[QUIN, THE ACTOR]
His eyes, in gloomy socket taught to roll,
Proclaimed the sullen habit of his soul.
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine and court the queen.
From the tame scene which without passion flows,
With just desert his reputation rose.
Nor less he pleased when, on some surly plan,
He was at once the actor and the man.
In Brute he shone unequalled: all agree
Garrick's not half so great a brute as he.
When Cato's laboured scenes are brought to view,
With equal praise the actor laboured too;
For still you'll find, trace passions to their root,
Small difference 'twixt the stoic and the brute.
In fancied scenes, as in life's real plan,
He could not for a moment sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface played.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff--still 'twas Quin.