After those thoughts had had their sway, more practical ones presented

themselves. Romano thought of the difficulty to find another man.

Salvatore was such a good barber!

A hard battle between business and artistic ideals, indeed!

There was no music that evening, because there was no harmony between

the two.

The banker and the other "notabili" came, in vain.

Salvatore took his hat and cane, and saying very politely, "Buona sera,"

he left the shop.

"What's the trouble with Salvatore?" they all asked.

"He is crazy," Romano answered. They understood something had gone wrong

between the two, so the talk was switched on the war.

Rosita came and turned pale when she did not see the young man. The

absence of his hat and cane caused the girl despair.

Said the banker to Romano at parting:

"If it's a question of a few dollars more a week, I would advise

you----"

"Nothing of the kind, banchiere. Money means nothing to me. I have

ideals, high ideals, which this impudent----Think of that! To dare sneer

at Rossini! Il grande maestro! The compositore of the 'Barbiere de

Sevilla,' and many another capo d'opera. He will have to apologize, or I

never want to see him again!"

"Yes, yes," the banker insisted--"youth is impudent, but Salvatore's

razor hand and his voice bring business."

"It means nothing to me. He will have to apologize if he wants to work

in my shop."

The next day, Saturday, the two artists were too busy to talk music.

Fire hung between them. Rosita came in early, all flushed, and sent

Salvatore a meaning-full glance. Romano ordered her out very gruffly.

Salvatore was mad with anger. How dare this Rossini fanatic speak to

Rosita, to his beautiful Rosita, in such a way!

She did not return the whole day.

In the evening Salvatore again made ready to go. He had planned to leave

definitely, and find some "sub rosa" way to speak to Rosita. Yet he

changed his mind at the last minute. There was danger. He could not lose

the girl. He decided to bide his time.

He had hardly started to take off the white jacket when Romano spoke to

him.

"Young man, you will have to apologize or leave my shop for good. It is

true you are a very good barber, an artist, and I was ready to increase

your wages of my own good will. But I have ideals. You have insulted my

masters--my great masters----"

Romano's voice quivered with emotion. His eyes were moist. He was deeply

grieved. It touched Salvatore as nothing ever did. Throwing both arms

around the old man's neck, he kissed him, crying:

"Silvio Romano, soul of an artist! amo d'artiste! I love you, I honor

you. But I too have artistic ideals. I love Rosita--but you will not

permit that I debase myself, that I lie to you for her sake?"

Both men cried.

They never again talked about the different masters; instead, they

played their music nightly. And after a time, they occasionally bowed

each at the other's shrine.

THE HOLY HEALER FROM OMSK

From Fourth Street to the confines of 14th Street below First Avenue and

the East River is one of the Russian districts in New York. It is

inhabited to a great extent by Russian laborers. The Russian

"Inteligentsia" of New York is so busy talking _about_ the people, the

"narod," it has had no time to go and see and talk _with_ the people.

The odor of cooked cabbage and burned fats dissolves into the stronger

odors of the oiled high boots and the numerous Russian steam baths of

the district. Ah, these steam baths! From the looks of them and the

smell one comes to think of them more as sewers than baths. A hundred

little "Cuchnias," restaurants with their vapored windows and sawdust

floors proclaim the fact that most of the inhabitants of the district

are here without their families and therefore thrown upon the

ill-smelling and meanly-cooked foodstuffs of those eating places.

The whole week the streets and houses are very quiet; only the

occasional quarrel between two restaurateurs and their wives disturbs

the peace. The tired workers sleep. But on Saturday night the Russian

temperament breaks loose. The windows of every front room are lit and

from the street one sees plainly the decorations on the walls; red and

blue serpentines cross the ceiling and are wrapped around the

chandeliers; a few pictures in color, cut out from some illustrated

paper or magazine; a few gayly colored hand embroidered towels are fixed

with pins on the wall above the mantelpiece on which are a few pieces of

cheap glassware in that milkish green held in so much affection by the

Lithuanians. And inside the rooms, to the creaking sound of a

concertina, the Russians dance and sing their national songs. Here and

there some American song breaks loose, but this only happens early in

the evening when things are yet on their surface. Later in the night

when drink has sobered and deepened the children of the Volga they sing

only dirges, linking one to another until the whole district is

permeated in an undulating melancholy for which no God and no man could

account.

* * * * *

In this district lived Stephan Ivanoff. Stephan came to New York with a

reputation. People said he had escaped from Siberia by flight, and

people also said that he was sent to Siberia because of the jealousy of

a doctor. Stephan was not a doctor; he was a healer.

Stephan was a big, heavy dark bearded man with two shrewd little eyes in

his head and a mouth which always looked as though it just finished

eating some savory morsel. He kept to his Russian custom and went every

Saturday night to the Russian bath. In the intimacy of the common

bathroom he told stories and anecdotes which elicited broad laughter

and made many friends to the newcomer from Siberia.

Incidentally Stephan Ivanoff gave some health hints to his friends.

"First of all, don't eat eggs; don't eat any eggs," he said, "they are

just poisoning your blood. If you have eaten even one egg in the last

four, five years, it will come out some day in a swelling of the neck or

in some other boil on the legs and arms."

* * * * *

And one day Vasilenko, the owner of one of the restaurants of the

district, had such a swelling on the neck. His wife called a doctor, a

regular M. D., who prescribed rest, hot water applications and other

such truck. It did not help very much and Mrs. Vasilenko complained to a

customer.

"A swelling on the neck?" the customer said as he wiped his mouth with

the back of his hand, "why, poor Vasilenko is poisoned!"

Several other customers approached Serzei's table and Serzei explained

with even greater details all he knew, all he had heard from the mouth

of Stephan Ivanoff, that mysterious man who had escaped from Siberia

where he had had the great fortune to meet a holy man from Omsk who

taught him all about diseases and foods and their poisons.

The upshot of it all was that they went scurrying for Stephan Ivanoff

and brought him to the bedside of Vasilenko. Stephan looked the sick man

over, held his pulse for quite a while, then declared that Vasilenko was

poisoned. He ordered all the bottles of medicine thrown away in his very

presence before he would start anything.

"The case is a very serious one," he said, "but I will try to use

whatever gifts I have," and he started immediately the old process of

dry-cupping the patient. One after the other the little cupping glasses

applied to the swollen part filled with the brown blue flesh they sucked

in. The patient groaned but Ivanoff assured him it was better than death

and tortured him the rest of the night. In the morning Stephan obtained

a few particularly active and hungry leeches which he posed to suck out

the "bad blood" from Vasilenko's arms and legs. After eight days and

eight nights he restored Vasilenko to health and guaranteed that not a

drop of poisoned blood had remained in the man's body.

* * * * *

The news spread that Ivanoff had saved Vasilenko's life, and the

reputation of the quack grew daily. According to Ivanoff's theory,

almost everybody's blood was poisoned. They were all sick people. He

took the pulse of every one, listened carefully and then dropped the

hand with a little eloquent gesture that set one despairing more than if

the death penalty had been pronounced.

"Stephan Ivanoff, what is the matter with me?"

"Alexis Vasilewitch, your pulse tells me that you are a very sick man."

"It's true Stephan Ivanoff that I feel a little tired, but I thought

that it was hard work."

Stephan never insisted. It was his trick never to insist. He knew human

nature too well to insist. He just made a little gesture and passed on

to pleasanter topics, but he was sure that Alexis Vasilewitch, or

whoever it was, would come around at the end of the conversation at the

dinner table at Vasilenko's and ask: "Stephan Ivanoff, what shall I do?"

And the next day, or on Saturday the man was dry-cupped, blood-sucked,

massaged and given to drink strange-tasting mixtures brewed over an

alcohol lamp. A few weeks' treatment and the man was healed.

* * * * *

Stephan Ivanoff had saved another life.

Things went on in such a way for years. The several doctors established

in the district starved and Stephan Ivanoff became rich. From

Vasilenko's restaurant spread tales of marvellous recoveries from all

kinds of diseases which the healer discovered as soon as he felt the

man's pulse. It was as if the holy man from Omsk had himself sent

Stephan Ivanoff to New York to save all the poisoned men. And when a

man was very severely ill Stephan spoke mysteriously of occult

communications with the man "out there" and gave a brew of special herbs

grown on the tombs of holy men and ordered Chinese leeches and

dry-cupped in a special way until the man was saved.

Stephen Ivanoff furnished his apartment with all the Russian things he

could get in order to impress the increasing number of his visitors.

The priest came to see him one day to admonish him about a little

scandal with Vasilenko's wife.

Stephan Ivanoff kissed the hand of the old man and as he held it between

the pointer and the thumb he exclaimed "Father, don't move!" Silently,

attentive, with the hand of the priest limply between his fingers he

said: "Father Anton Fevdoroff, you are a sick man."

"My son, I have come to speak to you about other things." The priest,

essaying his unctuous voice, tried to set things right.

Vasilenko had gone to Russia to visit his parents, and his wife, the

rumor spread, fell to the healer's spell. Stephan Ivanoff, the healer,

listened to the priest's admonition to the end and as he did so his face

radiated happiness; as though some wonderfully clear visions were

descending from the heavens upon him.

"What have you to say, son?"

"That God's wisdom is seen in the ways of life; that he taketh care of

man and worm, and that no action and no thought can come but that He had

willed it," answered Stephan Ivanoff, in religious transport.

"But why does my son speak now about godliness, when I come to censure

him about his immorality?"

"In Omsk, father, I met a holy man who taught me many things before I

came here. In five years I have not met you once. And because you are

also a holy man God willed that Vasilenko go to Russia and I be exposed

to false accusations so that you should come to me. You are a sick man,

Anton Fevdoroff--your pulse tells me you are a very sick man, that

you have been poisoned."

Father Anton Fevdoroff maintained that he was not a sick man but the

thumb and the forefinger of Stephan Ivanoff on the pulse of the man knew

better. A few days later the priest sent word to the healer that he

should come to see him. Father Fevdoroff was ill. The doctor had

prescribed something which did not seem to help and the priest's wife

was despairing. Brought up in a little village in Russia her confidence

in leeches and cupping was much stronger than in the official medicine.

Stephan's methods suited her and as the priest's health improved under

his treatment, Mother Fevdoroff went into ecstasies over the holy man

from Omsk:

On the fourth day Ivanoff said to the priest:

"Little father, your pulse is wonderful to-day. There is not a drop of

bad blood left in your body."

[Illustration: "Little Father, your pulse is wonderful to-day."]

Father Fevdoroff thereafter dropped the Vasilenko affair. Ivanoff

shrewdly refused payment for his cure. Mother Fevdoroff spread the news

of the wonderful cure so well that the healer actually overworked

himself every day feeling the pulses of his patients.

* * * * *

Hard work and heavy eating began to tell on Stephan. After a

particularly heavy meal on a Christmas Eve he had an attack of

indigestion in the house of a friend.

"Should we call a doctor, Stephan Ivanoff?"

He refused at first. Had he not denounced all the doctors as fakers! But

when the cramps almost killed him he made no answer as the suggestion to

call a doctor was made again.

The old practitioner of the district was brought to the well known

quack's bedside. The doctor hoped that the news "the quack called a

doctor when ill" might loosen the healer's hold on the people.

Ivanoff was breathing heavily. The doctor took the sick man's hand to

feel the pulse. Suddenly the healer snatched his hand away, and with

all the energy at his command exclaimed:

"Stop! You know who I am? _Don't we know that there isn't such a thing

as a pulse?_" and he refused to be treated.

That indigestion killed Stephan Ivanoff.

The neighborhood says: Because there was not another man in New York who

had met that holy man from Omsk.

HIRSH ROTH'S THEORY

The Bronx, between Claremont Parkway and Bronx Park, has known Hirsh

Roth of the firm of Hirsh Roth & Co., wholesale and retail liquor

dealers, for the last twenty years. He was there, a believer in the

Bronx, when it was yet all rocks and farms, with a few scattered wooden

shacks. He was there when the downtown people moved to the Bronx because

the doctor said they needed country air and higher ground.

Roth saved up a few dollars sewing pants the whole day and eating

herring with bread at night. His wife died of tuberculosis on such a

diet after she gave birth to a man child, to Joseph, who is now the

anonymous "& Co." of the father's business. Hirsh Roth moved to the

"country" to save his own and the child's life. But, as he is a man with

proselyting tendencies, he came downtown to the local of his union

every Saturday night to persuade people to move to the Bronx.

He was at that time affiliated with a real estate firm, and sold lots

and parcels to his former friends and co-workers. Many a fashionable

house is now raised on ground he sold. Former pants operators own them.

Half of Bathgate Avenue and Brook Avenue was populated by Hirsh Roth's

efforts--ere he formulated a new theory: "The Bronx was becoming too

populated." He then changed his business from selling real estate to

selling liquor.

Many a man changes his business for material interest only. Not so Hirsh

Roth. He always requires a theory. He went into the family liquor

business to prevent drunkenness. "When a man has a little something at

home he does not go to a saloon, that's the idea."

And all those years he boarded with his child in the house of a friend,

a house builder. Hirsh Roth did not remarry; he had a theory for that

also. "Marriage is a foolish thing a man should commit only once."

The builder, Feldman, had a daughter the same age as Joseph, Roth's son.

Before either of the tots could utter an intelligible word, the parents

had already affianced them. Dowry and everything else was settled

between the two men, and a special glass of wine drunk to the health and

happiness of the future couple. Then each went about his business with

the feeling of a man who has cleared his mind of earthly cares.

The Bronx grew up in his arms, so to say. Early mornings he went to see

how his "baby" developed. Every house was built under his eye. It

mattered not whether it was his building or not. If he thought the style

or the material was not what it ought to be he gave no peace to the

owner or the builder. Many an architect's blue print had to be changed

at his insistence. The depth of a foundation or a brick not properly

fired had caused him many a sleepless night.

"Mazel Tow, Feldman; Josephson's house is finished"; or "They broke

ground to-day on Berger's lot near Washington Avenue," were frequent

greetings when he came home.

Fanny Feldman and Joseph Roth grew up together like brother and sister.

They fought and quarrelled, and Mrs. Feldman made no distinction between

her own and the stranger when she administered a deserved spanking. Then

came the period when the high school boy hated even to speak to a girl.

Joseph Roth refused to be seen with Fanny on the street, "because I am

not a sissy," and thereupon received a beating from his father.

On some such an occasion he learned that Fanny was to be his wife.

"We are not in Russia!" he cried. "I am an American. We are in a free

country. What do you mean by choosing for me a girl?"

He got another beating for his defiance. As he lay on his cot one night

he made plans how to run away to the West and become a cowboy or

something.

Fanny was a beautiful and clever girl. Though Joseph's behavior was very

insulting to her, she agreed with the spirit of his revolt.

Of course Joseph was not to be compared with some of the young fellows

she knew. There was young Reisin, who played the violin so beautifully;

and that long-haired, almond-eyed Berger boy, who had several poems

printed in newspapers--all the girls were after him. Joseph had no such

qualities. He was not artistic. But she admired his spirit--in an

abstract sense. It was so manly of him not to submit to the will of his

father. He was an American, lord and master of his own actions, and not

a slave or hireling.

Then one day Joseph disappeared from the house. The whole night the

police of the Bronx and Manhattan were kept busy trying to find the

sixteen-year-old boy. The next day his picture was in all the papers. On

the third day he was brought back from Philadelphia, still an

unrepentant sinner.

Did he get a beating? No, but on the next day his father took him to the

store.

"No more school. You will help serve the customers."

Joseph was strong and willing, and was soon managing the business. But

there was no day in which his name was not in some way linked up with

Fanny's. For so many years Hirsh Roth had considered the matter of his

son's marriage settled, that the unsettling of this plan was a

calamity--as if a sure deal for a corner lot had fizzled out, or as if

the very Bronx had failed in some way. The more he insisted the more the

boy was steeled in his decision. He wouldn't even sit near the girl at

table. He never even smiled to her; he snarled.

One day they were alone.

"Fanny," he told her, "they want to force me to marry you, and I don't

want to--you hear, I don't want to, Fanny. I was never asked at all

whether I want to marry you or not!"

"You are perfectly right, Joseph. They have no right to do that. We are

in America. We are not in Russia. I like you, we will stick to our

guns." And Fanny put out a warm little hand.

This short interview made Joseph happy. He had at least one ally; he

could stand his father's importunities much more easily, though the

parent presented the same stubborn opposition to his plans.

Then suddenly, Hirsh Roth told his son, "We are moving out from the

Feldmans'. To do what he did to me, after all I did for him in all these

years! I never again want to see a Feldman in my life," moaned the old

man disconsolately.

That very night father and son moved in to Mrs. Josephson's.

For the first time Joseph did not feel at home. The Josephsons were very

friendly people; Josephson never forgot he owed his fortune to Hirsh

Roth's advice. But they were strangers. They called Joseph "Mr." Roth.

Even the hot soup lacked warmth after that.

Hirsh Roth went to a meeting of his lodge. Joseph went out for a walk.

He saw Fanny on the opposite side of the street. She was strolling

leisurely with the young poet Berger.

He saluted her, but as he did so he remembered his father's moanings

about the Feldmans. It made him feel very sinful.

The next few days Joseph surprised himself frequently thinking of Fanny;

how she had shaken hands with him and become his ally on a certain

proposition. The following evenings his father kept him busy in the

store till late in the night. For a full month Hirsh managed to keep his

son under his eye. He even took him to a lodge meeting. Joseph began to

suspect he did it purposely to keep him away from Fanny.

He met her on the Elevated one afternoon as he had to go downtown on

business.

"Hello, Miss Feldman."

"Oh! Mr. Roth, glad to see you again," she responded cheerily.

And they shook hands like old friends that have not met in a long time.

They traveled together. He even went with her to a department store

where she bought some notions. They talked about many things, and she

managed to sell him a ticket for the next musicale of the synagogue.

"Will you be there, Miss Feldman?"

"Of course."

All through the winter they met here and there, and every time they

learned to know each other better. It was enough that she should look

friendly-like at another young man for his heart to beat faster and the

blood to rise and rush.

Hirsh Roth never relaxed his vigilance over his son. Many an appointment

with Fanny could not be kept on account of the older man. He wanted to

know where his son went and from whence he came. From time to time he

spoke about Feldman as of one who had betrayed him in the most rascally

way.

Every meeting with Fanny now necessitated diplomacy, and was frequently

espaced by weeks. The elder Roth grew thin and irritable as the spring

approached. Joseph Roth planned many a time to ask details about

Feldman's betrayal, hoping to patch up the quarrel. But he was afraid to

complicate matters, to arouse suspicion.

One evening, late, as Joseph entered his room at the Josephson's he

found his father waiting for him. The old man abused the boy in the most

vehement way. It had been brought to his ears that Joseph had danced

with Fanny Feldman at the last musicale.

"My son, my own son, danced with Feldman's daughter!"

It was more than Joseph could stand. How long was he to be bossed like

that? His father had once chosen who was to be his wife, and now he was

abusing him for dancing with whom he pleased. To his mind Miss Feldman

was not at all the Fanny of a few months ago. Miss Feldman was the woman

he loved, admired--the one he had chosen himself. Why should his

father's dislike of her father interfere with his plans?

And it did not. He eloped with her a week later--eloped to Philadelphia

on a paltry twenty-dollar bill, a week before the Easter holiday season

began.

"We are married, Fanny and Joseph," he wired to his father two days

later.

"Come home immediately, Mazel Tow," was the answer returned as fast as

the wires could take it.

At the Josephsons' the young couple were told Hirsh Roth had again gone

to live with the Feldmans. There Joseph found his father in the highest

possible spirits.

"But why didn't you do it sooner, you silly boy? I almost ruined my

stomach eating at the Josephsons. The thought of missing the good things

Mrs. Feldman cooks during the Holy days almost drove me mad."

And turning to the beaming Feldman:

"Well, did I win a hat? Free choice, old friend, we have to give free

choice to the world. But I almost died of a sick stomach waiting for the

theory to work."

THE TRAGEDY OF AFGHIAN'S LIVING RUG

Somewhere between Madison and Fifth Avenues, close to the hubbub of

Forty-second Street--the thoroughfare which is like a river flowing in

many directions at the same time--you will find the store of Afghian,

Mestre Afghian, the rug dealer and Oriental art collector.

Afghian would surely take offense at having his place called a "store,"

the chief objection to this word being his aversion to Occidental

business methods--the system by which things are appraised in their

dollar-and-cents value.

Afghian also is a business man. But to him rugs and topazes are rugs and

topazes first, and do not represent so many gold pieces. He thinks and

feels in terms of rugs, as did his ancestors hundreds of years ago on

the plains of Afghanistan and Turkestan when they exchanged the product

of their labor and love for the pearls brought to them by the poachers

of Bahrein.

In the dimly lit square room hang beautiful examples of the work of the

Tadjiks and Chiites, some in riotous colors suggestive and voluptuous,

and others as though woven by hands of saints who had banished all

earthly joy from their hearts.

Dust of New York · 第 6 / 8 段