FIG.

_INSTRUMENTA paranda_, UTENSILS for Drawing.

_Explicatio linearum plani I. Explication of the Lines of

& horizontis, ac punctorum the Plan and Horizon, and of

oculi & distantiæ_, the Points of the Eye and of

the Distance.

_Modus delineandi opticè II. The Manner of delineating a

quadratum_, Square in Perspective.

_Optica delineatio III. The Delineation of an oblong

rectanguli, alterâ parte Square in Perspective.

longioris_,

_Optica descriptio quadrati IV. The Optical Delineation of a

duplicis_, double Square.

_Vestigia quadratorum cum V. Plans of Squares with their

elevationibus_, Elevations.

_Modus opticæ delineationis VI. The Manner of designing in

absque lineis occultis_, Perspective without occult

Lines.

_Aliud exemplum vestigii VII. Another Example of a

geometrici, cum elevatione Geometrical Plan and Upright

longitudinis_, put into Perspective.

_Optica projectio stylobatæ_, VIII. The Projection of a Pedestal

in Perspective.

_Optica delineatio IX. The Architecture of _Vignola_

Architecturæ Jacobi in Perspective, and first of

Barozzii, & primum de his Pedestal of the _Tuscan_

stylobata Ordinis Etrusci_, Order.

_Optica deformatio stylobatæ X. A _Dorick_ Pedestal in

Dorici; ubi de modo vitandi Perspective, with the Manner

confusionem in vestigiis of avoiding Confusion in

delineandis_, designing the Plans.

_Stylobatæ Ionici XI. The _Ionick_ Pedestal in

deformatio; ubi de vitanda Perspective, with the Manner

confusione in elevationibus_, of avoiding Confusion in

Elevations.

_Deformatio stylobatæ XII. The _Corinthian_ Pedestal, with

Corinthii, cum duabus pilis_, its Pilasters, in Perspective.

_Projectio stylobatæ Ordinis XIII. The Projection of a Pedestal

Compositi_, of the _Composite_ Order.

_Deformatio circulorum_, XIV. Circles in Perspective.

_Optica delineatio columnæ_, XV. A Column in Perspective.

_Optica projectio basis XVI. The _Tuscan_ Base in

Etruscæ_, Perspective.

_Deformatio basis Doricæ_, XVII. The _Dorick_ Base in

Perspective.

_Optica delineatio basis XVIII. The _Ionick_ Base in

Ionicæ_, Perspective.

_Optica imminutio basis XIX. The _Corinthian_ Base

Corinthiæ_, in Perspective.

_Basis Atticurga opticè XX. The _Attick_ Base in

imminuta_, Perspective.

_Optica imminutio capitelli XXI. The _Tuscan_ Capital in

Etrusci_, Perspective.

_Optica projectio capitelli XXII. The Projection of a

Dorici_, _Dorick_ Capital in

Perspective.

_Deformatio capitelli XXIII. The _Ionick_ Capital in

Ionici_, Perspective.

_Optica projectio capitelli XXIV. The _Corinthian_ Capital in

Corinthii_, Perspective.

_Optica descriptio capitelli XXV. The _Composite_ Capital in

Compositi_, Perspective.

_Deformatio coronicis XXVI. The _Tuscan_ Entablature

Etruscæ_, in Perspective.

_Optica delineatio coronicis XXVII. The _Dorick_ Entablature

Doricæ_, in Perspective.

_Præparatio figuræ XXVIII. Preparatory to the following

sequentis_, Figure.

_Optica projectio ædificii XXIX. A Projection of the _Dorick_

Dorici_, Order in Perspective.

_Optica projectio ædificii XXX. An _Ionick_ Work in

Ionici; ubi de modo jungendi Perspective, with the Manner

fictum cum vero_, of reconciling the fictitious

to the solid Architecture.

_Optica projectio coronicis XXXI. The Optick Projection of a

Corinthiæ, cum capitello & _Corinthian_ Cornice, with the

summitate columnæ_, Capital and part of the Column.

_Delineatio geometrica XXXII. The Geometrical Design of a

coronicis Ordinis Compositi_, Cornice of the _Composite_

Order.

_Deformatio coronicis XXXIII. A _Composite_ Cornice in

Compositæ_, Perspective.

_Præparatio ad figuram XXXIV. Preparatory to the

trigesimamquintam_, Thirty-fifth.

_Deformatio coronicis XXXV. A Side-View of the

Compositæ ad latus inspectæ_, _Composite_ Cornice in

Perspective.

_Præparatio ad figuram XXXVI. Preparatory to the

trigesimamseptimam_, Thirty-seventh.

_Deformatio columnæ Etruscæ_, XXXVII. A _Tuscan_ Column in

Perspective.

_Præparatio ad figuram XXXVIII. Preparatory to the

trigesimamnonam_, Thirty-ninth.

_Deformatio ædificii Dorici_, XXXIX. A Piece of _Dorick_

Architecture in Perspective.

_Vestigium geometricum XL. The Geometrical Plan of a

ædificii Ordinis Dorici_, Design of the _Dorick_ Order.

_Elevatio geometrica XLI. The Geometrical Elevation of

ædificii Dorici_, the foregoing Design.

_Modus vitandi confusionem XLII. The Manner of avoiding

in contractione vestigiorum Confusion in reducing Plans

& elevationum_, and Elevations into

Perspective.

_Contractio vestigii figuræ XLIII. The Plan of the Fortieth

quadragesimæ_, Figure in Perspective.

_Contractio elevationis XLIV. The Elevation of the

figuræ quadragesimæprimæ_, Forty-first Figure in

Perspective.

_Dimidium ædificii Dorici XLV. One half of the _Dorick_

opticè deformati_, Design in Perspective.

_Alterum dimidium ejusdem XLVI. The other half of the

ædificii_, same Design.

_Vestigia ædificii Ionici_, XLVII. The Plan of an _Ionick_

Building.

_Elevatio geometrica XLVIII. Geometrical Upright of the

ædificii Ionici_, foregoing _Ionick_ Design.

_Deformatio elevationis XLIX. The Elevation of the _Ionick_

ædificii Ionici_, Design in Perspective.

_Architectura Ionica_, L. A Design of _Ionick_

Architecture.

_Ordo Corinthius_, LI. A _Corinthian_ Design in

Perspective.

_Delineatio columnæ spiralis LII. The Description of a

Ordinis Compositi_, wreath’d Column of the

_Composite_ Order.

_Ordines Architecturæ LIII. A. The Orders of Architecture

desumpti ex Palladio & taken from _Palladio_ and

Scamozzio_, _Scamozzi_.

_Modus triplex delineandi LIII. B. Three different ways of

columnas spirales_, delineating wreath’d Columns.

_Vestigia ædificii Ordinis LIV. The Plan of a Design of the

Corinthii_, _Corinthian_ Order.

_Elevatio ædificii Ordinis LV. The Geometrical Elevation

Corinthii_, of a _Corinthian_ Work.

_Deformatio vestigiorum LVI. The Perspective-Plans and

& elevationis ædificii Upright of the _Corinthian_

Corinthii_, Design foregoing.

_Adumbratio figuræ LVII. The rough Draught of the

sequentis_, following Figure.

_Ædificium Ordinis Corinthii LVIII. Part of an Octangular Work

octangulare_, of the _Corinthian_ Order.

_Vestigia Tabernaculi LIX. The Plans of an Octangular

octangularis_, Tabernacle.

_Tabernaculum octangulare_, LX. An Octangular Tabernacle in

Perspective.

_Modus erigendi machinas quæ LXI. The Manner of erecting

constant pluribus ordinibus Machines that consist of

telariorum_, several Ranges of Frames.

_De reticulandis telariis, LXII. Of making the Net-work on

quæ repræsentent ædificia Frames, for representing

solida_, the Architecture as solid.

_Vestigia ædificii quadrati_, LXIII. The Plan of a square Design.

_Ædificium quadratum_, LXIV. A square Design in Perspective.

_Vestigium ædificii rotundi LXV. The Plan of a Circular Work

opticè imminutum_, in Perspective.

_Projectio ædificii rotundi_, LXVI. A Circular Design in

Perspective.

_Vestigium geometricum, ac LXVII. The Geometrical Plan, and

prima præparatio ad figuram first Preparation to the

septuagesimamprimam_, Seventy-first Figure.

_Elevatio geometrica LXVIII. The Geometrical Elevation of

vestigii præcedentis, & the foregoing Plan, and

secunda præparatio ad second Preparation to the

figuram septuagesimamprimam_, Seventy-first Figure.

_Deformatio vestigii figuræ LXIX. The Plan of the Sixty-seventh

sexagesimæseptimæ, & Figure in Perspective, and

præparatio tertia ad figuram third Preparation to the

septuagesimamprimam_, Seventy-first Figure.

_Deformatio elevationis LXX. The Perspective of the

figuræ sexagesimæoctavæ, & Elevation of the Sixty-eighth

præparatio quarta ad figuram Figure, and fourth Preparation

septuagesimamprimam_, to the Seventy-first.

_Theatrum repræsentans LXXI. A Theater representing the

nuptias Canæ Galilææ, Marriage of _Cana_ in

constructum Romæ anno _Galilee_, erected in the

1685, in expositione Ven. Jesuits Church at _Rome_,

Sacramenti, in templo 1685, for the Solemnity of

Farnesiano Societatis Jesu_, exposing the Holy Sacrament.

_De theatris scenicis_, LXXII. Of Scenes for the Stage.

_Aliud vestigium theatri; LXXIII. Another Plan of a Theater,

ubi de modo inveniendi ejus with the Method of finding

punctum_, the Point of Sight therein.

_Sectio scenarum theatri_, LXXIV. The Section or Profile of

Scenes for Theaters.

_Elevatio scenarum coram LXXV. The Elevation of Scenes in

inspectarum; ubi docetur Front, and how the oblique

artificium, ut scenæ obliquæ Scenes are made to appear

appareant rectæ_, direct.

_Modus delineandi exemplar LXXVI. The Manner of delineating

scenarum_, the Designs of Scenes.

_Modus reticulandi & LXXVII. The Manner of making the

pingendi scenas theatri_, Net-work or Squares, and

painting the Scenes of

Theaters.

_De projectionibus LXXVIII. Of horizontal Projections.

horizontalibus_,

_Projectiones vestigii & LXXIX. The Plan and Elevation of

elevationis mutuli_, a Corbel in Perspective.

_Horizontalis projectio LXXX. The horizontal Projection

mutuli inumbrati_, of a shaded Corbel.

_Stylobatæ Corinthii LXXXI. _Corinthian_ Pedestals in

horizontaliter contracti_, an horizontal Perspective.

_Columna Corinthia LXXXII. A _Corinthian_ Column in

horizontaliter deformata_, horizontal Perspective.

_Capitella Corinthia LXXXIII. A _Corinthian_ Capital in

horizontaliter contracta_, horizontal Perspective.

_Coronix Corinthia_, LXXXIV. A _Corinthian_ Cornice.

_Coronix Corinthia LXXXV. A _Corinthian_ Cornice in

horizontaliter contracta_, horizontal Perspective.

_Horizontalis projectio LXXXVI. A Column in horizontal

columnæ_, Perspective.

_Præparatio necessaria ad LXXXVII. The Preparation necessary to

sequentem figuram, & ad the following Figure, and to

projectiones horizontales all other horizontal

in laquearibus vel Perspectives, whether on flat

testudinibus_, or vaulted Ceilings.

_Horizontalis projectio LXXXVIII. The horizontal Projection

balustiorum figuræ of the Balustrade of the

octogesimæseptimæ, cum Eighty-seventh Figure, view’d

brevi distantia_, at a small Distance.

_Horizontalis projectio LXXXIX. A horizontal Piece of

Architecturæ in laqueari Architecture in a square

quadrato_, Ceiling.

_Horizontalis projectio XC. A Cupola in horizontal

tholi_, Perspective.

_Tholus figuræ nonagesimæ, XCI. The Cupola of Fig. 90, with

cum luminibus & umbris_, its Lights and Shades.

_Tholus octangularis_, XCII. An Octangular Cupola.

_Vestigium templi XCIII. The Geometrical Plan of S.

Ludovisiani S. Ignatii _Ignatius_’s Church at _Rome_.

almæ urbis_,

_Orthographia templi XCIV. The Orthography of S.

Ludovisiani_, _Ignatius_’s Church.

_Aliæ præparationes ad XCV. Other Preparations to

figuras 98 & 99_, the 98th and 99th Figures.

_Aliæ præparationes ad XCVI. Other Preparations to

figuras 98 & 99_, the 98th and 99th Figures.

_Alia præparatio ad figuras XCVII. Another Preparation to the

98 & 99_, 98th and 99th Figures.

_Quadrans Architecturæ XCVIII. Fourth-part of the

horizontalis in fornice, Architectonical Design on the

cum luminibus & umbris_, Vault of S. _Ignatius_’s

Church, with its Lights and

Shades.

_Alter quadrans totius XCIX. Another Quarter of the

operis_, whole Design.

_Modus reticulationis C. The Method of drawing the

faciendæ in testudinibus_, Net-work on Vaults.

_FINIS._

Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture · 第 48 / 50 题