebes,

Beheld their fanes and trod their tropic glades

Those voyages leave me still unsatisfied

In this lone cottage where I now abide.

Beyond the point what vistas of romance

Of golden kingdoms still their wealth unfold:

Though fettered by the bonds of circumstance

My failing vision and my limbs grown old

Among the embers of my memories

One lingering flame, adventure, never dies.

THE WINDS OF TIME

O the winds of time sweep the lonely years

Like withered leaves down the path of night,

And their notes, like a dirge, sound in our ears

As our eyes are strained for a glimpse of light.

And our sad heart utters a voiceless prayer -

Whence do ye come - ye bitter winds,

Where do ye go - O where?

Through the swarming suns where the Zodiac’s blaze

Fades out in the awful deeps of space,

As you hurry us on your unknown ways,

Shall our feet leave never a trace?

Rushed from the light to the silent dark,

Tell us, tell us, O mocking winds

Is there a voice - O hark!

And the wondrous things we planned to do

In those far off days when our hearts were young.

But the task was long and the hours were few

And the songs we dreamed of are still unsung.

Will our hopes fade out when the light is gone?

Whisper, whisper, O pitiless winds,

Is there another dawn?

On old Cape Cod · 第 2 / 4 段