FIFTH FIGURE.

_Several Plans of Squares, with their Elevations._

I have divided this Figure into two Parts; In the uppermost you have

three Squares in Perspective a little shadow’d, distant one from another,

according to their Distribution on the Ground-line. BC is the first

Square; EF the second. If you then set the Length of a Square on BC, and

draw Lines to the Point of Distance, they will intersect the Visual AO

in DD. In like manner, if you set another Length of the said Square on

EF, and draw to the Point of Distance, you’ll have the second Square in

Perspective. The same you may do in the third, and as many as you have

occasion for.

In the second Part you see, that if upon the fore-mention’d Plans the

Elevations of Cubes or Pedestals were requir’d, it would suffice to

elevate the occult and visible Lines from every Angle of the Plan; and

determining the Height of the Face L of the first Cube, the Angles of

that Face drawn to the Point of Sight, give the Height of all the others.

You may form the same Cubes without occult Lines, drawing only those

that are apparent, as you see in the three Cubes that are finish’d and

shadow’d; the Perpendiculars of which are taken with the Compasses from

the Angles of the Plan, as is shewn in HI of the upper Figure; and the

level Lines are transferr’d from the Angles of the Elevation, as in FG of

the same Figure.

Rules and Examples of Perspective proper for Painters and Architects, etc. In English and Latin: Containing a most easie and expeditious method to delineate in perspective all designs relating to architecture · 第 32 / 50 题