One of the oldest and best-known Banshee stories is that related in the

_Memoirs_ of Lady Fanshaw.[F] In 1642 her husband, Sir Richard, and she

chanced to visit a friend, the head of an Irish sept, who resided in his

ancient baronial castle, surrounded with a moat. At midnight she was

awakened by a ghastly and supernatural scream, and looking out of bed,

beheld in the moonlight a female face and part of the form hovering at

the window. The distance from the ground, as well as the circumstance of

the moat, excluded the possibility that what she beheld was of this

world. The face was that of a young and rather handsome woman, but pale,

and the hair, which was reddish, was loose and disheveled. The dress,

which Lady Fanshaw's terror did not prevent her remarking accurately,

was that of the ancient Irish. This apparition continued to exhibit

itself for some time, and then vanished with two shrieks similar to that

which had first excited Lady Fanshaw's attention. In the morning, with

infinite terror, she communicated to her host what she had witnessed,

and found him prepared not only to credit, but to account for the

superstition. "A near relation of my family," said he; "expired last

night in this castle. We disguised our certain expectation of the event

from you, lest it should throw a cloud over the cheerful reception which

was your due. Now, before such an event happens in this family or

castle, the female specter whom you have seen is always visible. She is

believed to be the spirit of a woman of inferior rank, whom one of my

ancestors degraded himself by marrying, and whom afterwards, to expiate

the dishonor done to his family, he caused to be drowned in the moat."

In strictness this woman could hardly be termed a Banshee. The motive

for the haunting is akin to that in the tale of the Scotch "Drummer of

Cortachy," where the spirit of the murdered man haunts the family out of

revenge, and appears before a death.

Mr. T.J. Westropp, M.A., has furnished the following story: "My maternal

grandmother heard the following tradition from her mother, one of the

Miss Ross-Lewins, who witnessed the occurrence. Their father, Mr.

Harrison Ross-Lewin, was away in Dublin on law business, and in his

absence the young people went off to spend the evening with a friend who

lived some miles away. The night was fine and lightsome as they were

returning, save at one point where the road ran between trees or high

hedges not far to the west of the old church of Kilchrist. The latter,

like many similar ruins, was a simple oblong building, with long

side-walls and high gables, and at that time it and its graveyard were

unenclosed, and lay in the open fields. As the party passed down the

long dark lane they suddenly heard in the distance loud keening and

clapping of hands, as the country-people were accustomed to do when

lamenting the dead. The Ross-Lewins hurried on, and came in sight of the

church, on the side wall of which a little gray-haired old woman, clad

in a dark cloak, was running to and fro, chanting and wailing, and

throwing up her arms. The girls were very frightened, but the young men

ran forward and surrounded the ruin, and two of them went into the

church, the apparition vanishing from the wall as they did so. They

searched every nook, and found no one, nor did any one pass out. All

were now well scared, and got home as fast as possible. On reaching

their home their mother opened the door, and at once told them that she

was in terror about their father, for, as she sat looking out the window

in the moonlight, a huge raven with fiery eyes lit on the sill, and

tapped three times on the glass. They told her their story, which only

added to their anxiety, and as they stood talking, taps came to the

nearest window, and they saw the bird again. A few days later news

reached them that Mr. Ross-Lewin had died suddenly in Dublin. This

occurred about 1776."

Mr. Westropp also writes that the sister of a former Roman Catholic

Bishop told his sisters that when she was a little girl she went out

one evening with some other children for a walk. Going down the road,

they passed the gate of the principal demesne near the town. There was a

rock, or large stone, beside the road, on which they saw something.

Going nearer, they perceived it to be a little dark, old woman, who

began crying and clapping her hands. Some of them attempted to speak to

her, but got frightened, and all finally ran home as quickly as they

could. Next day the news came that the gentleman near whose gate the

Banshee had cried, was dead, and it was found on inquiry that he had

died at the very hour at which the children had seen the specter.

A lady who is a relation of one of the compilers, and a member of a Co.

Cork family of English descent, sends the two following experiences of a

Banshee in her family. "My mother, when a young girl, was standing

looking out of the window in their house at Blackrock, near Cork. She

suddenly saw a white figure standing on a bridge which was easily

visible from the house. The figure waved her arms towards the house, and

my mother heard the bitter wailing of the Banshee. It lasted some

seconds, and then the figure disappeared. Next morning my grandfather

was walking as usual into the city of Cork. He accidentally fell, hit

his head against the curbstone, and never recovered consciousness.

"In March, 1900, my mother was very ill, and one evening the nurse and I

were with her arranging her bed. We suddenly heard the most extraordinary

wailing, which seemed to come in waves round and under her bed. We

naturally looked everywhere to try and find the cause, but in vain. The

nurse and I looked at one another, but made no remark, as my mother did

not seem to hear it. My sister was downstairs sitting with my father.

She heard it, and thought some terrible thing had happened to her little

boy, who was in bed upstairs. She rushed up, and found him sleeping

quietly. My father did not hear it. In the house next door they heard

it, and ran downstairs, thinking something had happened to the servant;

but the latter at once said to them, 'Did you hear the Banshee? Mrs.

P---- must be dying.'"

A few years ago (_i.e._ before 1894) a curious incident occurred in a

public school in connection with the belief in the Banshee. One of the

boys, happening to become ill, was at once placed in a room by himself,

where he used to sit all day. On one occasion, as he was being visited

by the doctor, he suddenly started up from his seat, and affirmed that

he heard somebody crying. The doctor, of course, who could hear or see

nothing, came to the conclusion that the illness had slightly affected

his brain. However, the boy, who appeared quite sensible, still

persisted that he heard some one crying, and furthermore said, "It is

the Banshee, as I have heard it before." The following morning the

head-master received a telegram saying that the boy's brother had been

accidentally shot dead.[G]

That the Banshee is not confined within the geographical limits of

Ireland, but that she can follow the fortunes of a family abroad, and

there foretell their death, is clearly shown by the following story. A

party of visitors were gathered together on the deck of a private yacht

on one of the Italian lakes, and during a lull in the conversation one

of them, a Colonel, said to the owner, "Count, who's that queer-looking

woman you have on board?" The Count replied that there was nobody except

the ladies present, and the stewardess, but the speaker protested that

he was correct, and suddenly, with a scream of horror, he placed his

hands before his eyes, and exclaimed, "Oh, my God, what a face!" For

some time he was overcome with terror, and at length reluctantly looked

up, and cried:

"Thank Heavens, it's gone!"

"What was it?" asked the Count.

"Nothing human," replied the Colonel--"nothing belonging to this world.

It was a woman of no earthly type, with a queer-shaped, gleaming face, a

mass of red hair, and eyes that would have been beautiful but for their

expression, which was hellish. She had on a green hood, after the

fashion of an Irish peasant."

An American lady present suggested that the description tallied with

that of the Banshee, upon which the Count said:

"I am an O'Neill--at least I am descended from one. My family name is,

as you know, Neilsini, which, little more than a century ago, was

O'Neill. My great-grandfather served in the Irish Brigade, and on its

dissolution at the time of the French Revolution had the good fortune to

escape the general massacre of officers, and in company with an O'Brien

and a Maguire fled across the frontier and settled in Italy. On his

death his son, who had been born in Italy, and was far more Italian than

Irish, changed his name to Neilsini, by which name the family has been

known ever since. But for all that we are Irish."

"The Banshee was yours, then!" ejaculated the Colonel. "What exactly

does it mean?"

"It means," the Count replied solemnly, "the death of some one very

nearly associated with me. Pray Heaven it is not my wife or daughter."

On that score, however, his anxiety was speedily removed, for within two

hours he was seized with a violent attack of angina pectoris, and died

before morning.[H]

Mr. Elliott O'Donnell, to whose article on "Banshees" we are indebted

for the above, adds: "The Banshee never manifests itself to the person

whose death it is prognosticating. Other people may see or hear it, but

the fated one never, so that when every one present is aware of it but

one, the fate of that one may be regarded as pretty well certain."

FOOTNOTES:

[E] From "True Irish Ghost Stories."

[F] Scott's _Lady of the Lake_, notes to Canto III (edition of 1811).

[G] A.G. Bradley, _Notes on some Irish Superstitions_, p. 9.

[H] _Occult Review_ for September, 1913.

THE MAN WHO WENT TOO FAR

BY E.F. BENSON

The little village of St. Faith's nestles in a hollow of wooded hill up

on the north bank of the river Fawn in the county of Hampshire, huddling

close round its gray Norman church as if for spiritual protection

against the fays and fairies, the trolls and "little people," who might

be supposed still to linger in the vast empty spaces of the New Forest,

and to come after dusk and do their doubtful businesses. Once outside

the hamlet you may walk in any direction (so long as you avoid the high

road which leads to Brockenhurst) for the length of a summer afternoon

without seeing sign of human habitation, or possibly even catching sight

of another human being. Shaggy wild ponies may stop their feeding for a

moment as you pass, the white scuts of rabbits will vanish into their

burrows, a brown viper perhaps will glide from your path into a clump of

heather, and unseen birds will chuckle in the bushes, but it may easily

happen that for a long day you will see nothing human. But you will not

feel in the least lonely; in summer, at any rate, the sunlight will be

gay with butterflies, and the air thick with all those woodland sounds

which like instruments in an orchestra combine to play the great

symphony of the yearly festival of June. Winds whisper in the birches,

and sigh among the firs; bees are busy with their redolent labor among

the heather, a myriad birds chirp in the green temples of the forest

trees, and the voice of the river prattling over stony places, bubbling

into pools, chuckling and gulping round corners, gives you the sense

that many presences and companions are near at hand.

Yet, oddly enough, though one would have thought that these benign and

cheerful influences of wholesome air and spaciousness of forest were

very healthful comrades for a man, in so far as nature can really

influence this wonderful human genus which has in these centuries

learned to defy her most violent storms in its well-established houses,

to bridle her torrents and make them light its streets, to tunnel her

mountains and plow her seas, the inhabitants of St. Faith's will not

willingly venture into the forest after dark. For in spite of the

silence and loneliness of the hooded night it seems that a man is not

sure in what company he may suddenly find himself, and though it is

difficult to get from these villagers any very clear story of occult

appearances, the feeling is widespread. One story indeed I have heard

with some definiteness, the tale of a monstrous goat that has been seen

to skip with hellish glee about the woods and shady places, and this

perhaps is connected with the story which I have here attempted to piece

together. It too is well-known to them; for all remember the young

artist who died here not long ago, a young man, or so he struck the

beholder, of great personal beauty, with something about him that made

men's faces to smile and brighten when they looked on him. His ghost

they will tell you "walks" constantly by the stream and through the

woods which he loved so, and in especial it haunts a certain house, the

last of the village, where he lived, and its garden in which he was done

to death. For my part I am inclined to think that the terror of the

Forest dates chiefly from that day. So, such as the story is, I have set

it forth in connected form. It is based partly on the accounts of the

villagers, but mainly on that of Darcy, a friend of mine and a friend of

the man with whom these events were chiefly concerned.

* * * * *

The day had been one of untarnished midsummer splendor, and as the sun

drew near to its setting, the glory of the evening grew every moment

more crystalline, more miraculous. Westward from St. Faith's the

beechwood which stretched for some miles toward the heathery upland

beyond already cast its veil of clear shadow over the red roofs of the

village, but the spire of the gray church, over-topping all, still

pointed a flaming orange finger into the sky. The river Fawn, which runs

below, lay in sheets of sky-reflected blue, and wound its dreamy devious

course round the edge of this wood, where a rough two-planked bridge

crossed from the bottom of the garden of the last house in the village,

and communicated by means of a little wicker gate with the wood itself.

Then once out of the shadow of the wood the stream lay in flaming pools

of the molten crimson of the sunset, and lost itself in the haze of

woodland distances.

This house at the end of the village stood outside the shadow, and the

lawn which sloped down to the river was still flecked with sunlight.

Garden-beds of dazzling color lined its gravel walks, and down the

middle of it ran a brick pergola, half-hidden in clusters of

rambler-rose and purple with starry clematis. At the bottom end of it,

between two of its pillars, was slung a hammock containing a

shirt-sleeved figure.

The house itself lay somewhat remote from the rest of the village, and a

footpath leading across two fields, now tall and fragrant with hay, was

its only communication with the high road. It was low-built, only two

stories in height, and like the garden, its walls were a mass of

flowering roses. A narrow stone terrace ran along the garden front, over

which was stretched an awning, and on the terrace a young silent-footed

man-servant was busied with the laying of the table for dinner. He was

neat-handed and quick with his job, and having finished it he went back

into the house, and reappeared again with a large rough bath-towel on

his arm. With this he went to the hammock in the pergola.

"Nearly eight, sir," he said.

"Has Mr. Darcy come yet?" asked a voice from the hammock.

"No, sir."

"If I'm not back when he comes, tell him that I'm just having a bathe

before dinner."

The servant went back to the house, and after a moment or two Frank

Halton struggled to a sitting posture, and slipped out on to the grass.

He was of medium height and rather slender in build, but the supple ease

and grace of his movements gave the impression of great physical

strength: even his descent from the hammock was not an awkward

performance. His face and hands were of very dark complexion, either

from constant exposure to wind and sun, or, as his black hair and dark

eyes tended to show, from some strain of southern blood. His head was

small, his face of an exquisite beauty of modeling, while the smoothness

of its contour would have led you to believe that he was a beardless lad

still in his teens. But something, some look which living and experience

alone can give, seemed to contradict that, and finding yourself

completely puzzled as to his age, you would next moment probably cease

to think about that, and only look at this glorious specimen of young

manhood with wondering satisfaction.

He was dressed as became the season and the heat, and wore only a shirt

open at the neck, and a pair of flannel trousers. His head, covered very

thickly with a somewhat rebellious crop of short curly hair, was bare as

he strolled across the lawn to the bathing-place that lay below. Then

for a moment there was silence, then the sound of splashed and divided

waters, and presently after, a great shout of ecstatic joy, as he swam

up-stream with the foamed water standing in a frill round his neck. Then

after some five minutes of limb-stretching struggle with the flood, he

turned over on his back, and with arms thrown wide, floated down-stream,

ripple-cradled and inert. His eyes were shut, and between half-parted

lips he talked gently to himself.

"I am one with it," he said to himself, "the river and I, I and the

river. The coolness and splash of it is I, and the water-herbs that wave

in it are I also. And my strength and my limbs are not mine but the

river's. It is all one, all one, dear Fawn."

* * * * *

A quarter of an hour later he appeared again at the bottom of the lawn,

dressed as before, his wet hair already drying into its crisp short

curls again. There he paused a moment, looking back at the stream with

the smile with which men look on the face of a friend, then turned

towards the house. Simultaneously his servant came to the door leading

on to the terrace, followed by a man who appeared to be some half-way

through the fourth decade of his years. Frank and he saw each other

across the bushes and garden-beds, and each quickening his step, they

met suddenly face to face round an angle of the garden walk, in the

fragrance of syringa.

"My dear Darcy," cried Frank, "I am charmed to see you."

But the other stared at him in amazement.

"Frank!" he exclaimed.

"Yes, that is my name," he said laughing, "what is the matter?"

Darcy took his hand.

"What have you done to yourself?" he asked. "You are a boy again."

"Ah, I have a lot to tell you," said Frank. "Lots that you will hardly

believe, but I shall convince you----"

He broke off suddenly, and held up his hand.

"Hush, there is my nightingale," he said.

The smile of recognition and welcome with which he had greeted his

friend faded from his face, and a look of rapt wonder took its place, as

of a lover listening to the voice of his beloved. His mouth parted

slightly, showing the white line of teeth, and his eyes looked out and

out till they seemed to Darcy to be focused on things beyond the vision

of man. Then something perhaps startled the bird, for the song ceased.

"Yes, lots to tell you," he said. "Really I am delighted to see you. But

you look rather white and pulled down; no wonder after that fever. And

there is to be no nonsense about this visit. It is June now, you stop

here till you are fit to begin work again. Two months at least."

"Ah, I can't trespass quite to that extent."

Frank took his arm and walked him down the grass.

"Trespass? Who talks of trespass? I shall tell you quite openly when I

am tired of you, but you know when we had the studio together, we used

not to bore each other. However, it is ill talking of going away on the

moment of your arrival. Just a stroll to the river, and then it will be

dinner-time."

Darcy took out his cigarette case, and offered it to the other.

Frank laughed.

"No, not for me. Dear me, I suppose I used to smoke once. How very odd!"

"Given it up?"

"I don't know. I suppose I must have. Anyhow I don't do it now. I would

as soon think of eating meat."

"Another victim on the smoking altar of vegetarianism?"

"Victim?" asked Frank. "Do I strike you as such?"

He paused on the margin of the stream and whistled softly. Next moment a

moor-hen made its splashing flight across the river, and ran up the

bank. Frank took it very gently in his hands and stroked its head, as

the creature lay against his shirt.

"And is the house among the reeds still secure?" he half-crooned to it.

"And is the missus quite well, and are the neighbors flourishing? There,

dear, home with you," and he flung it into the air.

"That bird's very tame," said Darcy, slightly bewildered.

"It is rather," said Frank, following its flight.

* * * * *

During dinner Frank chiefly occupied himself in bringing himself

up-to-date in the movements and achievements of this old friend whom he

had not seen for six years. Those six years, it now appeared, had been

full of incident and success for Darcy; he had made a name for himself

as a portrait painter which bade fair to outlast the vogue of a couple

of seasons, and his leisure time had been brief. Then some four months

previously he had been through a severe attack of typhoid, the result of

which as concerns this story was that he had come down to this

sequestered place to recruit.

"Yes, you've got on," said Frank at the end. "I always knew you would.

A.R.A. with more in prospect. Money? You roll in it, I suppose, and, O

Darcy, how much happiness have you had all these years? That is the only

imperishable possession. And how much have you learned? Oh, I don't mean

in Art. Even I could have done well in that."

Darcy laughed.

"Done well? My dear fellow, all I have learned in these six years you

knew, so to speak, in your cradle. Your old pictures fetch huge prices.

Do you never paint now?"

Frank shook his head.

"No, I'm too busy," he said.

"Doing what? Please tell me. That is what every one is for ever asking

me."

"Doing? I suppose you would say I do nothing."

Darcy glanced up at the brilliant young face opposite him.

"It seems to suit you, that way of being busy," he said. "Now, it's your

turn. Do you read? Do you study? I remember you saying that it would do

us all--all us artists, I mean--a great deal of good if we would study

any one human face carefully for a year, without recording a line. Have

you been doing that?"

Frank shook his head again.

"I mean exactly what I say," he said, "I have been _doing_ nothing. And

I have never been so occupied. Look at me; have I not done something to

myself to begin with?"

"You are two years younger than I," said Darcy, "at least you used to

be. You therefore are thirty-five. But had I never seen you before I

should say you were just twenty. But was it worth while to spend six

years of greatly-occupied life in order to look twenty? Seems rather

like a woman of fashion."

Frank laughed boisterously.

"First time I've ever been compared to that particular bird of prey," he

said. "No, that has not been my occupation--in fact I am only very

rarely conscious that one effect of my occupation has been that. Of

course, it must have been if one comes to think of it. It is not very

important. Quite true my body has become young. But that is very little;

I have become young."

Darcy pushed back his chair and sat sideways to the table looking at the

other.

"Has that been your occupation then?" he asked.

"Yes, that anyhow is one aspect of it. Think what youth means! It is the

capacity for growth, mind, body, spirit, all grow, all get stronger, all

have a fuller, firmer life every day. That is something, considering

that every day that passes after the ordinary man reaches the

full-blown flower of his strength, weakens his hold on life. A man

reaches his prime, and remains, we say, in his prime, for ten years, or

perhaps twenty. But after his primest prime is reached, he slowly,

insensibly weakens. These are the signs of age in you, in your body, in

your art probably, in your mind. You are less electric than you were.

But I, when I reach my prime--I am nearing it--ah, you shall see."

The stars had begun to appear in the blue velvet of the sky, and to the

east the horizon seen above the black silhouette of the village was

growing dove-colored with the approach of moon-rise. White moths hovered

dimly over the garden-beds, and the footsteps of night tip-toed through

the bushes. Suddenly Frank rose.

"Ah, it is the supreme moment," he said softly. "Now more than at any

other time the current of life, the eternal imperishable current runs so

close to me that I am almost enveloped in it. Be silent a minute."

The Best Ghost Stories · 第 7 / 18 段