CHAPTER II

THE DISCOVERY AND DECIPHERMENT OF THE INSCRIPTIONS

The Site of Babylon.--The site of Babylon was never forgotten. In the

twelfth century, Benjamin of Tudela describes the ruins of

Nebuchadrezzar's palace which he saw there, and in 1573 the English

traveller Eldred visited the spot, and found the Tower of Babel in the

Birs-i-Nimrud, which he states to be a mile in circumference and about

as high as St. Paul's Cathedral. Other travellers have left notices of

the ruins. But the first to explore them scientifically was Rich, the

Resident of the East India Company at Bagdad, who surveyed and made a

map of them. His work on the site of the old city was published in

1811. But it was not until 1850 that the first excavations were made

by Sir A. H. Layard, which were followed in 1851-4 by the French

expedition under Fresnel, Thomas, and Oppert. The fruit of the

expedition was an elaborate memoir by Oppert, which marks an epoch in

the history of cuneiform decipherment, and determined the ancient

topography of Babylon. The excavations were resumed by Sir H. Rawlinson

in 1854, who discovered the architectural records of Nebuchadrezzar, at

the same time that other ancient sites of Babylonian civilization were

being excavated by Loftus and Taylor. At a much later period (in 1879

and 1882) the work of excavation was again taken up by Mr. Hormuzd

Rassam, who discovered the site of Sippara, and disinterred the ancient

temple there of the Sun-god. Equally important were the discoveries

made by the French consul, M. de Sarzec, in 1877-81 at Tello (the

ancient Lagas) in southern Chaldaea. Monuments of the early Sumerian

period of Babylonian history were brought to light, including seated

statues and bas-reliefs, which are now in the Museum of the Louvre.

The Site of Nineveh.--The identification of Nineveh was less easy than

that of Babylon. Its site was lost, although the natives of the

district had not altogether forgotten the name of Nunia, and Niebuhr in

the last century, believed that it marked the site of the Assyrian

capital[1]. But its real discovery was due to Rich. Shortly before his

visit to Mosul a bas-relief had been found on the opposite side of the

Tigris, which the Mohammedans had destroyed as being the work of the

'infidels.' His examination of the mounds from which it had come led to

the discovery of walls and cuneiform inscriptions, which left no doubt

in his mind that the site was that of Nineveh. He accordingly drew up a

map of the ruins, which he sent to Europe along with his collection of

Babylonian and Assyrian antiquities. A single case, three feet in

diameter, was sufficient for their accommodation in the British Museum.

[1] In Dapper's _Circumstantial Description of Asia_, it is

stated that opposite Mosul is 'a little town called up to the

present day by Arab writers Nennouwi, and by the Turks Eski

Mosul,' or Old Mosul.

Excavations.--These antiquities, however, inspired the French _savant_,

Mohl, with the conviction that if excavations were undertaken at the

place where they had been found, important results would follow.

Accordingly, he induced Botta, who had been sent as French Consul to

Mosul in 1842, to commence digging there the following year. Botta was

led by a native to the mound of Khorsabad, and his labours were soon

rewarded by the discovery of Assyrian sculptures covered with cuneiform

writing. The French government granted funds for the continuation of

the work, and before 1845 the palace of Sargon was laid bare.

Meanwhile Layard had arrived on the spot, and with the help of funds

principally supplied by Sir Stratford Canning, had opened trenches in

the mound of Nimrud (the ancient Calah). The spoils of the palaces he

found here were transported to England in 1847. Among them was the

famous Black Obelisk, on which mention is made of Jehu of Israel. At

Kouyunjik also, among the ruins of the palaces of Sennacherib and

Assur-bani-pal, excavations had been begun. But it was only after the

return of Sir A. H. Layard to Mosul in 1849, with a grant from the

British Museum, that a systematic exploration of this mound took place.

Assisted by Mr. Hormuzd Rassam, he discovered here the libraries of

clay books from which most of our knowledge of Assyria and Babylonia

is derived. Excavations were further undertaken at Kalah Sherghat

(the ancient Assur), where the records of Tiglath-pileser I were

disinterred, in the ruined palaces of Sennacherib and Esar-haddon at

Nebi Yunus, at Arban on the Khabour (the ancient Sidikan), and at

several other places. When the work was closed in 1852, a new world of

art and literature had been revealed. Nothing further was done till

the beginning of 1873, when George Smith was sent to Nineveh by the

proprietors of the _Daily Telegraph_ in order to search for the missing

portions of the Deluge-tablet, and a year later he was again sent out

to excavate by the British Museum. After his death, near Aleppo, in

1876, the excavations were entrusted to Mr. Hormuzd Rassam, who, in

1878, discovered the bronze gates of Balawat, and three years later the

site of Sippara in Babylonia, as well as a library in the temple of its

Sun-god. A similar library has since been discovered (in 1891) by the

American expedition in the mounds of Niffer, where monuments of Sargon

of Accad (B.C. 3800) have been brought to light.

The Decipherment of the Inscriptions.--The decipherment of the

cuneiform texts has been one of the scientific triumphs of the present

century. The key was given by the inscriptions on the ruined palaces

and tombs of ancient Persia. Travellers at an early date had noticed

these inscriptions at Persepolis and elsewhere, and while some compared

the forms of the characters composing them to arrows, others considered

them to be wedges, _cunei_ in Latin. The latter comparison was the

origin of the term 'cuneiform,' ordinarily applied to them. We find it

already used by Hyde in his _Historia Religionis veterum Persarum_,

which was published at Oxford in 1700[2].

[2] Hyde's words are 'ductuli pyramidales seu cuneiformes.'

The Italian traveller, Pietro della Valle, in 1621, was the first who

made the characters known in Europe by printing a few of them; at the

same time he put forward the correct suggestion that the inscriptions

were to be read from left to right. A more important collection of

signs, however, was published in 1693, in one of the early volumes (No.

201) of the _Philosophical Transactions_ of the Royal Society from the

papers of Mr. Flower, who had been specially charged by the East India

Company with the duty of investigating the antiquities of Persia. But

it was not till the middle of the eighteenth century that Cornelius van

Bruyn (1714) and Carsten Niebuhr (1774-8), the father of the historian,

first copied and published the inscriptions in anything like a complete

and accurate manner. Niebuhr further pointed out that they comprised

three different systems of cuneiform writing, which in the case of

every text followed one another in a regular order. The first system of

writing was the simplest, as it consisted of only forty-two different

characters, whereas the number of characters in the second and third

systems was very large.

With Niebuhr's publication the work of decipherment became possible.

In 1798, Professor Tychsen, of Rostock, discovered that in the first

system an oblique wedge was used to divide the words from one another,

and in 1802 the Danish Bishop, Muenter, starting from this basis,

showed that the language possessed suffixes, pointed out that certain

characters denoted vowels, and even divined the word for 'king,' as

well as the value of two letters, one of them being _a_. He also

maintained that while the first system of writing was alphabetic,

the second was syllabic, and the third ideographic, and that as

the inscriptions were found in Persia and on the buildings of the

Achaemenian kings, the text which always comes first must represent

the language of ancient Persia, which he identified, though

erroneously, with Zend.

It is, however, to George Frederick Grotefend, of Hanover, that the

discovery of the key which has unlocked the secrets of cuneiform

literature is really due. On September 4, 1802, he read before the

Royal Society of Goettingen a Memoir, in which he announced his

discovery of the names of certain Achaemenian kings in the cuneiform

inscriptions, and explained the method by which he had arrived at his

results. By a curious coincidence it was at the same meeting of the

Society that Heyne described the first efforts that had been made

towards deciphering the Egyptian hieroglyphics. Grotefend first showed

convincingly that the inscriptions must be read from left to right, a

portion of a word which ends a line on the right side in one of the

texts beginning the next line on the left side in a duplicate copy of

it. He next pointed out that the analogy of the Sassanian inscriptions,

which had just been deciphered by de Sacy, indicated that the

Persepolitan texts must commence with the names of the kings who had

erected the monuments, followed by their titles, and that a comparison

of the texts one with another made it pretty evident that such was

actually the case. In this way he succeeded in finding (like Muenter

before him) the word for 'king,' and in addition to this the royal

names preceding it. Those on the Persepolitan monuments represented a

father and a son, though in certain cases the father added his own

father's name, but without the royal titles. Thanks to the classical

writers, it was known that the monuments were of Achaemenian origin,

and the names of the Achaemenian kings had also been preserved. It only

remained to fit them to the characters in the cuneiform texts.

Hystaspes, Darius, and Xerxes alone suited, since Cyrus was too short

and Artaxerxes too long; moreover, the letters _a_, _r_, and _sh_, in

the names of Darius and Xerxes appeared in their right places if these

names were adopted. So, too, did _a_ and _sh_ in the name of Hystaspes.

Such a coincidence was sufficient to prove that Grotefend was right in

his guess that the words in question represented proper names, for

guess it was, though founded on strong probability and scientific

induction. He had noticed that two of the names (those of Darius and

Xerxes) occurred separately on two particular groups of monuments,

whereas the word which followed them was always the same. It was

natural to conclude that the latter word denoted 'king,' while those

which preceded it were proper names.

The alphabet Grotefend had constructed out of the proper names enabled

him to read the word for 'king,' and thus to show its near affinity to

the corresponding word in Zend. But he was a classical scholar rather

than an orientalist, better known by his Latin grammar than by his

knowledge of Eastern languages, and consequently as soon as his

pioneering work of decipherment was accomplished, he lacked the

philological knowledge which would have allowed him to continue it.

Moreover, he was hampered by the false theory that the language of the

inscriptions was identical with Zend. The next step of importance was

taken by Rask in 1826, who discovered the termination of the genitive

plural and the true reading of the title 'Achaemenian.' Rask was

followed in 1836 by the great Zendic scholar Burnouf at Paris, and

by Lassen at Bonn. Burnouf demonstrated that the language of the

Achaemenian texts was not Zend, but a sister dialect spoken in western

Persia, and his discovery of the names of the satrapies, in one of the

inscriptions copied by Niebuhr, enabled him and Lassen simultaneously

almost to complete what we may henceforth call the Old Persian

alphabet. A few corrections in it were subsequently made by Beer,

Jacquet, Holzmann, and Lassen himself.

Meanwhile a young English officer in the East India Company's service,

now Sir Henry Rawlinson, had been working in Persia unassisted, and at

a distance from libraries, upon the Old Persian texts. He knew that

Grotefend had discovered in them the names of the early Achaemenian

monarchs, and with this clue he set himself to construct an alphabet

and interpret the inscriptions. He soon found means of providing

himself with fuller materials for the work of decipherment than those

at the disposal of scholars in Europe, by copying the great inscription

which Darius had caused to be engraved on the sacred rock of Bagistana

or Behistun in commemoration of his accession to the throne of Persia,

and re-conquest of the empire of Cyrus. The task of copying the

inscription--by far the longest Persian one known--was an arduous

one, and not unattended with danger, and it occupied several years.

Rawlinson first saw the inscription in 1835; it was not till 1839 that

the whole of it was copied. A few years later he revised it again, but

his memoir upon it and upon the other Old Persian texts was not ready

for publication till 1845. In the following year the text was published

by the Royal Asiatic Society, and the translation and commentary

followed in 1849. Dr. Hincks, of Dublin, had already (in 1846) given

the last touch to the decipherment of the Old Persian alphabet by the

discovery that the consonants composing it contained inherent vowels.

As we have seen, Niebuhr had perceived that the Persepolitan

inscriptions were in three different systems of writing. But it was

only after the decipherment of the Persian texts that it was found that

the three systems of writing embodied three separate languages, and

belonged to three separate countries. As in modern Turkey a governor

has to issue an edict in agglutinative Turkish, Semitic Arabic, and

Aryan Persian, so too in ancient Persia a king who wished to be

understood by all his subjects had to appeal to them in the Aryan

language of Persian itself, in the Semitic language of Babylonia and

Assyria, and in the agglutinative language of Susiania or Elam. When

the second and third systems of writing came to be read it was

discovered that the second contained the script and language of

Elam--sometimes, but incorrectly, called Scythian, Medic or Protomedic,

sometimes, more properly, Amardian or Neo-Susian--while the third was

Babylonian. The three capitals of the empire, Persepolis, Susa and

Babylon, were thus each of them represented.

The number of characters used in Amardian, though large, was limited,

and accordingly, with the help of the proper names occurring in the Old

Persian texts, a syllabary, or list of characters each expressing a

syllable, was soon formed and the work of translation commenced.

Westergaard, the Dane, who had already travelled in Persia, and there

copied the inscription on the tomb of Darius at Naksh-i-Rustem, led the

way in 1845. He was followed by Hincks, de Saulcy, and above all Edwin

Norris, the learned Secretary of the Royal Asiatic Society, who

published in 1853 the Amardian (or as he called it the 'Scythic')

version of the Behistun inscription, with an elaborate translation,

commentary, and vocabulary. Further progress, in the study of the

language was made by Oppert, whose book _Le Peuple et la Langue

des Medes_ (1879) is a monument of systematic research. Sayce's

decipherment of the inscriptions of Mal-Amir, south-east of Susa, in

1884 (in the Proceedings of the Sixth Oriental Congress), showed that

we must look to that part of Susiania for the origin of the Amardian

syllabary and dialect. The language was, in fact, one of the

agglutinative dialects spoken in Elam, the native language of Susa

itself being closely related to it. Unfortunately, however, there is no

known language with which the dialects of ancient Elam can be compared,

and consequently our knowledge of them hardly extends beyond the help

afforded by the trilingual Persian texts.

The decipherment of the third system of writing long seemed to baffle

the inquirer. The characters were multitudinous, some of them were

plainly ideographs, denoting ideas and not letters or syllables, while

the same character did not always appear to have the same value.

Moreover, the belief that the characters must represent alphabetic

letters long stood in the way of the decipherer. Grotefend had already

observed that they resembled in form the characters found on some of

the antiquities which came from Babylonia, but it was not till after

the excavation of Nineveh that any serious effort was made to decipher

them. Botta and Layard, at the very outset, pointed out that the script

used in Assyria was the same as that of the third Achaemenian system,

and thus attracted fresh attention to the latter. Loewenstern was the

first to attack the problem in 1845. His first essays, however, were

unsuccessful, like those of de Saulcy in 1847, and his second

publication (in 1847) did little more than establish the fact that the

same name might be written with different signs. In the same year de

Longperier correctly deciphered the words and ideographs denoting

'palace,' 'king,' 'great,' and the like, though without being able to

read phonetically any one of them. But in 1848 Botta published the

numerous inscriptions he had discovered at Khorsabad, at the same time

subjecting them to a careful analysis. He divided them into words,

wherever it was possible, noting the variations in writing the same

word, and drawing up a list of 642 classified characters. He further

proved that the terminations or suffixes of words in the Assyrian texts

agreed with those of the third Achaemenian system, an indication that

the language was the same as well as the script. Finally he made it

clear that the script contained not only phonetic characters, but also

ideographs, and he correctly determined many of these ideographs,

including that which denotes plurality. All that was now needed was to

discover the phonetic equivalents of the characters.

This was done half a year later by de Saulcy, who analyzed the

Babylonian transcript of the Achaemenian inscription at Elwend, and

gave phonetic values to 120 characters. He was, however, still under

the belief that they represented letters instead of syllables, and was

consequently obliged to admit the existence of 'homophones.' The fact

that they really represented syllables,--_ba_, _bi_, _be_, _bu_,

&c.--was discovered by Dr. Hincks immediately afterwards (1847 and

1850). Hincks also discovered the name of Nebuchadrezzar in the

Babylonian inscriptions, and by the further discovery that an

inscription brought from Babylon by Sir Robert Ker-Porter, which was

written in the complicated characters of early Babylonia, was a

duplicate of one in the 'Neo-Babylonian' characters of the Achaemenian

era, he made it possible to read the oldest forms of Babylonian script.

From this time forward the work of decipherment went on apace. The

Semitic character of the Assyro-Babylonian language, which had been

guessed at by Loewenstern, was now put beyond question, and the

well-known laws of Semitic grammar came to the help of the student in

reading the text. In 1851 Rawlinson published the Babylonian text of

the Behistun inscription, and in his commentary upon it announced to a

wondering and incredulous world the existence in Assyrian of

'polyphones.' If the method of decipherment were right, it was

necessary to assume that the same character could have more than one

phonetic value. The cause of this extraordinary fact--which, however,

is paralleled in Old Egyptian as well as in Japanese--was soon made

clear by Oppert, Hincks, and Rawlinson himself. The Assyrian syllabary,

which had originally been a collection of pictorial hieroglyphs, was

not the invention of the Semitic Babylonians, but of an earlier people

who spoke an agglutinative language, and to whom the name of Accadians

or Sumerians was given. When the script was adopted by the Semites, the

Sumerian words denoting the objects or ideas for which the characters

stood became phonetic values; thus _du_ 'to go' and _gub_ 'to stand'

became the phonetic values of the character which had originally been a

picture of a human leg.

The interpretation of the Assyrian and Babylonian texts now advanced

rapidly, in spite of the smallness of the body of students, and the

incredulity of Orientalists, especially in Germany. In 1847 Rawlinson

was able to give a fairly complete account of the several varieties of

cuneiform writing, and in 1850 he published a translation of the long

inscription of Shalmaneser II on the Black Obelisk of Nimrud. The

translation is on the whole marvellously correct, and proves

conclusively the soundness of the method on which it was based. The

proper names, however, were still but imperfectly read, and it was not

till Hincks discovered the names of Jehu and Omri in the inscription

(in 1851) that the age of it could be fixed. Shortly afterwards Hincks

deciphered the names of Hezekiah and Jerusalem in the texts of

Sennacherib, as well as the name of Sennacherib himself, and thus

showed that Longperier had been right in his conjecture that the king

of the Khorsabad monuments was Sargon. The foundation of Assyrian

grammar was next laid by Hincks in 1855 in a series of remarkable

articles on the Assyrian verb, to which the progress of discovery has

since added little that is important. A complete and systematic grammar

itself was first written by Dr. Oppert in 1860, and eight years

afterwards M. Menant analyzed his results and tested their correctness.

The Decipherment tested.--Orientalists, however, still looked askance

at the new science which threatened to dwarf the older Semitic

learning. The Council of the Royal Asiatic Society, accordingly,

determined to subject it to a conclusive test. Copies of the annals of

Tiglath-pileser I, which had been found at Kalah Sherghat, were sent to

Rawlinson, Hincks, Fox Talbot, and Oppert; they were asked to translate

them independently of one another, and send the translations under seal

by a given date to the Secretary of the Society. When the translations

were opened they were found to be in substantial agreement. This was in

1857, a year which we may therefore regard as closing the first epoch

of decipherment.

Sumerian.--The decipherment of the Assyrian texts brought with

it the decipherment of the Sumerian texts. The library of Nineveh was

stocked with tablets intended to facilitate the study of the old

language of Chaldaea. Among them are grammars, vocabularies, and

reading-books, as well as interlinear or parallel translations of

Sumerian texts in the Semitic language of Babylon and Assyria. Oppert

in his _Expedition scientifique en Mesopotamie_ led the way to the

use of them in 1859, and the outlines of Sumerian grammar were first

sketched by Sayce in 1870, followed by Lenormant in 1873. Since then

the labours of Lenormant, Haupt (who demonstrated the existence of two

Accado-Sumerian dialects), Hommel, Amiaud, Ball and others, have given

us an extensive knowledge of the primitive language of Babylonia.

Vannic.--Northward of Assyria, in Ararat, the modern Armenia, the

cuneiform script of Nineveh had been borrowed in the ninth century B.C.

As the characters of the script continued to preserve their Assyrian

values there was no difficulty in transliterating them, and as early as

1852 Hincks read the names of the kings they had been employed to

write, and even used them in determining the values of the characters

found at Nineveh. The majority of the inscriptions, which had been

copied by Schulz at the cost of his life in 1829, and published in

France in 1840, were met with in the neighbourhood of Van; hence the

term 'Vannic' which is usually applied to them. The language in which

they are written was however utterly unknown, and bore no obvious

relationship to any with which we are acquainted; consequently though

the texts could be transliterated they could not be translated. More

than one attempt was made to decipher them, but to no purpose, until

1882 when Guyard pointed out that the formula with which many of them

end corresponds with the imprecation often attached to the Assyrian

inscriptions, and Sayce, following up this clue, with the help of the

ideographs borrowed from Assyria, finally succeeded in solving the

problem. A bilingual text (Assyrian and Vannic), recently discovered by

M. de Morgan in the pass of Kelishin in Kurdistan, has verified the

correctness of his results, which have been further modified or

extended by D. H. Mueller, Belck, and Lehmann.

Other Languages.--Yet two more languages written in the cuneiform

syllabary have lately been revealed by the cuneiform tablets found at

Tel el-Amarna in Upper Egypt. One was the language of Mitanni, the

Aram-Naharaim of the Old Testament, in which there is a long letter

from the king of Mitanni to the Egyptian Pharaoh. The other language,

which is quite distinct from that of Mitanni, was spoken at Arzawa in

northern Syria. Both languages are still undeciphered[3].

[3] For the language of Mitanni, called that of Su(ri) in the

Assyrian lexical lists, see Jensen, Bruennow, and myself in the

_Zeitschrift fuer Assyriologie_, v. 2, 3 (Aug. 1890), and for

that of Arzawa see my letter to the _Academy_, Aug. 20, 1892,

pp. 154, 155.

The origin of the Cuneiform Syllabary.--As we have seen, the pictorial

origin of the cuneiform characters was perceived in the early days of

Assyrian decipherment, as well as the cause of their polyphony. Their

wedge-like forms were due to the use of clay as a writing material. The

impression made by the stylus upon it resembled a wedge; curved lines

became angles, and after a time the original picture passed into a

conventional form. In the course of centuries the characters grew more

and more simplified by the omission of unnecessary wedges, the least

complicated being those of the official hand of Assyria, and the later

Babylonian or Persepolitan script. It must not be supposed, however,

that when the system of writing ceased to be pictorial it was already

complete. Down to a comparatively late period new characters were

invented or old characters combined in a new way, while new phonetic

and ideographic values were assigned to the characters which already

existed. Though the syllabary is essentially of Sumerian origin there

is much in it which is traceable to a Semitic source. Many of the

values given to the characters as well as many of their ideographic

meanings are Semitic. Moreover the Sumerians and Semites lived in

contact with one another long after the adoption of Sumerian culture by

the Semitic nomads; consequently not only did the Semites borrow

Sumerian words, the Sumerians borrowed Semitic words, more especially

in the northern part of the country. The early date at which some of

these were borrowed is shown by their having undergone the phonetic

changes which distinguished the northern Accado-Sumerian dialect from

the southern. False etymologizing also has given rise to new values

just as it has given rise to new spellings in English. The Semitic

scribes of a later day were as fond of deriving Semitic words from

Sumerian as our own etymologists used to be of deriving Teutonic words

from Latin, Greek, or Hebrew. Thus the purely Semitic _sabattu_

'Sabbath,' from _sabatu_ 'to rest,' is derived from the two Sumerian

words _sa_ 'heart' and _bat_ 'to complete,' and interpreted to mean 'a

day of rest for the heart.'

Simplification of the Syllabary.--The script used at Susa before the

overthrow of the kingdom of Elam was the same as the archaic script of

Babylonia. But the Amardian syllabary was a selected one. Not only were

the forms of the characters simplified, a comparatively small number

of them was employed to each of which one value only was assigned. In

the Vannic texts also polyphony was similarly avoided. Characters

expressing open syllables like _ba_ and _ab_ were chosen, to which a

few more denoting closed syllables and ideographs were added; but in no

case was a character allowed to possess more than one value. Large use

was further made of the vowels, the syllable _ba_, for example, being

written _ba-a_, so that the syllabary tended to become an alphabet.

This step was taken in Old Persian, where the forms of the letters were

often so simplified as to lose all resemblance to their primitive

forms. Apart from its alphabet of thirty-six letters Old Persian

retained only one syllabic character (_t[r.]_) and a few ideographs.

The pictorial origin of the syllabary has proved of important

assistance in reading the texts. Certain of the ideographs were used as

'determinatives' for indicating the generic character of the word to

which they are prefixed or affixed. Thus there is a determinative to

denote that the word which follows is the name of a 'city,' and another

which shows that the preceding word is a plural. In this way a glance

at an Assyrian, an Amardian, or a Vannic text will enable us at once to

distinguish the names of men, women, towns, countries, animals, trees,

metals, stones, and the like. It is a help which we look for in vain in

Phoenician or Hebrew inscriptions.

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