CHAPTER III.

When he had disappeared, the room was very silent.

Suddenly Goldsmith, who had remained sitting at the table with his face

buried in his hands, started up, crying out, “'Rasse-las, Prince

of Abyssinia'! How could I be so great a fool as to forget that he

published 'Rasselas' since the Dictionary?” He ran to the door and

opened it, calling downstairs: “'Rasselas, Prince of Abysinia'!”

“Rasselas, Prince of Abyssinia'!”

“Sir!” came the roar of Dr. Johnson. “Close that door and return to your

chair, if you desire to retain even the smallest amount of the respect

which your friends once had for you. Cease your bawling, sir, and behave

decently.”

Goldsmith shut the door.

“I did you a gross injustice, sir,” said he, returning slowly to the

table. “I allowed that man to assume that you had published no book

since your Dictionary. The fact is, that I was so disturbed at the

moment I forgot your 'Rasselas.'”

“If you had mentioned that book, you would but have added to the force

of your relation's contention, Dr. Goldsmith,” said Johnson. “If I am

suspected of being an idle dog, the fact that I have printed a small

volume of no particular merit will not convince my accuser of my

industry.”

“Those who know you, sir,” cried Goldsmith, “do not need any evidence of

your industry. As for that man----”

“Let the man alone, sir,” thundered Johnson.

“Pray, why should he let the man alone, sir?” said Boswell.

“Because, in the first place, sir, the man is a clergyman, in rank next

to a Bishop; in the second place, he is a relative of Dr. Goldsmith's;

and, in the third place, he was justified in his remarks.”

“Oh, no, sir,” said Boswell. “We deny your generous plea of

justification. Idle! Think of the dedications which you have written

even within the year.”

“Psha! Sir, the more I think of them the--well, the less I think of

them, if you will allow me the paradox,” said Johnson. “Sir, the man

is right, and there's an end on't. Dr. Goldsmith, you will convey

my compliments to your cousin, and assure him of my good will. I can

forgive him for everything, sir, except his ignorance respecting my

Dictionary. Pray what is his name, sir?”

“His name, sir, his name?” faltered Goldsmith.

“Yes, sir, his name. Surely the man has a name,” said Johnson.

“His name, sir, is--is--God help me, sir, I know not what is his name.”

“Nonsense, Dr. Goldsmith! He is your cousin and a Dean. Mr. Boswell

tells me that he has heard you refer to him in conversation; if you did

so in a spirit of boasting, you erred.”

For some moments Goldsmith was silent. Then, without looking up, he said

in a low tone:

“The man is no cousin of mine; I have no relative who is a Dean.”

“Nay, Dr. Goldsmith, you need not deny it,” cried Boswell. “You boasted

of him quite recently, and in the presence of Mr. Garrick, too.”

“Mr. Boswell's ear is acute, Goldsmith,” said Burke with a smile.

“His ears are so long, sir, one is not surprised to find the unities of

nature are maintained when one hears his voice,” remarked Goldsmith in a

low tone.

“Here comes Mr. Garrick himself,” said Reynolds as the door was opened

and Garrick returned, bowing in his usual pleasant manner as he advanced

to the chair which he had vacated not more than half an hour before.

“Mr. Garrick is an impartial witness on this point.”

“Whatever he may be on some other points,” remarked Burke.

“Gentlemen,” said Garrick, “you seem to be somewhat less harmonious than

you were when I was compelled to hurry away to keep my appointment. May

I inquire the reason of the difference?”

“You may not, sir!” shouted Johnson, seeing that Boswell was burning to

acquaint Garrick with what had occurred. Johnson quickly perceived that

it would be well to keep the visit of the clergyman a secret, and he

knew that it would have no chance of remaining one for long if Garrick

were to hear of it. He could imagine Garrick burlesquing the whole scene

for the entertainment of the Burney girls or the Horneck family. He had

heard more than once of the diversion which his old pupil at Lichfield

had created by his mimicry of certain scenes in which he, Johnson,

played an important part. He had been congratulating himself upon the

fortunate absence of the actor during the visit of the clergyman.

“You may tell Mr. Garrick nothing, sir,” he repeated, as Garrick looked

with a blank expression of interrogation around the company.

“Sir,” said Boswell, “my veracity is called in question.”

“What is a question of your veracity, sir, in comparison with the issues

that have been in the balance during the past half-hour?” cried Johnson.

“Nay, sir, one question,” said Burke, seeing that Boswell had collapsed.

“Mr. Garrick--have you heard Dr. Goldsmith boast of having a Dean for a

relative?”

“Why, no, sir,” replied Garrick; “but I heard him say that he had a

brother who deserved to be a Dean.”

“And so I had,” cried Goldsmith. “Alas! I cannot say that I have now. My

poor brother died a country clergyman a few years ago.”

“I am a blind man so far as evidence bearing upon things seen is

concerned,” said Johnson; “but it seemed to me that some of the man's

gestures--nay, some of the tones of his voice as well--resembled those

of Dr. Goldsmith. I should like to know if any one at the table noticed

the similarity to which I allude.”

“I certainly noticed it,” cried Boswell eagerly.

“Your evidence is not admissible, sir,” said Johnson. “What does Sir

Joshua Reynolds say?”

“Why, sir,” said Reynolds with a laugh, and a glance towards Garrick,

“I confess that I noticed the resemblance and was struck by it, both as

regards the man's gestures and his voice. But I am as convinced that he

was no relation of Dr. Goldsmith's as I am of my own existence.”

“But if not, sir, how can you account for----”

Boswell's inquiry was promptly checked by Johnson.

“Be silent, sir,” he thundered. “If you have left your manners in

Scotland in an impulse of generosity, you have done a foolish thing, for

the gift was meagre out of all proportion to the needs of your country

in that respect. Sir, let me tell you that the last word has been spoken

touching this incident. I will consider any further reference to it in

the light of a personal affront.”

After a rather awkward pause, Garrick said:

“I begin to suspect that I have been more highly diverted during the

past half-hour than any of this company.”

“Well, Davy,” said Johnson, “the accuracy of your suspicion is wholly

dependent on your disposition to be entertained. Where have you been,

sir, and of what nature was your diversion?”

“Sir,” said Garrick, “I have been with a poet.”

“So have we, sir--with the greatest poet alive--the author of 'The

Deserted Village'--and yet you enter to find us immoderately glum,” said

Johnson. He was anxious to show his friend Goldsmith that he did not

regard him as accountable for the visit of the clergyman whom he quite

believed to be Oliver's cousin, in spite of the repudiation of the

relationship by Goldsmith himself, and the asseveration of Reynolds.

“Ah, sir, mine was not a poet such as Dr. Goldsmith,” said Garrick.

“Mine was only a sort of poet.”

“And pray, sir, what is a sort of poet?” asked Boswell.

“A sort of poet, sir, is one who writes a sort of poetry,” replied

Garrick.

He then began a circumstantial account of how he had made an appointment

for the hour at which he had left his friends, with a gentleman who

was anxious to read to him some portions of a play which he had just

written. The meeting was to take place in a neighbouring coffee-house

in the Strand; but even though the distance which he had to traverse was

short, it had been the scene of more than one adventure, which, narrated

by Garrick, proved comical to an extraordinary degree.

“A few yards away I almost ran into the arms of a clergyman--he wore

the bands and apron of a Dean,” he continued, “not seeming to notice the

little start which his announcement caused in some directions. The man

grasped me by the arm,” he continued, “doubtless recognising me from

my portraits--for he said he had never seen me act--and then began an

harangue on the text of neglected opportunities. It seemed, however,

that he had no more apparent example of my sins in this direction

than my neglect to produce Dr. Goldsmith's 'Good-Natured Man.' Faith,

gentlemen, he took it quite as a family grievance.” Suddenly he paused,

and looked around the party; only Reynolds was laughing, all the rest

were grave. A thought seemed to strike the narrator. “What!” he cried,

“it is not possible that this was, after all, Dr. Goldsmith's cousin,

the Dean, regarding whom you interrogated me just now? If so, 'tis

an extraordinary coincidence that I should have encountered

him--unless--good heavens, gentlemen! is it the case that he came here

when I had thrown him off?”

“Sir,” cried Oliver, “I affirm that no relation of mine, Dean or no

Dean, entered this room!”

“Then, sir, you may look to find him at your chambers in Brick Court

on your return,” said Garrick. “Oh, yes, Doctor!--a small man with the

family bow of the Goldsmiths--something like this.” He gave a comical

reproduction of the salutation of the clergyman.

“I tell you, sir, once and for all, that the man is no relation of

mine,” protested Goldsmith.

“And let that be the end of the matter,” declared Johnson, with no lack

of decisiveness in his voice.

“Oh, sir, I assure you I have no desire to meet the gentleman

again,” laughed Garrick. “I got rid of him by a feint, just as he was

endeavouring to force me to promise a production of a dramatic version

of 'The Deserted Village'--he said he had the version at his lodging,

and meant to read it to his cousin--I ask your pardon, sir, but he said

'cousin.'”

“Sir, let us have no more of this--cousin or no cousin,” roared Johnson.

“That is my prayer, sir--I utter it with all my heart and soul,” said

Garrick. “It was about my poet I meant to speak--my poet and his play.

What think you of the South Seas and the visit of Lieutenant Cook as the

subject of a tragedy in blank verse, Dr. Johnson?”

“I think, Davy, that the subject represents so magnificent a scheme

of theatrical bankruptcy you would do well to hand it over to that

scoundrel Foote,” said Johnson pleasantly. He was by this time quite

himself again, and ready to pronounce an opinion on any question with

that finality which carried conviction with it--yes, to James Boswell.

For the next half-hour Garrick entertained his friends with the details

of his interview with the poet who--according to his account--had

designed the drama of “Otaheite” in order to afford Garrick an

opportunity of playing the part of a cannibal king, dressed mainly in

feathers, and beating time alternately with a club and a tomahawk, while

he delivered a series of blank verse soliloquies and apostrophes to

Mars, Vulcan and Diana.

“The monarch was especially devoted to Diana,” said Garrick. “My poet

explained that, being a hunter, he would naturally find it greatly to

his advantage to say a good word now and again for the chaste goddess;

and when I inquired how it was possible that his Majesty of Otaheite

could know anything about Diana, he said the Romans and the South Sea

Islanders were equally Pagans, and that, as such, they had equal rights

in the Pagan mythology; it would be monstrously unjust to assume that

the Romans should claim a monopoly of Diana.”

Boswell interrupted him to express the opinion that the poet's

contention was quite untenable, and Garrick said it was a great relief

to his mind to have so erudite a scholar as Boswell on his side in the

argument, though he admitted that he thought there was a good deal in

the poet's argument.

He adroitly led on his victim to enter into a serious argument on the

question of the possibility of the Otaheitans having any definite notion

of the character and responsibilities assigned to Diana in the Roman

mythology; and after keeping the party in roars of laughter for half an

hour, he delighted Boswell by assuring him that his eloquence and the

force of his arguments had removed whatever misgivings he, Garrick,

originally had, that he was doing the poet an injustice in declining his

tragedy.

When the party were about to separate, Goldsmith drew Johnson

apart--greatly to the pique of Boswell--and said--

“Dr. Johnson, I have a great favour to ask of you, sir, and I hope you

will see your way to grant it, though I do not deserve any favour from

you.”

“You deserve no favour, Goldy,” said Johnson, laying his hand on the

little man's shoulder, “and therefore, sir, you make a man who grants

you one so well satisfied with himself he should regard himself your

debtor. Pray, sir, make me your debtor by giving me a chance of granting

you a favour.”

“You say everything better than any living man, sir,” cried Goldsmith.

“How long would it take me to compose so graceful a sentence, do you

suppose? You are the man whom I most highly respect, sir, and I am

anxious to obtain your permission to dedicate to you the comedy which I

have written and Mr. Colman is about to produce.”

“Dr. Goldsmith,” said Johnson, “we have been good friends for several

years now.”

“Long before Mr. Boswell came to town, sir.”

“Undoubtedly, sir--long before you became recognised as the most

melodious of our poets--the most diverting of our play-writers. I wrote

the prologue to your first play, Goldy, and I'll stand sponsor for your

second--nay, sir, not only so, but I'll also go to see it, and if it be

damned, I'll drink punch with you all night and talk of my tragedy of

'Irene,' which was also damned; there's my hand on it, Dr. Goldsmith.”

Goldsmith pressed the great hand with both of his own, and tears were in

his eyes and his voice as he said--

“Your generosity overpowers me, sir.”

The Jessamy Bride · 第 3 / 32 章