THALBERG AND GOTTSCHALK.

Thalberg one of the Greatest of Executants.--Rather a Man of Remarkable

Talents than of Genius.--Moseheles's Description of him.--The

Illegitimate Son of an Austrian Prince.--Early Introduction to

Musical Society in London and Vienna.--Beginning of his Career as a

Virtuoso.--The Brilliancy of his Career.--Is appointed Court Pianist to

the Emperor of Austria.--His Marriage.--Visits to America.--Thalberg's

Artistic Idiosyncrasy.--Robert Schumann on his Playing.--His Appearance

and Manner.--Characterization by George William Curtis.--Thalberg's

Style and Worth as an Artist.--His Piano-forte Method, and Place as a

Composer for the Piano.--Gottschalk's Birth and Early Years.--He is sent

to Paris for Instruction.--Successful _Début_ and Publie Concerts

in Paris and Tour through the French Cities.--Friendship with

Berlioz.--Concert Tour to Spain.--Romantic Experiences.--Berlioz on

Gottschalk.--Reception of Gottschalk in America.--Criticism of his

Style.--Remarkable Success of his Concerts.--His Visit to the West

Indies, Mexico, and Central America.--Protracted Absence.--Gottschalk

on Life in the Tropics.--Return to the United States.--Three Brilliant

Musical Years.--Departure for South America.--Triumphant Procession

through the Spanish-American Cities.--Death at Rio Janeiro.--Notes on

Gottschalk as Man and Artist.

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