THE SCHUMANNS AND CHOPIN.

Robert Schumann's Place as a National Composer.--Peculiar Greatness as

a Piano-forte Composer.--Born at Zwickau in 1810.--His Father's

Aversion to his Musical Studies.--Becomes a Student of Jurisprudence

in Leipzig.--Makes the Acquaintance of Clara Wieck.--Tedium of his Law

Studies.--Vacation Tour to Italy.--Death of his Father, and Consent

of his Mother to Schumann adopting the Profession of Music.--Becomes

Wieck's Pupil.--Injury to his Hand which prevents all Possibilities of

his becoming a Great Performer.--Devotes himself to Composition.--The

Child, Clara Wieck--Remarkable Genius as a Player.--Her Early

Training.--Paganini's Delight in her Genius.--Clara Wieck's

Concert Tours.--Schumann falls deeply in Love with her, and Wieck's

Opposition.--His Allusions to Clara in the "Neue Zeitschrift."--Schumann

at Vienna.--His Compositions at first Unpopular, though played by Clara

Wieck and Liszt.--Schumann's Labors as a Critic.--He Marries Clara

in 1840.--His Song Period inspired by his Wife.--Tour to Russia, and

Brilliant Reception given to the Artist Pair.--The "Neue Zeitschrift"

and its Mission.--The Davidsbund.--Peculiar Style of Schumann's

Writing.--He moves to Dresden.--Active Production in Orchestral

Composition.--Artistic Tour in Holland.--He is seized with

Brain Disease.--Characteristics as a Man, as an Artist, and as a

Philosopher.--Mme. Schumann as her Husband's Interpreter.--Chopin

a Colaborer with Schumann.--Schumann on Chopin again.--Chopin's

Nativity.--Exclusively a Piano-forte Composer.--His _Genre_ as Pianist

and Composer.--Aversion to Concert-giving.--Parisian Associations.--New

Style of Technique demanded by his Works.--Unique Treatment of the

Instrument.--Characteristics of Chopin's Compositions.

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