CHAPTER III

MR. CAMERON TAKES A HAND IN THE GAME

As Paul walked down the steps of the Carter mansion he felt, as did

David Copperfield in the presence of the waiter, very young indeed. Had

Mr. Carter simply been making game of him? And was the business world

actually such a network of schemes and complexities?

And how did it happen that the printing of a newspaper was such a

difficult and expensive undertaking? Why should it be?

Paper and ink were common enough commodities surely. All that had to be

done was to print, and if a press were at hand it must be the easiest

thing in the world to do that. Why did people make such a fuss over

printing a paper?

Thoughtfully he walked home and turned in at his own door.

He was in a very sober frame of mind, unwontedly sober for him; so

sober, in fact, that his father, whom he encountered in the hall,

exclaimed:

"Goodness me, son, you look as if your last friend on earth had

perished. What's the matter?"

The boy smiled faintly.

"Nothing, sir."

"But you'd never look like that if there weren't. Come, tell me all

about it. What's the trouble?"

The gray eyes of the man regarded the lad kindly.

"I'm--I'm just thinking."

"About what, pray? Something pretty solemn, I'll be bound," persisted

his father.

"Oh, I've a lot of things on my mind," answered Paul hesitatingly.

"Suppose you give me a sample of one of them."

"Just business," replied Paul.

As the words fell with familiar cadence, Mr. Cameron laughed. How often

he had met his wife's troubled inquiries with the same retort.

"Business, eh! And how long is it since the burdens of business have

fallen on your young shoulders?"

"Since yesterday."

"And already you are bowed to the earth with worry?" commented his

father playfully. "Come, son, what's troubling you?"

"The school paper."

"Not going to be able to put it through?"

"Oh, it's not that," said Paul quickly. "We are going to put it through

all right, although at this moment I don't exactly see how. I had no

idea it cost so much to get a paper printed."

"It isn't the actual printing, so much as the typesetting and all that

goes with it, that makes printing an expensive job," explained Mr.

Cameron. "Just now, too, paper and ink cost a great deal, and labor is

high."

"Did people always have to pay so much for paper?"

"People didn't always use to have paper, my son."

Paul opened his eyes.

"What did they print on, then?"

"They didn't have printing presses, either," answered Mr. Cameron. "Long

ago people did not care so much for reading as we do now. Most of them

hadn't education enough to read a book or a paper if they had had one.

In fact, many kings, bishops, and persons of rank could neither read nor

write. Charlemagne could not sign his own name. The era before the

Renaissance was an age of unbelievable ignorance. It is a marvel that

with the turmoil of war and the utter lack of interest in anything

intellectual any learning came out of the period."

"But aren't there very old writings in some of the museums?"

"Yes, we have manuscripts of very ancient date," agreed his father.

"Much of the matter in them however--material such as the Norse Sagas

and the Odes of Horace--were handed down by word of mouth and were not

written until long after they had been chanted or sung. Poets and

minstrels passed on their tales to other bards; had they not done so,

Homer, Ossian, and the Sanscrit Vedas would have been lost to us. A

metric arrangement of the stories was probably made to aid the singers

in remembering their subject matter. You know how much easier it is to

memorize something that has a swing or rhythm?"

Paul nodded.

"That without question accounts for the poetic form in which some of our

oldest literature has come down to us," Mr. Cameron said. "Then, as good

luck would have it, Roman and Greek slaves were compelled to copy many

of the writings of the time on long rolls of vellum or papyrus, and in

that way more of the ancient literature was preserved. There was only a

small reading public in either Rome or Greece, and those who were

interested in books could secure what they wished through professional

scribes, or could listen to readings of the classics from the portico of

some rich nobleman who had been fortunate enough to secure a copy of

some rare poem or play. Often, too, such things were read in the baths,

which in those days took the place of our modern clubs."

"And that was the way we got our early books?"

"Yes. There were slaves whose duty it was to do nothing but copy

manuscripts for their masters. They were given food, shelter, and

clothing in return for their labors. Of course they were not an educated

class of workers, and in consequence they often made mistakes; but they

served to prevent the total destruction of such classics as--"

"Caesar's Commentaries, I suppose," interrupted Paul mischievously.

"Caesar's writings would have been a great loss," declared his father

good-humoredly.

"Not to me! Nor Cicero's either."

"But are they not all old and interesting as a relic of history?"

"They are more interesting now that you have told me something about

them," admitted Paul, with characteristic honesty.

"Oh, you would find many interesting and even amusing incidents

connected with these early writings, were you to study into the matter,"

continued Mr. Cameron. "Fancy, for example, a hand-written scroll of a

book selling for the equivalent of two cents in our money; and fancy

others not selling at all, and being used by grocers to wrap up spices

and pastries. The modern author thinks he is paid little enough. What, I

wonder, would he say to such treatment?"

Paul laughed.

"Even at a later date when the monks began copying and illuminating

manuscripts there was at first no great demand for them. Learning was

conceded to be the rightful possession of the rich and powerful, and

whether the kings or nobles of the court could read or not, most of the

books were bought by them simply as art works. Many, of course,

especially the most skillfully illuminated ones, were very beautiful and

were well worth owning."

"But think of the time it must have taken to make them by hand!"

speculated Paul.

"Time was no object in those days," smiled his father. "There was

nothing to hurry about. A monk would toil at a single manuscript day

after day, month after month; sometimes year after year. It must have

been a sleepy, tiresome business to write out even a short manuscript so

carefully, to say nothing of a long one like the Bible. What wonder that

the patient workers were so glad when their tedious task was done that

they inscribed at the end of it a little song of thanksgiving. I

remember seeing one old book in a European museum at the end of which

was written:

"_'This book was illuminated, bound, and perfected by Henry Cremer,

vicar of the Collegiate Church of Saint Stephen in Metz, on the Feast of

the Assumption of the Blessed Virgin, in the year of our Lord 1456._

"_'Thanks be to God, Hallelujah!'_

"No doubt the pious Henry Cremer was thankful for many other things

besides the completion of his manuscript, but I am sure he must have

been human enough to draw a sigh of relief when he put the last stroke

to such a tedious piece of work. Don't you think so?"

"I'll bet he was," agreed Paul.

"Can't you see those patient monks alone in their dimly lighted cells,

silently writing day after day?" continued Mr. Cameron. "Many a poor

fellow who drudged so mechanically at his task copied the errors in the

text quite as faithfully as the rest of it. In consequence, it at last

became imperative to demand that the scribes work with more

intelligence, and therefore at the end of a manuscript would be such an

admonition as this:

"_'I adjure thee who shall transcribe this book by our Lord Jesus

Christ, and by His glorious coming to judge the quick and the dead, that

thou compare what thou transcribest and correct it carefully according

to the copy from which thou transcribest, and that thou also annex a

copy of this adjuration to what thou hast written.'_

"Thus, you see, was the copyist forced to study his text and pass the

caution against mistakes on to others. Nevertheless, solemn and reverent

as was this warning, it did not prevent errors from slipping into the

old illuminated manuscripts, and many a one is marred by misspelling or

miswording."

"I don't wonder it is," exclaimed Paul. "Why, the very thought that I

must not make a mistake would cause me to make one. Besides, I should

get so sleepy after I had written for hours that I should not know what

I was doing."

"Probably much of the time they didn't."

Paul thought a moment.

"I suppose, though, the monks were paid for their hard work, so it was

only fair for them to be careful," he reflected.

"On the contrary," replied his father, "they were not paid any more than

were the slaves whom the Greeks and Romans employed. Their living was

given them; that was all. Often the books they made were very beautiful

and were sold to dignitaries of the Church or to titled persons for

great sums; but any monies received from such a transaction went into

the coffers of the Church and not into the monks' pockets. The Church

however, in return, provided them with all they needed so they did not

go entirely unrewarded. Some day when we can find time we will go to the

city and hunt up some of these rare old manuscripts in the museum. You

would be interested to see how exquisitely many of them are done. The

initial letter, or frequently the catch word, is painted in color, and

the borders are richly decorated with intricate scroll-work."

"Did the monks have to design the pages as well as print them?"

inquired Paul with surprise.

"The same monk did not always do all the work," his father said. "Some

merely inscribed the text and illuminated the first letter or word;

afterward the sheets were handed to some one else who designed the

decoration and sketched it in. Then it went to the colorist, who in turn

illuminated, or painted, the drawing. You will find every inch of some

of the more ornate manuscripts filled in with designs. The great

objection to this method was that several persons handled the work and

therefore in many cases the decoration had no relation whatsoever to the

text; in fact, frequently it was entirely inappropriate to it."

Paul smiled.

"No more relation, I suppose, than the text of our school paper will

have to its name: _March Hare_."

"Just about the same," conceded his father with amusement. "So that's

the title you've selected for your monthly?"

"Yes, sir. We couldn't seem to think of anything better."

"It's not bad at all. How are you coming with the project? You seem

bothered."

"I am--a little."

"What's the matter? Haven't you money enough to induce anybody to print

your publication?"

"Oh, I have a printer," replied Paul confidently. "The _Echo_ is going

to get it out for us."

"The _Echo_!" Mr. Cameron regarded the lad incredulously.

"Yes, sir."

"But--but--how in the name of goodness did you pull off a bargain like

that?" demanded the man. "The _Echo_ of all people! Why, I should as

soon think of asking the government to do it! Their rates are enormous

and they never take outside work. Are you quite sure they have agreed to

do it?"

"Yes. There's no mistake about it, Dad. They were perfectly serious.

They made a few conditions, though."

"Whom did you see?"

"Mr. Carter."

"Carter! Mr. Carter himself? Mr. Arthur Carter?"

"Yes."

"My soul and body!" murmured Mr. Cameron. "I wouldn't have believed he'd

see you. You did have a nerve, son! Why, nobody ever asks a favor of

Carter. I wouldn't, for a thousand dollars. It's a marvel he listened to

you. And he is actually going to print your paper?"

"Yes, sir--that is, under certain conditions." Paul waited an instant,

then added dryly: "In fact, Dad, you're one of the conditions."

"I!"

The boy chuckled.

"Uh-huh. He wants you to subscribe to the _Echo_."

"He does, does he!" Mr. Cameron cried with indignation. "The

impertinence of the man! Well, he can continue to want me to. When he

finds me doing it he will be years older than he is now. What does he

think? Does he expect to turn me from a broad-minded Democrat into a

stand-pat Republican like himself? The old fox! He just enjoyed sending

me that message, and by my own son, too. I ran against him for Mayor in

1916 and lost the fight because I wouldn't use the weapons he did. You

were a little chap then and so do not remember much about it; but it was

a nasty business. Since that day we've never spoken. Take his paper! I

wouldn't so much as look at it if he offered it to me free of charge on

a silver salver."

Paul regarded his father with consternation.

"But I say, Dad, if you don't help us out, it's all up with the _March

Hare_."

"I can't help that," blustered Mr. Cameron, striding impatiently across

the hall. "Why, it's preposterous! He's making a goat of you, son,

that's all. He never meant to print your paper. He simply made up a lot

of conditions that he knew could never be fulfilled and sent you away

with them. It was a mean trick. Just like him, too! He'd think it a

great joke."

"I don't believe he was joking," Paul answered slowly. "And anyway, even

if he were, I don't have to take it as a joke. I can take him seriously,

fulfill his contract, and make him live up to his agreement, can't I?

Then if the whole thing were a joke, the joke would be on him."

Mr. Cameron gazed into the boy's eager face a few seconds, then smiled

suddenly.

"That's not a bad idea," he observed. "We'd have Carter fast in his own

trap then."

"To be sure."

"By Jove, Paul--if I haven't half a mind to help you out!" He slapped

his son on the shoulder. "I'll do it! I declare if I won't. I'll send in

my subscription to the _Echo_ to-morrow. I needn't read the thing, even

if I do take it. What other tasks did the old schemer impose on you?"

"I've got to get some ads for him--ten of them."

"Whew!"

"And I've got to ask Judge Damon for six articles on The League of

Nations."

"Ha, ha! That's a good one," chuckled Mr. Cameron. "The League of

Nations is like a red rag to the Judge. He can't be trusted to speak of

it, let alone writing about it."

"Mr. Carter said Judge Damon was an expert on international law,"

explained Paul.

"So he is, so he is! But he isn't expressing his opinion of The League

of Nations, just the same."

"You think he wouldn't do the articles?"

"Do them? Mercy, no!"

"Then I guess it was all a joke," murmured Paul, with a wistful,

disappointed quiver of the lip.

Mr. Cameron saw the joyousness fade from the young face.

"It was contemptible for him to put up such a game on you kids!" he

ejaculated.

Thrusting his hands into his pockets he stared up at the ceiling.

"I'm not so sure," he presently remarked slowly, "but what, if your

uncle knew the circumstances, he might be coaxed into meeting Carter's

demand."

"Do you think so?"

Again courage shone in Paul's eyes.

"I'm pretty sure of it."

The lad's brow became radiant.

"I'll see Damon myself," went on Cameron humorously. "I'll tell him I

have yielded up my preferences for the common good and that he must do

the same. His son Carl is in your class, isn't he?"

"Yes, sir."

"Then it's as much his duty to help on 1920 as mine. He adores that boy

of his. You leave him to me. I'll bring him round to our way of thinking

all right."

"And the ads?"

"Set your classmates on their fathers," was the terse reply as the elder

man clapped on his hat and left the house.

Paul watched him out of sight, then sighed a happy little sigh of

satisfaction. With such a sympathetic colleague to fall back upon he

felt confident the _March Hare_ would succeed.

Paul and the Printing Press · 第 3 / 18 章