JOHN W. METCALF

California has produced her share of composers. They have been

prominent as pianists, violinists, leaders of musical bodies and

teachers of harmony. They are writers of the highest merit and some

can be classed with the song writers of Europe. The state is too young

for many native composers. Our musicians all came to us in the days of

gold, and others who came later educated their sons and daughters in

the East and in Europe in the highest art of music and, returning to

the state, made a place for themselves as writers of music.

John W. Metcalf for the last twenty-one years has been among us as

teacher of piano, harmony and a song writer of the highest order, and

we are glad to claim him, even if he is not a native son. We love his

music and appreciate the writer who is able to give to the singing

world soulful compositions that compare with those of Schubert and

Mendelssohn. They are superlatively correct and scholarly. I am not a

song writer but a song singer, and when I find such compositions I am

proud to interpret them to the best of my ability.

John W. Metcalf is a product of my state, Illinois, and, like the

writer, he inherited his musical talent from the maternal side. His

first teacher was his mother's sister, who was a pupil of Bozzini and

prominent as a pianist and vocalist. In 1877 he went to Leipsic to

complete his schooling in music. He was accepted as a pupil at the

Royal Conservatory and was one of thirty who passed. He studied

faithfully three or four years, piano with Carle Reinecke and Louis

Maas; theory with Ernest and Alfred Richter; composition with

Reinecke, Rust and Jasassohn. The director of the conservatory, Conrad

Schleints, a warm personal friend of Mendelssohn, gave solicitous

attention to the promising young American and bestowed upon him at

graduation the coveted Hilbig prize, which had been won but twelve

times in the history of the conservatory. After returning to America,

he taught four years near Chicago, one year at the Dana Institute in

Ohio, and one year as head of the piano department of the Boston

Conservatory. He left Boston on account of ill health. After directing

for three years the Garfield University at Wichita, Kas., he came to

Oakland, Cal., where he still resides, and we are proud to claim him

as one of California's composers and renowned teachers of the

pianoforte. I feel honored to sing his songs and teach them to my

pupils. I append what I consider one of his best:

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