I. Wild Wool

Moral improvers have calls to preach. I have a friend who has a call to

plough, and woe to the daisy sod or azalea thicket that falls under the

savage redemption of his keen steel shares. Not content with the

so-called subjugation of every terrestrial bog, rock, and moorland, he

would fain discover some method of reclamation applicable to the ocean

and the sky, that in due calendar time they might be brought to bud and

blossom as the rose. Our efforts are of no avail when we seek to turn

his attention to wild roses, or to the fact that both ocean and sky are

already about as rosy as possible—the one with stars, the other with

dulse, and foam, and wild light. The practical developments of his

culture are orchards and clover-fields wearing a smiling, benevolent

aspect, truly excellent in their way, though a near view discloses

something barbarous in them all. Wildness charms not my friend, charm

it never so wisely: and whatsoever may be the character of his heaven,

his earth seems only a chaos of agricultural possibilities calling for

grubbing-hoes and manures.

Sometimes I venture to approach him with a plea for wildness, when he

good-naturedly shakes a big mellow apple in my face, reiterating his

favorite aphorism, “Culture is an orchard apple; Nature is a crab.” Not

all culture, however, is equally destructive and inappreciative. Azure

skies and crystal waters find loving recognition, and few there be who

would welcome the axe among mountain pines, or would care to apply any

correction to the tones and costumes of mountain waterfalls.

Nevertheless, the barbarous notion is almost universally entertained by

civilized man, that there is in all the manufactures of Nature

something essentially coarse which can and must be eradicated by human

culture. I was, therefore, delighted in finding that the wild wool

growing upon mountain sheep in the neighborhood of Mount Shasta was

much finer than the average grades of cultivated wool. This FINE

discovery was made some three months ago[1], while hunting among the

Shasta sheep between Shasta and Lower Klamath Lake. Three fleeces were

obtained—one that belonged to a large ram about four years old, another

to a ewe about the same age, and another to a yearling lamb. After

parting their beautiful wool on the side and many places along the

back, shoulders, and hips, and examining it closely with my lens, I

shouted: “Well done for wildness! Wild wool is finer than tame!”

My companions stooped down and examined the fleeces for themselves,

pulling out tufts and ringlets, spinning them between their fingers,

and measuring the length of the staple, each in turn paying tribute to

wildness. It WAS finer, and no mistake; finer than Spanish Merino. Wild

wool IS finer than tame.

“Here,” said I, “is an argument for fine wildness that needs no

explanation. Not that such arguments are by any means rare, for all

wildness is finer than tameness, but because fine wool is appreciable

by everybody alike—from the most speculative president of national

wool-growers’ associations all the way down to the gude-wife spinning

by her ingleside.”

Nature is a good mother, and sees well to the clothing of her many

bairns—birds with smoothly imbricated feathers, beetles with shining

jackets, and bears with shaggy furs. In the tropical south, where the

sun warms like a fire, they are allowed to go thinly clad; but in the

snowy northland she takes care to clothe warmly. The squirrel has socks

and mittens, and a tail broad enough for a blanket; the grouse is

densely feathered down to the ends of his toes; and the wild sheep,

besides his undergarment of fine wool, has a thick overcoat of hair

that sheds off both the snow and the rain. Other provisions and

adaptations in the dresses of animals, relating less to climate than to

the more mechanical circumstances of life, are made with the same

consummate skill that characterizes all the love work of Nature. Land,

water, and air, jagged rocks, muddy ground, sand beds, forests,

underbrush, grassy plains, etc., are considered in all their possible

combinations while the clothing of her beautiful wildlings is

preparing. No matter what the circumstances of their lives may be, she

never allows them to go dirty or ragged. The mole, living always in the

dark and in the dirt, is yet as clean as the otter or the wave-washed

seal; and our wild sheep, wading in snow, roaming through bushes, and

leaping among jagged storm-beaten cliffs, wears a dress so exquisitely

adapted to its mountain life that it is always found as unruffled and

stainless as a bird.

On leaving the Shasta hunting grounds I selected a few specimen tufts,

and brought them away with a view to making more leisurely

examinations; but, owing to the imperfectness of the instruments at my

command, the results thus far obtained must be regarded only as rough

approximations.

As already stated, the clothing of our wild sheep is composed of fine

wool and coarse hair. The hairs are from about two to four inches long,

mostly of a dull bluish-gray color, though varying somewhat with the

seasons. In general characteristics they are closely related to the

hairs of the deer and antelope, being light, spongy, and elastic, with

a highly polished surface, and though somewhat ridged and spiraled,

like wool, they do not manifest the slightest tendency to felt or

become taggy. A hair two and a half inches long, which is perhaps near

the average length, will stretch about one fourth of an inch before

breaking. The diameter decreases rapidly both at the top and bottom,

but is maintained throughout the greater portion of the length with a

fair degree of regularity. The slender tapering point in which the

hairs terminate is nearly black: but, owing to its fineness as compared

with the main trunk, the quantity of blackness is not sufficient to

affect greatly the general color. The number of hairs growing upon a

square inch is about ten thousand; the number of wool fibers is about

twenty-five thousand, or two and a half times that of the hairs. The

wool fibers are white and glossy, and beautifully spired into ringlets.

The average length of the staple is about an inch and a half. A fiber

of this length, when growing undisturbed down among the hairs, measures

about an inch; hence the degree of curliness may easily be inferred. I

regret exceedingly that my instruments do not enable me to measure the

diameter of the fibers, in order that their degrees of fineness might

be definitely compared with each other and with the finest of the

domestic breeds; but that the three wild fleeces under consideration

are considerably finer than the average grades of Merino shipped from

San Francisco is, I think, unquestionable.

When the fleece is parted and looked into with a good lens, the skin

appears of a beautiful pale-yellow color, and the delicate wool fibers

are seen growing up among the strong hairs, like grass among stalks of

corn, every individual fiber being protected about as specially and

effectively as if inclosed in a separate husk. Wild wool is too fine to

stand by itself, the fibers being about as frail and invisible as the

floating threads of spiders, while the hairs against which they lean

stand erect like hazel wands; but, notwithstanding their great

dissimilarity in size and appearance, the wool and hair are forms of

the same thing, modified in just that way and to just that degree that

renders them most perfectly subservient to the well-being of the sheep.

Furthermore, it will be observed that these wild modifications are

entirely distinct from those which are brought chancingly into

existence through the accidents and caprices of culture; the former

being inventions of God for the attainment of definite ends. Like the

modifications of limbs—the fin for swimming, the wing for flying, the

foot for walking—so the fine wool for warmth, the hair for additional

warmth and to protect the wool, and both together for a fabric to wear

well in mountain roughness and wash well in mountain storms.

The effects of human culture upon wild wool are analogous to those

produced upon wild roses. In the one case there is an abnormal

development of petals at the expense of the stamens, in the other an

abnormal development of wool at the expense of the hair. Garden roses

frequently exhibit stamens in which the transmutation to petals may be

observed in various stages of accomplishment, and analogously the

fleeces of tame sheep occasionally contain a few wild hairs that are

undergoing transmutation to wool. Even wild wool presents here and

there a fiber that appears to be in a state of change. In the course of

my examinations of the wild fleeces mentioned above, three fibers were

found that were wool at one end and hair at the other. This, however,

does not necessarily imply imperfection, or any process of change

similar to that caused by human culture. Water lilies contain parts

variously developed into stamens at one end, petals at the other, as

the constant and normal condition. These half wool, half hair fibers

may therefore subserve some fixed requirement essential to the

perfection of the whole, or they may simply be the fine boundary-lines

where and exact balance between the wool and the hair is attained.

I have been offering samples of mountain wool to my friends, demanding

in return that the fineness of wildness be fairly recognized and

confessed, but the returns are deplorably tame. The first question

asked, is, “Now truly, wild sheep, wild sheep, have you any wool?”

while they peer curiously down among the hairs through lenses and

spectacles. “Yes, wild sheep, you HAVE wool; but Mary’s lamb had more.

In the name of use, how many wild sheep, think you, would be required

to furnish wool sufficient for a pair of socks?” I endeavor to point

out the irrelevancy of the latter question, arguing that wild wool was

not made for man but for sheep, and that, however deficient as clothing

for other animals, it is just the thing for the brave mountain-dweller

that wears it. Plain, however, as all this appears, the quantity

question rises again and again in all its commonplace tameness. For in

my experience it seems well-nigh impossible to obtain a hearing on

behalf of Nature from any other standpoint than that of human use.

Domestic flocks yield more flannel per sheep than the wild, therefore

it is claimed that culture has improved upon wildness; and so it has as

far as flannel is concerned, but all to the contrary as far as a

sheep’s dress is concerned. If every wild sheep inhabiting the Sierra

were to put on tame wool, probably only a few would survive the dangers

of a single season. With their fine limbs muffled and buried beneath a

tangle of hairless wool, they would become short-winded, and fall an

easy prey to the strong mountain wolves. In descending precipices they

would be thrown out of balance and killed, by their taggy wool catching

upon sharp points of rocks. Disease would also be brought on by the

dirt which always finds a lodgment in tame wool, and by the draggled

and water-soaked condition into which it falls during stormy weather.

No dogma taught by the present civilization seems to form so

insuperable an obstacle in the way of a right understanding of the

relations which culture sustains to wildness as that which regards the

world as made especially for the uses of man. Every animal, plant, and

crystal controverts it in the plainest terms. Yet it is taught from

century to century as something ever new and precious, and in the

resulting darkness the enormous conceit is allowed to go unchallenged.

I have never yet happened upon a trace of evidence that seemed to show

that any one animal was ever made for another as much as it was made

for itself. Not that Nature manifests any such thing as selfish

isolation. In the making of every animal the presence of every other

animal has been recognized. Indeed, every atom in creation may be said

to be acquainted with and married to every other, but with universal

union there is a division sufficient in degree for the purposes of the

most intense individuality; no matter, therefore, what may be the note

which any creature forms in the song of existence, it is made first for

itself, then more and more remotely for all the world and worlds.

Were it not for the exercise of individualizing cares on the part of

Nature, the universe would be felted together like a fleece of tame

wool. But we are governed more than we know, and most when we are

wildest. Plants, animals, and stars are all kept in place, bridled

along appointed ways, _with_ one another, and _through the midst_ of

one another—killing and being killed, eating and being eaten, in

harmonious proportions and quantities. And it is right that we should

thus reciprocally make use of one another, rob, cook, and consume, to

the utmost of our healthy abilities and desires. Stars attract one

another as they are able, and harmony results. Wild lambs eat as many

wild flowers as they can find or desire, and men and wolves eat the

lambs to just the same extent.

This consumption of one another in its various modifications is a kind

of culture varying with the degree of directness with which it is

carried out, but we should be careful not to ascribe to such culture

any improving qualities upon those on whom it is brought to bear. The

water-ousel plucks moss from the riverbank to build its nest, but is

does not improve the moss by plucking it. We pluck feathers from birds,

and less directly wool from wild sheep, for the manufacture of clothing

and cradle-nests, without improving the wool for the sheep, or the

feathers for the bird that wore them. When a hawk pounces upon a linnet

and proceeds to pull out its feathers, preparatory to making a meal,

the hawk may be said to be cultivating the linnet, and he certainly

does effect an improvement as far as hawk-food is concerned; but what

of the songster? He ceases to be a linnet as soon as he is snatched

from the woodland choir; and when, hawklike, we snatch the wild sheep

from its native rock, and, instead of eating and wearing it at once,

carry it home, and breed the hair out of its wool and the bones out of

its body, it ceases to be a sheep.

These breeding and plucking processes are similarly improving as

regards the secondary uses aimed at; and, although the one requires but

a few minutes for its accomplishment, the other many years or

centuries, they are essentially alike. We eat wild oysters alive with

great directness, waiting for no cultivation, and leaving scarce a

second of distance between the shell and the lip; but we take wild

sheep home and subject them to the many extended processes of

husbandry, and finish by boiling them in a pot—a process which

completes all sheep improvements as far as man is concerned. It will be

seen, therefore, that wild wool and tame wool—wild sheep and tame

sheep—are terms not properly comparable, nor are they in any correct

sense to be considered as bearing any antagonism toward each other;

they are different things. Planned and accomplished for wholly

different purposes.

Illustrative examples bearing upon this interesting subject may be

multiplied indefinitely, for they abound everywhere in the plant and

animal kingdoms wherever culture has reached. Recurring for a moment to

apples. The beauty and completeness of a wild apple tree living its own

life in the woods is heartily acknowledged by all those who have been

so happy as to form its acquaintance. The fine wild piquancy of its

fruit is unrivaled, but in the great question of quantity as human food

wild apples are found wanting. Man, therefore, takes the tree from the

woods, manures and prunes and grafts, plans and guesses, adds a little

of this and that, selects and rejects, until apples of every

conceivable size and softness are produced, like nut galls in response

to the irritating punctures of insects. Orchard apples are to me the

most eloquent words that culture has ever spoken, but they reflect no

imperfection upon Nature’s spicy crab. Every cultivated apple is a

crab, not improved, _but cooked_, variously softened and swelled out in

the process, mellowed, sweetened, spiced, and rendered pulpy and

foodful, but as utterly unfit for the uses of nature as a meadowlark

killed and plucked and roasted. Give to Nature every cultured

apple—codling, pippin, russet—and every sheep so laboriously

compounded—muffled Southdowns, hairy Cotswolds, wrinkled Merinos—and

she would throw the one to her caterpillars, the other to her wolves.

It is now some thirty-six hundred years since Jacob kissed his mother

and set out across the plains of Padan-aram to begin his experiments

upon the flocks of his uncle, Laban; and, notwithstanding the high

degree of excellence he attained as a wool-grower, and the innumerable

painstaking efforts subsequently made by individuals and associations

in all kinds of pastures and climates, we still seem to be as far from

definite and satisfactory results as we ever were. In one breed the

wool is apt to wither and crinkle like hay on a sun-beaten hillside. In

another, it is lodged and matted together like the lush tangled grass

of a manured meadow. In one the staple is deficient in length, in

another in fineness; while in all there is a constant tendency toward

disease, rendering various washings and dippings indispensable to

prevent its falling out. The problem of the quality and quantity of the

carcass seems to be as doubtful and as far removed from a satisfactory

solution as that of the wool. Desirable breeds blundered upon by long

series of groping experiments are often found to be unstable and

subject to disease—bots, foot rot, blind staggers, etc.—causing

infinite trouble, both among breeders and manufacturers. Would it not

be well, therefore, for some one to go back as far as possible and take

a fresh start?

The source or sources whence the various breeds were derived is not

positively known, but there can be hardly any doubt of their being

descendants of the four or five wild species so generally distributed

throughout the mountainous portions of the globe, the marked

differences between the wild and domestic species being readily

accounted for by the known variability of the animal, and by the long

series of painstaking selection to which all its characteristics have

been subjected. No other animal seems to yield so submissively to the

manipulations of culture. Jacob controlled the color of his flocks

merely by causing them to stare at objects of the desired hue; and

possibly Merinos may have caught their wrinkles from the perplexed

brows of their breeders. The California species (_Ovis montana_)[2] is

a noble animal, weighing when full-grown some three hundred and fifty

pounds, and is well worthy the attention of wool-growers as a point

from which to make a new departure, for pure wildness is the one great

want, both of men and of sheep.

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