CHAPTER XXXVIII.

THE “LIGHT OF THE HAREM” IN “THE TEMPLE OF ALLEGORY.”

“Would I had fallen upon those happier days,

And those Arcadian scenes....

Vain wish! Those days were never! airy dreams

Sat for the picture, and the poet’s hand

Imposed a gay delirium for a truth.

Grant it; I still must envy them an age

That favored such a dream; in days like these

Impossible when virtue is so scarce,

That to suppose a scene where she presides

Is tramontane, and stumbles all belief.”—YOUNG.

“The glory of the Lord came from the way of the east, ... and

the earth shined with His glory. Thou son of man show the house

to the house of Israel, that they may be ashamed of their

iniquities, and let them measure the pattern.”—EZEKIEL, xliii.

“My Cornelius once said I might expend the fortune coming from my

grandfather, Harrimai, as I chose.”

“Why, that’s so without my saying. I did not court your grandfather, nor

his ownings, and have gotten affluence beyond the wildest dreams of a

lover in Miriamne’s self.”

“I think the old church on the hill is smiling day by day, more and more.”

“I’ve noted the improvement, and it assures me our hearers are growing.

A meanly kept sanctuary, witnesses of starved worshipers. Some churches

might be called stables for all-devouring, nothing-giving, lean kine.”

“I’d like to be brought to confession; question me!”

“Question? I can not doubt either Miriamne or her doings; to question,

one must doubt.”

“Sir Courtly! But I’ll flank your courtesy; I’ve purchased and furbished

up the old ecclesiastical pile.”

“I might have guessed it was Miriamne’s work! Now, good Bishop of

Bethany, appoint me Rector.”

“Churchman forever! We’ll have no Rector.”

“No Rector? No sermons? No congregation?”

“We’ll have a multitude, if we can get into the place the God-shine; that

brightens and draws ever.”

“Allurement by light! A new device. Are we to have a tryst where

lotus-dreamers may take sun-baths?”

“Curiosity, too proud to question directly, travels around with

banterings.”

“Incisive Miriamne, my ægis, thin as paper, is shredded: I confess!”

“Confession compels pardon and counsel. I’ll give both. The restored

sanctuary is to be the capitol of our fraternity, the ‘_Sisters of

Bethany_.’”

“Capitol? Are you inviting the Sultan to take your homes and your heads?

A capitol sounds like politics, revolution and things governmental.”

“There is to be war and a revolution; our munitions are to be solely

moral agencies; our aim, to revolve the world around toward Paradisiacal

days. I’d have parting streams flow out from Bethany to water the

earth, and sing anew the jubilant strains of Pison, Gihon, Hiddekel and

Euphrates.”

“Arcadia! Alas, how sad such dreams, because so impossible to realize.

The Arcadians, so charming in the poet’s pictures, were, in fact, very

warlike, very loutish, very human.”

“Say not that what has been must always be. Moses, at a time when Israel

was at its lowest dip, received of God a pattern of the Tabernacle. The

God of Moses is unchangeable. I’ve gotten from Him a pattern, also.”

“And now I question, as you wish!”

“The old sanctuary is to be a ‘_Temple of Allegory_.’ We shall attempt

therein to picture the finest truths by symbols that shall make them

tangible and irresistible.”

“A splendid ambition! Possess me of your intricacies of canon and

catechism. I’d accept them.”

“You overlook our simplicity by expecting complexity. We shall not walk

like ghosts, hampered by the grave-clothes of the dead, though august

forms. Seven words, enough for each day of the round week, are our whole

profession: ‘_Humanity toward humanity, with godliness toward God._’”

As they conversed, they walked toward the old sanctuary at the suburbs of

Bethany, and now were drawing near it.

“Behold, Miriamne, the Hospitaler; yonder.”

“Yes, I’ve called the knights hither; the Hospitaler will dedicate our

temple to-day.”

“But has he ecclesiastical authority so to do?”

“The same authority that these growing shrubs and vines have to make the

place beautiful. See, I’ve pierced the walls of the grim pile, wherever I

could, to make a window. The Hospitaler is to take them for a theme.”

“Windows for themes?”

“He is able; and understands by them that we’d have let into musty

beliefs floods of sweet light.”

“The knights are singing!”

“Yes, the Grail song, ‘_Faint though pursuing_;’ the dedication has

commenced.”

The words sung recited the grail quest; but its chorus, a simple one,

was much the same as that sung at the May-day festivities on a former

occasion. The people gathered, heartily joined in the chorus. When the

singing ceased, the Knight, in his usual abrupt manner, began addressing

the assembly:

“The beloved young missioners have undertaken, by means of

their handiwork here, to strikingly present the noblest truths,

and they have taken a step in the right direction. Love for the

pictorial, manifest especially in children, grows with growth;

those adult needing and seeking, as they grow, finer, grander

symbols. Our Divine Lord, who ‘_knew men_’ and ‘_knew_ what

was in man,’ did not rebuke, but rather utilized this taste

of man, by teaching the profoundest things of His Kingdom by

means of it. He came as close as close could be to the very

core of human life, as it was or to all time will be. While

He might have navigated Galilee in a palatial barge, borne

over be-flowered waves by perfumed breezes and golden wings,

with the aureoled spirits, ‘_who do excel in strength_,’ by

thousands, to escort Him, He chose rather to journey in an

all-winning humility, borrowing, as He had need, the old

boat of some poor Tiberian fisherman. He might have entered

Jerusalem, that last time, in an Elijah-like chariot, dazzling

the city with splendors surpassing those that the rapt John

beheld on Patmos; but the King of Glory, seeking to be the

King of all men, elected in that supreme moment to get near to

men by approaching the august courts of Herod and Caiphas, and

the commons as well, on an ass—an humble beast, and borrowed

at that. All this allegorized the condescension and sympathy

of Jehovah. The universe is full of patterns! The books of

Nature, Revelation, and Providence, having a common authority,

are constant in the use of pictured truth. Nature gives us the

dawning of light and the marshaling of order out of darkness

and chaos. There is the low earth, the high firmament, ripe

summer going down into the winding sheets of winter and up

to the resurrections of spring. Twig, flower, seed, forest;

insect that creeps, and bird that flies; the speck-life moved,

and the behemoth; the atom and the planet-system—waning and

growing, dying and living, from formlessness to beauty, from

time to eternity! Then take the inspired picture-history:

Eden’s fall, Egyptian captivity, the Red Sea passage, the

wilderness, the manna by the way, the rest by the Mount of the

Law, the entrance to the Promised Land. Lastly, the Incarnate

One, an eternal symbol, the realization and fulfillment of all

preceding. ‘Which things are an allegory,’ exclaimed Paul, with

a sweeping back-look. The three books present to the thoughtful

pictured banners innumerable, to wave him onward. This temple

is dedicated to the purpose of pointing to these pictures.

Fitly the ‘angels of the mount’ have determined to make

prominent the beautiful, patient, modest Mary, Mother of Jesus.

And to study her intelligently or profitably, it is necessary

to know her not only as an historical personage, but as one

in the cavalcade of symbolism unfolded by Sacred Writ and by

Nature. She passes by, herself every way unique, the exemplar

of God to those aspiring after gentle, devout girlhood,

pure and wise maiden-life, constant wifehood, and patient,

consecrated, and influential motherhood. Turn again to the

Divine Word, the beacon of the ages, the history of Providence,

the solver of life’s problems. It is made up of an entrancing

array of symbols, types, prophetic dramas, and gorgeously

constructed visions, constantly representing or dextrously

pointing, by countless trophies and allegories, to its Ideal

and Darling, Mary’s Son, _who ‘spoke as man never spake, yet

who without a parable spake nothing.’_ Though the literary ages

are strewn with long winrows of dead books, no work of man long

surviving the mutations of time, God’s picturesque handiwork,

the inspired volume, as potently molds the thoughts, charms

the affections and quickens the hopes of our race with its

tokens, types, idyls and illustration as it did when the earth

was younger by far than it is now. It is a living fountain,

not only giving, but retaining its immortality! It abides

because it masterfully deals with the things that pertain to

the wonderland of the soul. How necessary its methods is at

once apparent to any one who considers, discerningly, man as

a complex union of spirit and matter; wonderful forever, but

‘_very good_,’ since the All Holy, Great High Priest performed

the nuptial ceremony of that union. If there could be found a

being able to reason, as a man, who had not within himself this

unity, and who had never experienced its phenomena, such would

at once combat the possibility of its existence. Even those

so organized, and momentarily realizing the jointure of the

God-like spirit with the earthly body, the higher condescending

to and communing with the inferior, the inferior at times

over-persuading, dominating and utterly shipwrecking its great

spiritual co-partner, are compelled to admit the whole as being

a fact without parallel, alike inscrutable and bewildering. A

life-time of profoundest introspection can carry the greatest

mind, herein, only to the confines of new wonders. But the

interest in the study of the unwritten, unvoiced language of

symbolisms by which the wonderfully united twain, soul and

body, confer and commune with each other deepens with the

study. What a fine, expressive, rapid, exact, exalted language

that must be! To each well understood; without their arcana

unknown, unheard, incomprehensible. And it is of necessity

all symbol, natural, intuitive, without a single arbitrary

sign! This sign-language acts by _symbol_ in the royal temple

of memory and imagination. And so again we perceive the

representative, picturesque or typical is the medium of the

fine, the deep and the lofty in expressing truth. This is the

soul’s language, by which it communes with whatever else there

is in man, through which it receives the songs of Heaven,

and the august or tender messages of the Spirit, out of the

deathless land.

“When this sphere of ours was rolling swiftly onward through

the shadows of night, as well as swiftly downward through

darker shadows of sin, Divine love said ‘Let there be light.’

Then the hosts of heaven saw at Bethlehem a mother and babe

marking the place of world-dawn, unfolding the design of

Deity to effect redemption by touching the race of man at

infancy; the most effective because the most plastic point;

through motherhood the most influential because the tenderest

instrumentality. The never-to-be-forgotten spectacle thrilled,

with a new ecstasy, the beings of glory whose every throb

of life is joy. They tracked the heavens about with light as

they sped out to keep abreast the fleeing earth and shout over

Bethlehem, ‘Glad tidings! Glad tidings!’ They saw Eden restored

through the advent of a new, pure home; they saw a mystic

covenant between God and man typified in the child begotten of

a human mother in conjunction with the Eternal Father. By this

there seemed to be an attesting that humanity was to be raised

to Divine favor; there also was a symbol showing the value of

law; for through the incarnation, Deity, in the form of a babe,

became submissive to law administered by a mortal mother.

“He is blind who can not see in all these things God’s purpose

to elect some of His creatures to be His co-laborers in the

choicest co-operations, and also to be exemplars of what He

does and would do. These things being so, we do well to learn

the alphabet of His goodness from His elect heroes, heroines

and saints; and I proclaim to-day my innermost belief in Christ

as the argument, logic and fruit of God’s love; but, at the

same time, I praise, as one enravished, the character of her

who was God’s poem, God’s peroration! We now proclaim this

temple dedicated to the purposes of showing forth the things I

have spoken.”

The Hospitaler abruptly ceased his address, as he began it. There were

other services consisting of psalm-singing and prayers, and the service

was ended.

As the congregation dispersed, the young missioner, Cornelius, exclaimed:

“Miriamne, the Hospitaler has awakened me as from sleep by God’s truth.

Oh, the heavens are not as full of shining stars as God’s truth is full

of beauty! It seems strange that men like myself, and wiser, are so long

in bringing these things to their minds. You, my dear little mystic, are

my interpreter.

“It’s just as I told you, wife. We must go in pairs. In the Egyptian

mythologies, Osiris had his Isis, Amen-Ra his Maut, and Kneph his Sate.

Thank God I have my adolescent other self!”

“I, a woman, help you? My sex is honored by the praise. Are they worthy

of all they need? Is it madness to seek to gather all women having gifts

and needs into a helped and helping fraternity whose creed is a fine

example? If I help Cornelius, cannot a peerless one like Mary help all?”

“Pardon the thought, but one word haunts me—idolatry!”

“Impossible! We all need soul company, and have room within for such. We

must have an inner population of real heroines and heroes or be filled

with ghosts and myths. The empty soul, eaten up with self-worship, goes

mad; the myth-possessed becomes an idolater. If we harbor the God-like,

keeping the highest place for Deity, our inner selves will be no hideous

chambers of imagery, but a counterpart of heaven.”

“But some have fallen into putting Mary before Jesus, and so we’ve seen

the advent of Mariolatry.”

“But this only, and surely, here I know, no friend of the Divine Son

can dethrone Him by honoring her, aright; indeed, as He, Himself, did.

It was of Him she spoke when exclaiming: ‘_My soul doth rejoice in God

my Savior!_’ Can one truly honor Him and despise and ignore the woman

who gave Him human birth? Can one have His mind and forget her for whom

love was uppermost to Him in His supreme last hours? Can one honor her

aright, and yet dethrone the Son whom she enthroned? She bore Him, then

lived for Him. She honored herself in bearing Him, and was His mother,

His teacher and His disciple. He revered her, she worshiped Him. Awed by

His augustness, she was yet conscious of an ownership of His greatness;

believing in His divinity, she yet enjoyed the nearness to Him of a

mother.”

“I can not but believe that she is a queen, indeed, high among the

glorified who reign with God! I question again: Who ever did, or could,

become heretic or carnal by sincerely revering the peerless woman whom

Christ enthroned on His heart?”

“I know at least that the fathers at imperial and pagan Rome placed a

representation of Mary in their Pantheon when public policy made it an

imperative necessity to overthrow the influence of the lewd, fanciful and

ungodly ideals that had been set up therein,” responded Cornelius.

“The world is a Pantheon full of corrupt ideas. Let us raise high the

choice ones God has sent us—But see, yonder is the wife of a poor old

Druse camel-driver. She was once a sinner in the streets of Jerusalem.

Now she is a Sister of Bethany, allured to goodness by our Temple’s

allegories!”

“A woman that was a sinner, a scarlet woman?”

“Only such. No; all of that! One woman; a lost one? How little to man;

how much to God! Had nothing else been done, heaven would have been set

singing, as ever, over a sinner’s return. That’s reward enough for all

we’ve attempted.”

“Now I’m interested, indeed!”

“Well you may be, when you hear all. We’ve here one once a harem beauty,

who, having lost her power to fascinate, was committing her life to that

hag-cunning belonging to old women who supplement their decaying power by

wickedness, fox-like and serpentine.”

“The old, old story; yet I thank God if her life be sweetened.”

“Hers is a strange story.”

“May I know it?”

“Yes; it is, as I’ve gathered it in scraps, a sad romance. She was born

of Georgian parents, among the mountains of Armenia, and gifted, in her

youth, as are most of those of her sex in that country, with unusual

personal beauty. She early attracted the attention of the monsters

who dealt in human flesh, and a Georgian noble unrighteously claiming

her family as his serfs, bartered away Nourahmal to merchants seeking

recruits for Mameluke harems. She became, in time, part of the retinue of

a sheik by the name of Azrael, a desperate adventurer, who, on account

of his blood-deeds, was called by his followers the ‘Angel of Death,’

His luxurious and desperate way of living justified his claim to Turkish

extraction; his adroitness and avidity for intrigue stamped him as a

Mameluke.”

“Nourahmal? Azrael? Why, these must be the same of whom I’ve heard Sir

Charleroy speak?” queried Cornelius.

“The same!”

“She comes out of the past as one from the dead!”

“And her story is a series of strange events. It is as follows: Azrael

suspected her of having abetted the escape of my father and Ichabod,

therefore determined to kill her. She gained a temporary respite through

having saved her master’s life from an assassin plotting to supplant him;

though she periled her own in so doing.

“As Azrael awaited her recovery from the wounds she had suffered in

his behalf, he devised another scheme which he hoped would compass his

favorite’s destruction and his own elevation. He was ambitious to be

Sherif of Mecca. To attain that honor he saw he must needs do something

to enhance his popularity greatly with his Mohammedan followers, and so

conceived the plan of getting into his power, Harrimai of the Jews and

Adolphus of the Christians. His purpose was to rack those two leaders

into apostasy and the betrayal of their followers. Had he succeeded, the

event would have been crushing to Jews and Christians east of Jordan.

He promised Nourahmal her freedom and restoration to her Georgian home

if she aided him in his design; though he did not disclose his purpose

to her beyond that of securing the presence of Von Gombard and Harrimai

in his camp. She felt that there was some malign, hidden purpose in her

master’s breast, but deemed it expedient, at the outset, to seem to

co-operate in his plan.”

“But how was the sheik using his strategy against Nourahmal?”

“As a fiend! He, having no conception of a friendship between a man and

a woman that was pure and free from intrigue, suspected the relations

between his favorite and Ichabod. He thought the two only needed the

opportunity to precipitate into perfidy. He laid his plan darkly, and,

leaving a trusty follower to carry it out, hastened forward to Mecca.”

“But surely, Nourahmal was not what he thought her!”

“No; though training her as a plastic child, he judged she was what he

had tried to make her; at her worst she was. But let me continue. The

assault on my parents and Ichabod, on the road between Gerash and Bozrah,

was the opening of the drama. The plan then was to seize Rizpah, and

under pretense of negotiating for her ransom, inveigle Harrimai into the

hands of Azrael’s followers. Nourahmal was to aid in this by affecting

tears, pleading for pity and suggesting the sending for the girl’s

father.”

“What besetments perilous we pass through, all unknown to us! Harrimai

and your parents, to their death, never suspected the devices worked

against them!”

“Nor dreamed that a harem favorite, a mere girl, and an utter stranger to

them, was their good angel!”

“Good angel! How?”

“She witnessed the assault from behind a sequestering wall, in company

with a follower of the sheik, commissioned to kill her instantly if she

faltered in the part appointed her. This infernal guard was also charged

to insinuate into her mind the feasibility of elopement with Ichabod. If

she could be compromised, Azrael knew he could justify her death to those

who remembered her heroic defense of himself. That was to follow as soon

as she had done her part in inveigling Harrimai to Azrael’s camp.”

“A demonstration of a personal devil, Miriamne.”

“I’d say rather of an overruling God.”

“How fared Nourahmal after Azrael’s chagrin?”

“Cornelius anticipates me. When she saw Ichabod fall, a sudden desire

for liberty for herself and to help the imperiled Rizpah, prompted her

to drive a dagger into the heart of her guard and cry, ‘Rescuers come!’

That cry drove the remnants of the assailers of Sir Charleroy to sudden

flight. She asserted to the fugitives that Laconic, the new runner, just

passing, had slain her guard, and so allayed suspicion until opportunity

of escape came. She soon made her way to Bozrah, where she found among

the Christians a temporary home. From thence she drifted into Jerusalem.”

“’Twas strange she did not turn toward Gerash.”

“I said as much to her, but desire to get as far as possible from

Azrael, and as near as possible to the Holy City, of which Ichabod had

so glowingly spoken to her, determined her course; besides that, Ichabod

being dead, Gerash was a strange place to her—Jerusalem seemed to her,

she said, near heaven.”

“Had she only known it, she was near heaven in Bozrah, being near Von

Gombard.”

“Her story weaves a chaplet for his tomb to-day; for now it appears that

from Nourahmal the old priest foreknew the intention of those Saracens,

who assailed the city that day I was with him. Though they designed

capturing him to put him on the rack, he rushed into the conflict,

crying, ‘Kill the foe with kindness!’ The assault would have been fatal

to Bozrah, too, had not the leader of one of the invading bands ordered

a retreat, just at the point of victory. This was indirectly Nourahmal’s

work; for that leader had been won by her to esteem Christians far enough

to be unwilling to murder them, though not adverse to plundering them.

That was a great improvement in a Mohammedan.”

“And Nourahmal knows from you that you are Sir Charleroy’s daughter?”

“Yes, by that I won her confidence. Indeed, she began this confidence at

first, by saying, ‘I love you, because you so remind me, angel of the

mount, of a Christian knight, who was the dear friend of the only pure

and unselfish man I knew in all my youth! Such words led to questions

and explanations. The rest you know.”

“And you have allured, comforted and enlightened her?”

“By God’s help, I have. I have told her of the universal sisterhood, of

all women, who take as their exemplar the worthy mother of the One who

proclaimed the universal brotherhood of man. This knowledge is her joy

and inspiration. When I am with her, she never tires of hearing of the

‘Queen of David’s House,’ the mother of mothers.”

“But how have you allured her hither, Miriamne?”

“You have questioned curiously with your eyes, at least, concerning those

gated alcoves and curtained balconies in our Temple of Allegory. They

helped her!”

“Since you say they are not ‘Confessionals,’ as I call them, tell me what

they are?”

“‘Rock clefts’ our sisterhood calls them; some are doors to little

adjacent chapels; some are quiet resting places, where, in impressive

solitude, souls in prayer may find the mountain manna, for which the

Savior sought in many a lone night-watching; and some are places where

are presented, under entrancing symbols, exalting truths.”

“Words have failed to turn the world to faith: may signs do better.”

“I’ve put truth into visible form, that they who get it here may learn

that truth thus is only up to its full might. I’d have my followers

believe in visible, not phantom, truth; so believing, truth will not be a

ghostly proclamation, the toy of the mind, but a force moving hands and

hearts!”

“And you have met Nourahmal’s case?”

“Yes; fully in what we call the ‘Lover’s Bower,’ yonder. Remember she has

been the victim of mock love, from first to last.”

“The ‘Lover’s Bower’?”

“Behold the trophy and the bower! There is Nourahmal, now rapturously

contemplating the picture of Joseph putting the ring of espousal on the

hand of the Virgin Mary.”

“Nourahmal? That gray-haired, hard-faced woman, holding the hand of a

charming girl?”

“That is Nourahmal; the younger woman is Beulah, her grand-daughter; they

two are almost inseparable now.”

“An oleander by a limestone cliff! And so she takes her station by a

scene of betrothal, forgetting that hymen’s altars can be fired by youth

alone!”

“The world says so; but yet a disappointed life may sometimes learn why

it has been a failure, by studying the ashes of time gone in the light of

quickened memories.”

“What finds Nourahmal there?”

“Golden lessons. First for her grand-daughter, her idol. She never tires

of saying before yon picture to that maiden now her charge: ‘My flower,

my lamb, be always as pure as the espoused of Joseph, and you will be a

jewel which your husband, if he be a true man, will ever proudly wear on

as his heart. My flower, my lamb, no woman should leave all for any man,

unless she is certain of finding in him father, mother, brother, sister,

companion, as Mary found in Joseph!’”

“But how did these things bless Nourahmal herself?”

“Love counterfeited, blasted her life. She believed that it was only

gross passion masquerading in attractive, delusive colors. So believing,

it was difficult to tell her of the Love of God so she could realize

its wealth. Love was only great selfishness, excited and persistent, to

her mind. It was something to teach her that the genuine affection was

utterly otherwise; in fact the foundation and crown of all the noblest

sentiments implanted by God in His choicest creations.

“I have sought to allegorize here, true affection in all its perfection.

It seems to be fitting to do so, for my ideal queen was ruled by it. She

never could have loved to the depths she did, as a mother, if she had

not had within her being all the possibilities of woman’s love. And in

a rightly balanced woman love is all-impressive, all-controlling; with

her worship is loving and loving is worship. Here I shall seek to refine

that sentiment in the hearts of my sisters until each becomes an evangel

in its behalf. Then mankind will understand the wealth a woman bestows

on the man that wins her. There is nothing in her career that surpasses

it, except that sovereign act wherein she lays herself a convert on God’s

altar. I am seeking to exalt this sacred act, the loving of the gentler

sex, until all men, brought to revere it as they ought, shall become true

knights; until society shall be of one mind in crying traitor to every

man that contemns it in wedlock, and ready to lash naked around the world

every betrayer who awakens it in innocency to lead it astray.”

“I can only again exclaim, oh! how full of flowers and honey is my

Miriamne’s creed and gospel!”

“And the churchman so exclaims because I’ve put love where God put it, at

the front of religion’s cohorts! Can there be a religion worth the name

that does not masterfully meet the requirements of the relations most

sacred between human beings?”

As she spoke she led her husband under the splendid painting of Joseph

espousing Mary, toward the entrance of the bower, remarking: “This

vestibule, from the Roman word Vesta, Goddess of Purity, is suggestive.

Rome placed Vesta among the household gods, and was wont to have an altar

at every outer door. If Purity guard the door, Light and Love will dwell

within. See the laurel, emblem of victory, as the ancients put it by

Purity’s altar; so do I. Love, when pure, is all-victorious!”

“Miriamne, these old truths seem to me very charming as you now present

them; but can Nourahmal and others like her enter into their meaning?”

“A pious saint of our church says that the star which guided to Bethlehem

finally sank into a spring, where it may be yet seen by women if they be

pure.”

As they thus communed he passed through an arched doorway, and was

admitted to a grand court, three sides of which were inclosed by

the temple and two of its wings, the fourth side hedged by palms,

vine-interlaced. The sky was the roof, the carpet the floor of that

country. Just in front of the palm-hedge, on a grassy hillock,

conspicuous beyond all else, was a colossal stone face. It seemed as if

it had emerged from the earth, bald of all life—desolation expressed in

mute stone.

“Astarte here!” exclaimed Cornelius.

“Yes; that’s part of my Bashan inheritance, from Kunawat, the land of

Job.”

“A woman and a devil beset him; (the two are in this face, methinks).

Its hideousness, as its import, seems inappropriate in Love’s Bower.”

“Yes, ’tis hideous now, though once the face had beauty. It is not futile

for young-love to remember that time gouges deformity into beautifulness,

nor for all to remember how the Kings of the East in Moses’ time

overthrew the Rephaim, the fallen giant followers of the goddess. The

East is the home of light, and light is fateful to evil lives. Where are

the Astarte-devotees now?”

As the man listened his eyes wandered to the place where the palm grove

came up against the temple wing, and there he observed a purling ribband

of water.

“Cornelius sees my poem of silver. It comes from a grove of cedars and

sharon roses, out of a spring in the bosom of a hill. Look the other way.

It passes under the alcove, under the temple wall; a short, dark passage

brings it to liberty, ending in the Virgin’s Pool of Kidron. The sun

allures it up to the clouds at last. But listen; it sings as it runs!”

“I hear many blending melodies.”

“Do you see that canopied dais? There the instructor, or preacher if you

will, stands. The stream passes near it, getting impulse by a fall; true

love is speeded when it runs by truth. That’s my lesson. Then there are

Æolian harps this side and that of the dark alcove, the latter the type

of the tomb.”

“But why?”

“True love has music both sides of the grave.”

“Mystic!”

“Interpreter, say.”

“But I hear the songs of birds?”

“There they are, this side the dark exit: but in a cage, supported above

the current by an hour-glass and sickle.”

“Grim emblems.”

“Yes; but it’s a grim truth that love’s joy notes here are caged,

hampered and transitory. The hour-glass and sickle are, when those notes

are sung, ever.

“Look to the West.”

“I look, and see nothing but the picture of a sunset.”

“Yes, and that curtains the ‘Rest of the Aged’ in our temple.”

“But whither am I led by these words?”

“Led to look toward sunset, for morning, by faith. You remember the

Christ was never old; neither are they who draw their life from Him. The

‘Ancient of Days’ not only has, but gives, eternal youth. Oh, there were

young men at His sepulcher; yet those angels could count their years

by centuries! Let the hour-glass make record and the sickle reap; the

passion flower recalls a vernal life, where the oldest saints are the

youngest, where all existence is growth, refreshment, glory, exultation!

There, love is law and law is love, and to love is to live and to live is

to love. We get a breath of this life here as we enter the vicinage of

the immortal pair, Jesus and Mary; and we get a distant view of the whole

from the mountains of the gospel.”

“I believe, and yet sometimes start back at the question, ‘What if, after

all, at the end almost of eternities there come monotony, decadence,

satiety—death?’ Next after hell, and nigh as horrible, is annihilation;

and worst of all, eternal existence with nothing for which to strive—a

living death!”

“They say, that in Egypt, a palm bowed to give shade to the mother, Mary;

while the aspen refused to her any comfort. Then Christ blessed the palm

and it became the fruitful evergreen, while the aspen leaf is fated to

the end of time by constant tremblings to betoken the agues of a cursed

life. But, under the sun in submission, our aspen lives are turned to

palms! We, having His life, need never tremble at death, for we shall

ever throb with a loving like His.”

“But there are many conditions and needs to womankind. Let us speak of

these, since the present is hers, the future God’s.”

“The knights vainly tried swords; my King promised to draw all men to

Himself. You told me how Sir Galahad, the pure knight, had made, about

the Holy Grail, when he found it, a chest of precious stones and gold.

Now, I’ve found the virgin pattern of perfection, representative of the

human-like beating heart of God. Here I’ve set her, exalted her. This

shall be her golden precious palace. Though dead, here shall be presented

in the grandeur of her character, the sweetness of her power. By and by,

it may come about that all mankind akin, shall make it the chief duty of

Church and State, to care, with a loyal tenderness, for all women, all

children, from first and last; that not one such shall be left miserable.

That will be the world obeying the Crucified’s, ‘Behold thy mother.’”

Mary: The Queen of the House of David and Mother of Jesus The Story of Her Life · 第 38 / 43 章