VII

IT was the firm conviction of Andora Macy that every object in the

Vincent Deerings’ charming little house at Neuilly had been expressly

designed for the Deerings’ son to play with.

The house was full of pretty things, some not obviously applicable to

the purpose; but Miss Macy’s casuistry was equal tothe baby’s appetite,

and the baby’s mother was no match for them in the art of defending her

possessions. There were moments, in fact, when Lizzie almost fell in

with Andora’s summary division of her works of art into articles safe

or unsafe for the baby to lick, or resisted it only to the extent of

occasionally substituting some less precious or less perishable object

for the particular fragility on which her son’s desire was fixed. And

it was with this intention that, on a certain fair spring morning--which

wore the added luster of being the baby’s second birthday--she had

murmured, with her mouth in his curls, and one hand holding a bit of

Chelsea above his dangerous clutch: “Wouldn’t he rather have that

beautiful shiny thing over there in Aunt Andorra’s hand?”

The two friends were together in Lizzie’s little morning-room--the room

she had chosen, on acquiring the house, because, when she sat there, she

could hear Deering’s step as he paced up and down before his easel

in the studio she had built for him. His step had been less regularly

audible than she had hoped, for, after three years of wedded bliss, he

had somehow failed to settle down to the great work which was to result

from that privileged state; but even when she did not hear him she knew

that he was there, above her head, stretched out on the old divan from

Passy, and smoking endless cigarettes while he skimmed the morning

papers; and the sense of his nearness had not yet lost its first keen

edge of bliss.

Lizzie herself, on the day in question, was engaged in a more arduous

task than the study of the morning’s news. She had never unlearned the

habit of orderly activity, and the trait she least understood in her

husband’s character was his way of letting the loose ends of life hang

as they would. She had been disposed at first to ascribe this to the

chronic incoherence of his first _menage;_ but now she knew that, though

he basked under the rule of her beneficent hand, he would never feel any

active impulse to further its work. He liked to see things fall

into place about him at a wave of her wand; but his enjoyment of her

household magic in no way diminished his smiling irresponsibility, and

it was with one of its least amiable consequences that his wife and her

friend were now dealing.

Before them stood two travel-worn trunks and a distended portmanteau,

which had shed their contents in heterogeneous heaps over Lizzie’s rosy

carpet. They represented the hostages left by her husband on his somewhat

precipitate departure from a New York boarding-house, and indignantly

redeemed by her on her learning, in a curt letter from his landlady,

that the latter was not disposed to regard them as an equivalent for the

arrears of Deering’s board.

Lizzie had not been shocked by the discovery that her husband had left

America in debt. She had too sad an acquaintance with the economic

strain to see any humiliation in such accidents; but it offended her

sense of order that he should not have liquidated his obligation in

the three years since their marriage. He took her remonstrance with his

usual disarming grace, and left her to forward the liberating draft,

though her delicacy had provided him with a bank-account which assured

his personal independence. Lizzie had discharged the duty without

repugnance, since she knew that his delegating it to her was the result

of his good-humored indolence and not of any design on her exchequer.

Deering was not dazzled by money; his altered fortunes had tempted him

to no excesses: he was simply too lazy to draw the check, as he had been

too lazy to remember the debt it canceled.

“No, dear! No!” Lizzie lifted the Chelsea figure higher. “Can’t you find

something for him, Andora, among that rubbish over there? Where’s the

beaded bag you had in your hand just now? I don’t think it could hurt

him to lick that.”

Miss Macy, bag in hand, rose from her knees, and stumbled through the

slough of frayed garments and old studio properties. Before the group of

mother and son she fell into a raptured attitude.

“Do look at him reach for it, the tyrant! Isn’t he just like the young

Napoleon?”

Lizzie laughed and swung her son in air. “Dangle it before him, Andora.

If you let him have it too quickly, he won’t care for it. He’s just like

any man, I think.”

Andora slowly lowered the shining bag till the heir of the Deerings

closed his masterful fist upon it. “There--my Chelsea’s safe!” Lizzie

smiled, setting her boy on the floor, and watching him stagger away with

his booty.

Andora stood beside her, watching too. “Have you any idea where that bag

came from, Lizzie?”

Mrs. Deering, bent above a pile of dis-collared shirts, shook an

inattentive head. “I never saw such wicked washing! There isn’t one

that’s fit to mend. The bag? No; I’ve not the least idea.”

Andora surveyed her dramatically. “Doesn’t it make you utterly miserable

to think that some woman may have made it for him?”

Lizzie, bowed in anxious scrutiny above the shirts, broke into an

unruffled laugh. “Really, Andora, really--six, seven, nine; no, there

isn’t even a dozen. There isn’t a whole dozen of _anything_. I don’t see

how men live alone!”

Andora broodingly pursued her theme. “Do you mean to tell me it doesn’t

make you jealous to handle these things of his that other women may have

given him?”

Lizzie shook her head again, and, straightening herself with a smile,

tossed a bundle in her friend’s direction. “No, it doesn’t make me the

least bit jealous. Here, count these socks for me, like a darling.”

Andora moaned, “Don’t you feel _anything at all?_” as the socks landed in

her hollow bosom; but Lizzie, intent upon her task, tranquilly continued

to unfold and sort. She felt a great deal as she did so, but her

feelings were too deep and delicate for the simplifying process of

speech. She only knew that each article she drew from the trunks sent

through her the long tremor of Deering’s touch. It was part of her

wonderful new life that everything belonging to him contained an

infinitesimal fraction of himself--a fraction becoming visible in the

warmth of her love as certain secret elements become visible in rare

intensities of temperature. And in the case of the objects before

her, poor shabby witnesses of his days of failure, what they gave out

acquired a special poignancy from its contrast to his present cherished

state. His shirts were all in round dozens now, and washed as carefully

as old lace. As for his socks, she knew the pattern of every pair, and

would have liked to see the washerwoman who dared to mislay one, or

bring it home with the colors “run”! And in these homely tokens of his

well-being she saw the symbol of what her tenderness had brought him.

He was safe in it, encompassed by it, morally and materially, and she

defied the embattled powers of malice to reach him through the armor of

her love. Such feelings, however, were not communicable, even had one

desired to express them: they were no more to be distinguished from the

sense of life itself than bees from the lime-blossoms in which they

murmur.

“Oh, do _look_ at him, Lizzie! He’s found out how to open the bag!”

Lizzie lifted her head to smile a moment at her son, who sat throned on

a heap of studio rubbish, with Andora before him on adoring knees.

She thought vaguely, “Poor Andora!” and then resumed the discouraged

inspection of a buttonless white waistcoat. The next sound she was aware

of was a fluttered exclamation from her friend.

“Why, Lizzie, do you know what he used the bag for? To keep your letters

in!”

Lizzie looked up more quickly. She was aware that Andora’s pronoun had

changed its object, and was now applied to Deering. And it struck her

as odd, and slightly disagreeable, that a letter of hers should be found

among the rubbish abandoned in her husband’s New York lodgings.

“How funny! Give it to me, please.”

“Give the bag to Aunt Andora, darling! Here--look inside, and see what

else a big big boy can find there! Yes, here’s another! Why, why--”

Lizzie rose with a shade of impatience and crossed the floor to the

romping group beside the other trunk.

“What is it? Give me the letters, please.” As she spoke, she suddenly

recalled the day when, in Mme. Clopin’s _pension_, she had addressed a

similar behest to Andora Macy.

Andora had lifted a look of startled conjecture. “Why, this one’s never

been opened! Do you suppose that awful woman could have kept it from

him?”

Lizzie laughed. Andora’s imaginings were really puerile. “What awful

woman? His landlady? Don’t be such a goose, Andora. How can it have been

kept back from him, when we’ve found it here among his things?”

“Yes; but then why was it never opened?”

Andora held out the letter, and Lizzie took it. The writing was hers; the

envelop bore the Passy postmark; and it was unopened. She stood looking

at it with a sudden sharp drop of the heart.

“Why, so are the others--all unopened!” Andora threw out on a rising

note; but Lizzie, stooping over, stretched out her hand.

“Give them to me, please.”

“Oh, Lizzie, Lizzie--” Andora, still on her knees, continued to hold

back the packet, her pale face paler with anger and compassion. “Lizzie,

they’re the letters I used to post for you--_the letters he never

answered!_ Look!”

“Give them back to me, please.”

The two women faced each other, Andora kneeling, Lizzie motionless

before her, the letters in her hand. The blood had rushed to her face,

humming in her ears, and forcing itself into the veins of her temples

like hot lead. Then it ebbed, and she felt cold and weak.

“It must have been some plot--some conspiracy!” Andora cried, so fired

by the ecstasy of invention that for the moment she seemed lost to all

but the esthetic aspect of the case.

Lizzie turned away her eyes with an effort, and they rested on the boy,

who sat at her feet placidly sucking the tassels of the bag. His mother

stooped and extracted them from his rosy mouth, which a cry of wrath

immediately filled. She lifted him in her arms, and for the first time

no current of life ran from his body into hers. He felt heavy and clumsy,

like some one else’s child; and his screams annoyed her.

“Take him away, please, Andora.”

“Oh, Lizzie, Lizzie!” Andora wailed.

Lizzie held out the child, and Andora, struggling to her feet, received

him.

“I know just how you feel,” she gasped out above the baby’s head.

Lizzie, in some dark hollow of herself, heard the echo of a laugh.

Andora always thought she knew how people felt!

“Tell Marthe to take him with her when she fetches Juliet home from

school.”

“Yes, yes.” Andora gloated over her. “If you’d only give way, my

darling!”

The baby, howling, dived over Andora’s shoulder for the bag.

“Oh, _take_ him!” his mother ordered.

Andora, from the door, cried out: “I’ll be back at once. Remember, love,

you’re not alone!”

But Lizzie insisted, “Go with them--I wish you to go with them,” in the

tone to which Miss Macy had never learned the answer.

The door closed on her outraged back, and Lizzie stood alone. She looked

about the disordered room, which offered a dreary image of the havoc

of her life. An hour or two ago everything about her had been so

exquisitely ordered, without and within; her thoughts and emotions had

lain outspread before her like delicate jewels laid away symmetrically

in a collector’s cabinet. Now they had been tossed down helter-skelter

among the rubbish there on the floor, and had themselves turned to

rubbish like the rest. Yes, there lay her life at her feet, among all

that tarnished trash.

She knelt and picked up her letters, ten in all, and examined the flaps

of the envelops. Not one had been opened--not one. As she looked, every

word she had written fluttered to life, and every feeling prompting it

sent a tremor through her. With vertiginous speed and microscopic vision

she was reliving that whole period of her life, stripping bare again the

black ruin over which the drift of three happy years had fallen.

She laughed at Andora’s notion of a conspiracy--of the letters having

been “kept back.” She required no extraneous aid in deciphering the

mystery: her three years’ experience of Deering shed on it all the

light she needed. And yet a moment before she had believed herself to be

perfectly happy! Now it was the worst part of her anguish that it did not

really surprise her.

She knew so well how it must have happened. The letters had reached him

when he was busy, occupied with something else, and had been put aside

to be read at some future time--a time which never came. Perhaps on his

way to America, on the steamer, even, he had met “some one else”--the

“some one” who lurks, veiled and ominous, in the background of every

woman’s thoughts about her lover. Or perhaps he had been merely

forgetful. She had learned from experience that the sensations which he

seemed to feel with the most exquisite intensity left no reverberations

in his mind--that he did not relive either his pleasures or his pains.

She needed no better proof of that than the lightness of his conduct

toward his daughter. He seemed to have taken it for granted that Juliet

would remain indefinitely with the friends who had received her

after her mother’s death, and it was at Lizzie’s suggestion that the

little girl was brought home and that they had established themselves at

Neuilly to be near her school. But Juliet once with them, he became the

model of a tender father, and Lizzie wondered that he had not felt

the child’s absence, since he seemed so affectionately aware of her

presence.

Lizzie had noted all this in Juliet’s case, but had taken for granted

that her own was different; that she formed, for Deering, the exception

which every woman secretly supposes herself to form in the experience

of the man she loves. Certainly, she had learned by this time that she

could not modify his habits, but she imagined that she had deepened his

sensibilities, had furnished him with an “ideal”--angelic function!

And she now saw that the fact of her letters--her unanswered

letters--having, on his own assurance, “meant so much” to him, had been

the basis on which this beautiful fabric was reared.

There they lay now, the letters, precisely as when they had left her

hands. He had not had time to read them; and there had been a moment in

her past when that discovery would have been the sharpest pang imaginable

to her heart. She had traveled far beyond that point. She could have

forgiven him now for having forgotten her; but she could never forgive

him for having deceived her.

She sat down, and looked again vaguely about the room. Suddenly she

heard his step overhead, and her heart contracted. She was afraid he was

coming down to her. She sprang up and bolted the door; then she dropped

into the nearest chair, tremulous and exhausted, as if the pushing of

the bolt had required an immense muscular effort. A moment later she

heard him on the stairs, and her tremor broke into a cold fit of shaking.

“I loathe you--I loathe you!” she cried.

She listened apprehensively for his touch on the handle of the door.

He would come in, humming a tune, to ask some idle question and lay

a caress on her hair. But no, the door was bolted; she was safe. She

continued to listen, and the step passed on. He had not been coming

to her, then. He must have gone down-stairs to fetch something--another

newspaper, perhaps. He seemed to read little else, and she sometimes

wondered when he had found time to store the material that used to serve

for their famous “literary” talks. The wonder shot through her again,

barbed with a sneer. At that moment it seemed to her that everything he

had ever done and been was a lie.

She heard the house-door close, and started up. Was he going out? It was

not his habit to leave the house in the morning.

She crossed the room to the window, and saw him walking, with a quick

decided step, between the budding lilacs to the gate. What could have

called him forth at that unwonted hour? It was odd that he should not

have told her. The fact that she thought it odd suddenly showed her how

closely their lives were interwoven. She had become a habit to him, and

he was fond of his habits. But to her it was as if a stranger had opened

the gate and gone out. She wondered what he would feel if he knew that

she felt _that_.

“In an hour he will know,” she said to herself, with a kind of fierce

exultation; and immediately she began to dramatize the scene. As soon as

he came in she meant to call him up to her room and hand him the letters

without a word. For a moment she gloated on the picture; then her

imagination recoiled from it. She was humiliated by the thought of

humiliating him. She wanted to keep his image intact; she would not see

him.

He had lied to her about her letters--had lied to her when he found it

to his interest to regain her favor. Yes, there was the point to hold

fast. He had sought her out when he learned that she was rich. Perhaps

he had come back from America on purpose to marry her; no doubt he had

come back on purpose. It was incredible that she had not seen this

at the time. She turned sick at the thought of her fatuity and of

the grossness of his arts. Well, the event proved that they were all

he needed. But why had he gone out at such an hour? She was irritated to

find herself still preoccupied by his comings and goings.

Turning from the window, she sat down again. She wondered what she meant

to do next. No, she would not show him the letters; she would simply

leave them on his table and go away. She would leave the house with her

boy and Andora. It was a relief to feel a definite plan forming itself

in her mind--something that her uprooted thoughts could fasten on. She

would go away, of course; and meanwhile, in order not to see him, she

would feign a headache, and remain in her room till after luncheon. Then

she and Andora would pack a few things, and fly with the child while he

was dawdling about up-stairs in the studio. When one’s house fell, one

fled from the ruins: nothing could be simpler, more inevitable.

Her thoughts were checked by the impossibility of picturing what would

happen next. Try as she would, she could not see herself and the child

away from Deering. But that, of course, was because of her nervous

weakness. She had youth, money, energy: all the trumps were on her side.

It was much more difficult to imagine what would become of Deering. He

was so dependent on her, and they had been so happy together! The fact

struck her as illogical, and even immoral, and yet she knew he had been

happy with her. It never happened like that in novels: happiness “built

on a lie” always crumbled, and buried the presumptuous architect beneath

the ruins. According to the laws of every novel she had ever read,

Deering, having deceived her once, would inevitably have gone on

deceiving her. Yet she knew he had not gone on deceiving her.

She tried again to picture her new life. Her friends, of course, would

rally about her. But the prospect left her cold; she did not want them

to rally. She wanted only one thing--the life she had been living before

she had given her baby the embroidered bag to play with. Oh, why had she

given him the bag? She had been so happy, they had all been so

happy! Every nerve in her clamored for her lost happiness, angrily,

unreasonably, as the boy had clamored for his bag! It was horrible to

know too much; there was always blood in the foundations. Parents “kept

things” from children--protected them from all the dark secrets of pain

and evil. And was any life livable unless it were thus protected? Could

any one look in the Medusa’s face and live?

But why should she leave the house, since it was hers? Here, with her

boy and Andora, she could still make for herself the semblance of a

life. It was Deering who would have to go; he would understand that as

soon as he saw the letters.

She pictured him in the act of going--leaving the house as he had left

it just now. She saw the gate closing on him for the last time. Now her

vision was acute enough: she saw him as distinctly as if he were in the

room. Ah, he would not like returning to the old life of privations and

expedients! And yet she knew he would not plead with her.

Suddenly a new thought rushed through her mind. What if Andora had

rushed to him with the tale of the discovery of the letters--with the

“Fly, you are discovered!” of romantic fiction? What if he _had_ left

her for good? It would not be unlike him, after all. Under his wonderful

gentleness he was always evasive and inscrutable. He might have said to

himself that he would forestall her action, and place himself at once

on the defensive. It might be that she _had_ seen him go out of the gate

for the last time.

She looked about the room again, as if this thought had given it a new

aspect. Yes, this alone could explain her husband’s going out. It was

past twelve o’clock, their usual luncheon hour, and he was scrupulously

punctual at meals, and gently reproachful if she kept him waiting. Only

some unwonted event could have caused him to leave the house at such

an hour and with such marks of haste. Well, perhaps it was better that

Andora should have spoken. She mistrusted her own courage; she almost

hoped the deed had been done for her. Yet her next sensation was one of

confused resentment. She said to herself, “Why has Andora interfered?”

She felt baffled and angry, as though her prey had escaped her. If

Deering had been in the house, she would have gone to him instantly and

overwhelmed him with her scorn. But he had gone out, and she did not

know where he had gone, and oddly mingled with her anger against him was

the latent instinct of vigilance, the solicitude of the woman accustomed

to watch over the man she loves. It would be strange never to feel that

solicitude again, never to hear him say, with his hand on her hair:

“Why, you foolish child, were you worried? Am I late?”

The sense of his touch was so real that she stiffened herself against

it, flinging back her head as if to throw off his hand. The mere thought

of his caress was hateful; yet she felt it in all her traitorous veins.

Yes, she felt it, but with horror and repugnance. It was something she

wanted to escape from, and the fact of struggling against it was what

made its hold so strong. It was as though her mind were sounding her

body to make sure of its allegiance, spying on it for any secret movement

of revolt.

To escape from the sensation, she rose and went again to the window. No

one was in sight. But presently the gate began to swing back, and her

heart gave a leap--she knew not whether up or down. A moment later the

gate opened slowly to admit a perambulator, propelled by the nurse and

flanked by Juliet and Andora. Lizzie’s eyes rested on the familiar group

as if she had never seen it before, and she stood motionless, instead of

flying down to meet the children.

Suddenly there was a step on the stairs, and she heard Andora’s agitated

knock. She unbolted the door, and was strained to her friend’s emaciated

bosom.

“My darling!” Miss Macy cried. “Remember you have your child--and me!”

Lizzie loosened herself gently. She looked at Andora with a feeling of

estrangement which she could not explain.

“Have you spoken to my husband?” she asked, drawing coldly back.

“Spoken to him? No.” Andora stared at her in genuine wonder.

“Then you haven’t met him since he left me?”

“No, my love. Is he out? I haven’t met him.”

Lizzie sat down with a confused sense of relief, which welled up to her

throat and made speech difficult.

Suddenly light came to Andora. “I understand, dearest. You don’t feel

able to see him yourself. You want me to go to him for you.” She looked

about her, scenting the battle. “You’re right, darling. As soon as he

comes in I’ll go to him. The sooner we get it over the better.”

She followed Lizzie, who without answering her had turned mechanically

back to the window. As they stood there, the gate moved again, and

Deering entered the garden.

“There he is now!” Lizzie felt Andora’s fervent clutch upon her arm.

“Where are the letters? I will go down at once. You allow me to speak

for you? You trust my woman’s heart? Oh, believe me, darling,” Miss Macy

panted, “I shall know just what to say to him!”

“What to say to him?” Lizzie absently repeated.

As her husband advanced up the path she had a sudden trembling vision of

their three years together. Those years were her whole life; everything

before them had been colorless and unconscious, like the blind life of

the plant before it reaches the surface of the soil. They had not been

exactly what she dreamed; but if they had taken away certain illusions,

they had left richer realities in their stead. She understood now that

she had gradually adjusted herself to the new image of her husband as he

was, as he would always be. He was not the hero of her dream, but he was

the man she loved, and who had loved her. For she saw now, in this last

wide flash of pity and initiation, that, as a solid marble may be made

out of worthless scraps of mortar, glass and pebbles, so out of mean

mixed substances may be fashioned a love that will bear the stress of

life.

More urgently, she felt the pressure of Miss Macy’s hand.

“I shall hand him the letters without a word. You may rely, love, on my

sense of dignity. I know everything you’re feeling at this moment!”

Deering had reached the door-step. Lizzie continued to watch him in

silence till he disappeared under the glazed roof of the porch below the

window; then she turned and looked almost compassionately at her friend.

“Oh, poor Andora, you don’t know anything--you don’t know anything at

all!” she said.

Tales of Men and Ghosts · 第 53 / 55 题