A. The Death-God.
[Illustration: Figs. 1-6]
God A is represented as a figure with an exposed, bony spine, truncated
nose and grinning teeth.[10-1] It is plainly to be seen that the head of
this god represents a skull and that the spine is that of a skeleton. The
pictures of the death-god are so characteristic in the Maya manuscripts
that the deity is always easily recognized. He is almost always
distinguished by the skeleton face and the bony spine. Several times in
the Dresden manuscript the death-god is pictured with large black spots
on his body and in Dr. 19b a woman with closed eyes, whose body also
displays the black spots, is sitting opposite the god. While the Aztecs
had a male and a female death-deity, in the Maya manuscripts we find the
death-deity only once represented as feminine, namely on p. 9c of the
Dresden manuscript. Moreover the Dresden manuscript contains several
different types of the death-god, having invariably the fleshless skull
and (with the exception of Dr. 9c) the visible vertebrae of the spine.
Several times (Dr. 12b and 13b) he is represented apparently with
distended abdomen. A distinguishing article of his costume is the stiff
feather collar, which is worn only by this god, his companion, the
war-god F, and by his animal symbol, the owl, which will both be
discussed farther on. His head ornament varies in the Dresden Codex; in
the first portion of the manuscript, relating in part to pregnancy and
child-birth (see the pictures of women on p. 16, et seq.), he wears on
his head several times a figure occurring very frequently just in this
part of the Dresden Codex and apparently representing a snail (compare
Dr. 12b and 13b), which among the Aztecs is likewise a symbol of
parturition. In view of these variations in the pictures of the Dresden
Codex, it is very striking that in the Codex Tro.-Cortesianus, there is
only one invariable type of the death-god.
[10-1] See Plate for representations of the gods, A-P
A distinguishing ornament of the death-god consists of globular bells or
rattles, which he wears on his hands and feet, on his collar and as a
head ornament. As can be distinctly seen in Dr. 11a, they are fastened
with bands wound around the forearm and around the leg; in Dr. 15c these
bells are black.
Among the symbols of the death-god a cross of two bones should be
mentioned, which is also found in the Mexican manuscripts. This cross of
bones seems to occur once among the written characters as a hieroglyph
and then in combination with a number: Tro. 10.* The figure [Death-god
symbol] is also a frequent symbol of the death-god. Its significance is
still uncertain, but it also occurs among the hieroglyphs as a death-sign
and as a sign for the day Cimi (death).
The hieroglyphs of the death-god have been positively determined (see
Figs. 1 to 4). Figs. 1 and 2 are the forms of the Dresden manuscript and
Figs. 3 and 4 are those of the Madrid manuscript. God A is almost always
distinguished by two hieroglyphs, namely Figs. 1 and 2 or 3 and 4.
Moreover the hieroglyphs are always the same, have scarcely any variants.
Even in Dr. 9c, where the deity is represented as feminine, there are no
variations which might denote the change of sex. The hieroglyphs consist
chiefly of the head of a corpse with closed eyes, and of a skull. The
design in front of the skull in Figs. 2 and 4 and under it in Fig. 3 is a
sacrificial knife of flint, which was used in slaying the sacrifices, and
is also frequently pictured in the Aztec manuscripts. The dots under Fig.
1 are probably intended to represent blood.
The death-god is represented with extraordinary frequency in all the Maya
manuscripts. Not only does the figure of the god itself occur, but his
attributes are found in many places where his picture is missing. Death
evidently had an important significance in the mythologic conceptions of
the Mayas. It is connected with sacrifice, especially with human
sacrifices performed in connection with the captive enemy. Just as we find
a personification of death in the manuscripts of the Mayas, we also find
it in the picture-writings of the ancient Mexicans, often surprisingly
like the pictures of the Maya codices. The Aztec death-god and his myth
are known through the accounts of Spanish writers; regarding the death-god
of the Mayas we have less accurate information. Some mention occurs in
Landa's Relacion de las cosas de Yucatan, §XXIII, but unfortunately
nothing is said of the manner of representing the death-god. He seems to
be related to the Aztec Mictlantecutli, of whom Sahagun, Appendix to Book
III, "De los que iban al infierno y de sus obsequias," treats as the god
of the dead and of the underworld, Mictlan. When the representations of
the latter, for example in the Codex Borgia, and in the Codex Vaticanus
No. 3773, are compared with those of the Maya manuscripts, there can be
hardly a doubt of the correspondence of the two god figures. In the Codex
Borgia, p. 37, he is represented once with the same characteristic head
ornament, which the death-god usually wears in the Maya manuscripts, and
in the Codex Fejervary, p. 8, the death-god wears a kind of breeches on
which cross-bones are depicted, exactly as in Dr. 9 (bottom).
Bishop Landa informs us that the Mayas "had great and immoderate dread of
death." This explains the frequency of the representations of the
death-god, from whom, as Landa states, "all evil and especially death"
emanated. Among the Aztecs we find a male and a female death-deity,
Mictlantecutli and Mictlancihuatl. They were the rulers of the realm of
the dead, Mictlan, which, according to the Aztec conception, lay in the
north; hence the death-god was at the same time the god of the north.
It agrees with the calendric and astronomic character of the Maya deities
in the manuscripts, that a number of the figures of the gods are used in
connection with specified cardinal points. Since, according to the Aztec
conception, the death-god was the god of the north, we might expect that
in the Maya manuscripts also, the death-god would be always considered
as the deity of the north. Nevertheless this happens only _once_, namely
in the picture at the end of Codex Cort., pp. 41 and 42. Elsewhere, on
the other hand, this god is connected with other cardinal points, thus
Dr. 14a with the west or east (the hieroglyph is illegible, but it can
be only west or east), and in Dr. 27c with the west. It is interesting
to note that once, however, in a series of cardinal points, the
hieroglyph of the death-god connected with the numeral 10 stands just in
the place of the sign of the north; this is on Tro. 24* (bottom).
In regard to the name of the death-god in the Maya language, Landa tells
us that the wicked after death were banished to an underworld, the name
of which was "Mitnal", a word which is defined as "Hell" in the Maya
lexicon of Pio Perez and which has a striking resemblance to Mictlan, the
Aztec name for the lower regions. The death-god Hunhau reigned in this
underworld. According to other accounts (Hernandez), however, the
death-god is called Ahpuch. These names can in no wise serve as aids to
the explanation of the hieroglyphs of the death-god, since they have no
etymologic connection with death or the heads of corpses and skulls,
which form the main parts of the hieroglyph. Furthermore, the hieroglyphs
of the gods certainly have a purely ideographic significance as already
mentioned above, so that any relation between the names of the deities
and their hieroglyphs cannot exist from the very nature of the case.
The day of the death-god is the day Cimi, death. The day-sign Cimi
corresponds almost perfectly with the heads of corpses contained in the
hieroglyphs of the death-god.
A hieroglyphic sign, which relates to death and the death-deity and
occurs very frequently, is the sign Fig. 5, which is probably to be
regarded as the ideogram of the owl. It represents the head of an owl,
while the figure in front of it signifies the owl's ear and the one
below, its teeth, as distinguishing marks of a bird of prey furnished
with ears and a powerful beak. The head of the owl appears on a human
body several times in the Dresden manuscript as a substitute for the
death-deity, thus Dr. 18c, 19c, 20a and 20c and in other places, and
the hieroglyphic group (Fig. 5) is almost a regular attendant hieroglyph
of the death-god.
A series of other figures of the Maya mythology is connected with the
death-god. This is evident from the fact that his hieroglyphs or his
symbols occur with certain other figures, which are thus brought into
connection with death and the death-deity.
These figures are as follows:
1. His companion, god F, the god of war, of human sacrifice and of
violent death in battle, apparently a counterpart of the Aztec Xipe, who
will be discussed farther on.