San Francisco, 1878]

It was a pity that after all this success there should come an

aftermath of unhappy, unpaid singers and players who were unable to

realize a farthing from their splendid work. Mr. Bugbee slipped

quietly out of the city, Mr. Kinross sailed on the Portland steamer,

Mr. Benham disappeared, as did also Mr. Easton. The concerts certainly

paid a splendid profit, but expenses and high salaries of these men

ate up the expected profits. Everything was carried out with a

lavish hand and Mr. Bugbee, with all his promises, did not fulfill

them as by contract. I do not know what the other soloists' losses

were, but my portion was to be $150 for three days, carriages, etc.

After the concert in the opera house I never saw Mr. Bugbee, although

I made every effort to do so. He was lost to San Francisco forever. A

number of years after all this trouble I saw a notice of his death in

a southern city. Carl Zerrahn was the only one who benefited by his

coming and he returned home with $2,500 in his pockets, a gold medal,

laurel wreath and embossed letters of appreciation from the musicians

of California. I never knew how settlement was made with the managers

and the Eastern artists. It is my opinion they received nothing and

were obliged to return on their own expenses. The papers were full of

sarcasm and by-play upon the names of the prominent men who had the

matter in hand. "Charles Stoddard, our poet, had his genius completely

crushed under the $20 that he did not receive for his work." The San

Francisco Chronicle said further: "In the meantime, the present

creditors are singing with much vim the Oweratoweriwoe of the

Götterdämmerung."

Laying all jokes aside, it was a great event. It would give the reader

only a faint idea of the mass of humanity to express its size merely

by so many thousands. The spectator looking down upon it from some

upper seat of the boundless gallery of the choral amphitheater saw an

awe-inspiring scene. People in numbers almost as great as the standing

army of the United States were packed so closely together that all

individuality was lost, and the pulsating aggregate looked like the

exposed and mottled back of some submerged sea monster. Between the

parts of the programme the combined hum of ten thousand voices floated

upon the air like the deep boom of the surf on the seashore. When the

raised seats were well filled in the vast gallery the graduation was

lost to the eye, and the whole presented a plane surface as rich in

coloring as if it had been a hanging of rarely worked tapestry. The

main floor was one solid mass of female loveliness and manly worth.

There were national dignitaries on a visit to the coast, state

dignitaries from Sacramento, city dignitaries and nature's noblemen

from all over the country at large. The amiable and heavily bearded

countenance of Governor Irwin was conspicuous in one of the boxes. The

buxom and benign countenance of Mayor Bryant, his person clad in a

rigorously accurate full dress costume, was not less noticeable. But

the ladies! Oh, there began the tempest of the soul of any man who

tried to pick out any one who was more pre-eminently attractive than

the other. The eye could travel on forever through the boxes from east

to west, from Mission street to Market, from the main floor to the

roof, and every prospect was pleasing and man was utterly outvied. At

half past two the tall and graceful conductor, Carl Zerrahn, arrayed

in a black frock coat and a pair of lavender colored trousers, stepped

lightly down the gorgeous hill of choristers to the front of the

orchestra, made a profound bow to the audience, then turned and raised

his baton to the chorus. Instantly the 1,800 rose to their feet with a

motion so well timed that it seemed as if the whole south end of the

pavilion was rising. As 1,800 scarlet-covered chorus books were

hoisted into view, the whole amphitheater seemed aflame as if for an

exaggerated incantation scene of Fra Diavolo. Then there was another

motion of the baton, with the precision of a machine fifty bows

scraped upwards over fifty violins and 150 other instruments, and

1,800 voices burst forth in melody.

[Illustration:

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