CHAPTER XVI.

[Henry Gastonard gives a further account of his meeting with Mimi the

Simpleton.]

The New Vicarage, Lowestoft,

August 8th, 1905.

Dear Paddy,--I was too seedy to write to you yesterday, nor did my

good cousin’s chatter concerning the things of this world help me to

get better. Arthur is the kind of man who buys in an earthly market

and would realise in a celestial. He began to talk of motor securities

this morning, and did not cease until he was called to the church for

Litany--but he went with thunder on his brow, for little Martha

insisted on shewing me the greenhouses meanwhile, and the man is as

jealous as Othello.

You will readily imagine that I linger in this house chiefly for the

comedy of it. I believe that Arthur would have told me to go this

morning if pretty Martha had not cut in before him. “Arthur is so

delighted to have you here,” says she, looking hard at him across the

table, “there are so few educated folk in these parts that it is a

real kindness for any friend to come and see him.” You should have

seen the black looks he cast back at her. I do believe the poor man

nearly choked himself with the toast he was eating.

I shall go over to the hotel at Yarmouth to-morrow, Paddy--later on,

perhaps, from there to Cromer, where Mimi goes with the troupe. So

much tells you in a word that I have not persuaded her to quit the

gentleman of the cockney accent, or to forsake the delights of posing

before an ignorant multitude as the Señorita Alphonsine. What is in

her mind I do not know for any certainty. She understands, she must

understand, that I have no interest in Lea d’Alençon, and never had.

But a jealous woman, more especially when the Butte has taught her to

be jealous, is one of the most incomprehensible of all mysteries, and

such, I begin to fear, will our little friend Mimi remain.

I talked to her very frankly the other evening, perhaps as frankly as

ever I spoke to her in all my life.

“You left me at Poissy because Madame Lea came there,” I said--and

then I asked her--“Was that just, Mimi? Could I prevent her coming?”

To which she answered:

“You could have prevented it, Monsieur Henry. No woman goes to a man

who does not wish to see her--she writes to him.”

I laughed at this. How like the Mimi of la Galette.

“Of course, old Georges Oleander taught you to say that. I remember it

was one of his great, also foolish, sayings. Those were famous days,

Mimi. I wonder what you would have said if I had forbidden you to see

Mr. Barrymore or Count Charles, or any of the friends you used to

know? Suppose I had been jealous, as I had the right to be----”

“But you, you, Monsieur Henry--you were not my lover; why should you

be jealous?”

“Mimi,” said I, “we are going to forget the past just as we would

forget a sad book that we have been reading. What is to prevent us? I

shall never see Madame Lea again. If I saw her a thousand times, it

would make no difference. You know that I love you, Mimi. How often

must I say it to make you believe?”

The words moved her to some emotion. There is no more intelligent face

in Europe than hers, none more beautiful; and I could see that the

child was wrestling with some great temptation, unknown to me, and

unconfessed.

“It would be folly to speak of it, Monsieur Henry,” she said

presently; “I am not fit to be your wife. You are rich, and we are no

longer at the Maison du bon Tabac. I tried to follow you out into the

world, Monsieur Henry, but I lost you there--and I shall never find

you again.”

“Mimi,” said I, “there has always been this between us. You call me

rich, but in a few months’ time I may be poorer even than these people

who employ you. Is not that enough for you? Shall I make myself poor

to-morrow because riches keep you from me? Is that your wish, Mimi?”

“I know the truth,” she said quietly; “your great Irlandais told it to

me. You are rich, and if you work you will remain rich. Do not believe

those who tell you that the poor are happy, Monsieur Henry. That is

what the rich say to defend themselves. Oh, do you think that I can be

happy so far away from France and among these strange people? Would I

not return to-morrow if I could do so?”

“You shall return, Mimi--we will go together.”

She laughed drolly, turning the pathos of it with the cleverness a

born actress alone could command.

“To the Butte,” she cried, “on the high road? We will sup at the Lapin

Agil and breakfast at the Capitol. That’s what I dream of when I dance

before the people--but you are not in my dreams, Monsieur Henry; I

think of a Paris which you have left--I do not see you any longer

among my friends.”

“Because you yourself have determined that it shall not be so.”

“No--because you were not born of us; because you are an Englishman

who has work to do in your own country. I am in my own world even in

this poor place. It is not your world--it must never be so.”

* * * * *

This was the sum of it, Paddy, often repeated. This child believes

that all my love for the Butte and its people is but a sham affection,

that it will pass, that I am born to riches and position. She is

clever enough to think that a marriage with me would be a false step,

leading neither to her happiness nor to mine. All this fine philosophy

of hers is no sounder than the bloom upon a flower. If I could conjure

up the old house in Paris, people it with the old figures, recall the

old precarious life, the days of poverty, the days of comparative

riches, the empty cupboards, the chiding corks--if I could do this,

and say, “Mimi, come back to me,” she would be in my arms in an

instant. But she is afraid of her new situation; London has chilled

her finest instincts--she can think of me but as the “great Monsieur

Henry, of the Hôtel St. Paul.” And between me and her a great barrier

is fixed.

How to combat this argument I know not. My threat to shed myself of my

money is both idle and impossible--it is the word one whispers to a

woman in an ecstasy of passion, and repeats with a shamed grin next

morning. I feel, Paddy, that I could not support poverty--and yet here

is poverty staring me already in the face, and promising, like the

Devil in “Faust,” that he will have me some day. To you I put the

problem, for God knows I can make little of it. Is there any way--any

sane way--by which I can win this child’s love and make her my wife?

Would it be a crime to do that? Am I a madman to be thinking of it at

all? Write to me, old friend, and speak in plain terms. The Paddy of

the old time was never ashamed to do that.

You may address your letter to the vicarage, for little Martha will

see that everything is forwarded. I am tired already of this

lantern-jawed cousin of mine, who nagged his wife for three hours last

night because she would not turn me out, and prayed before breakfast

this morning for charity. I heard them quarrelling; the wall was not

thick enough to keep those dread sounds out--but she silenced him in

the end, though how, I do not know. When next I saw her she was

wearing a bearskin on her shoulders, and her hair was the colour of a

terra-cotta house. They are to have the first dress rehearsal for the

Pageant to-morrow--and Arthur, who has just preached another sermon

against the theatre, is to be there with a megaphone.

God bless him! He is the poorest creature in Suffolk, though not in

the least aware of the fact.--Dear Paddy, yours dolefully,

Harry Gastonard.

The show girl · 第 16 / 51 章