the passengers when a deep-mouthed siren called the parting moment; and
at the last, the native orchestra, descending the gangway, joined with
the wind instruments in Queen Liliuokalani’s own song, tenderest of
farewells and hopes for a returning, “Aloha Oe.” The human being did not
live whose heart was not conscious of a nameless longing for he knew not
what. One ached with burden of all the good-bys that ever were and ever
will be, of all the sailings of all the ships of all the world.
“O warp her out with garlands from the quays,”
went through my mind when the vessel glided slowly past the wharf, and
the ropes of living blossoms and network of wild-hued serpentine parted
and fell into the water. Flowers filled the air as they were tossed to
and from the gay decks of the ship, many falling into the stream, until
she moved upon a gorgeous tapestry that clung to her forefoot.
As the huge black transport cleared, suddenly her surface seemed flying
to pieces. A perfect fusillade of small dark objects in human form
sprang from her sides, rails, rigging, from every height of ringbolt and
sill, and disappeared in almost unrippling dives through the swirling
blossomy carpet of the harbor.
“Look—look at them!” Jack cried, incoherent with the excitement of his
joy in the kanaka imps who entered the water so perfectly and came up
shaking petals from their curly heads, white teeth flashing, their child
faces eloquent with expectation of a lucrative shower from the
passengers. A bountiful hour it was for them, and little their bright
eyes and brown hands lost of the copper and silver disks that slowly
angled through the bubbling flood. We wished we were down there with
them, for it is great fun to pick a coin from the deep as it filters
down with a short, tipping motion.
“Do you wish you were aboard, going back?” Jack asked, as we turned for
the last time to look at the diminishing bulk of the ship, bannered with
scarves and handkerchiefs and serpentine. I did not. I want to go home
only from east to west.
Such content is ours here at Waikiki, that it is a shame to press it all
into one life, for it could be spread over several incarnations. We
sleep like babies, in the salt night airs wafting through mosquito
canopies. Before breakfast, it is into the blissful warm tide, diving
through bubbling combers, coming up eyes level with tiny sails of
fishermen beyond the barrier reef. All hours one hears the steady,
gentle boom and splash of the surf—not the disturbing, ominous gnashing
and roaring of the Pacific Coast rollers, nor the carnivorous growlings
off the rock-jagged line of New England. And under sun or moon, it is
all a piece of beauty. Toward Diamond Head, when the south wind drives,
swift breakers, like endless charges of white cavalry, leap and surge
shoreward, flinging back long silver manes. The thrill of these landward
races never palls at Waikiki. One seems to vision Pharaoh’s Horses in
mighty contest with backwashing waters, arriving nowhere, dying and
melting impotent upon the sand.
Jack, to whom beauty is never marred by knowledge of its why and
wherefore, has explained to me the physics of a breaking wave.
“A wave is a communicated agitation,” he says. “The water that composes
a wave really does not move. If it moved, when you drop a stone in a
pool and the ripples widen in an increasing circle, there should be at
the center an increasing hole. So the water in the body of a wave is
stationary. If you observe a portion of the ocean’s surface, you will
see that the same water rises and falls endlessly to the agitation
communicated by endless successive waves. Then picture this communicated
agitation moving toward shore. As the land shoals, the bottom of the
wave hits first and is stopped. Water is fluid, and the upper part of
the wave not having been stopped, it keeps on communicating its
agitation, and moves on shoreward. Ergo,” says he, “something is bound
to be doing when the top of a wave keeps on after the bottom has
stopped, dropped out from under. Of course, the wave-top starts to fall,
forward, down, cresting, overcurling, and crashing. So, don’t you see?
don’t you see?” he warms to his illustration, “it is actually the bottom
of the wave striking against the rising land that causes the surf! And
where the land shoals gradually, as inside this barrier reef at Waikiki,
the rising of the undulating water is as gradual, and a ride of a
quarter of a mile or more can be made shoreward on the cascading face of
a wave.”
Alexander Hume Ford, true to promise, appeared to-day with an enormous
surf-board, made fun of the small ones that had been lent us, and we
went down to the sea to learn something of _hee-nalu_, sport of Hawaiian
kings. The only endeavor of fish, flesh, and fowl, which Mr. Ford seems
not to have partially compassed, is that of the feathered
tribe—undoubtedly from lack of time, for his energy and ambition seem
tireless enough even to grow feathers. Jack, who seldom stops short of
what he wants to accomplish, finds this man most stimulating in an
unselfish enthusiasm to revive neglected customs of elder islands days,
for the benefit of Hawaii and her advertisement to the world. Although
we have seen a number of natives riding the breakers, face downward, and
even standing upright, almost no white men appear to be expert. Mr.
Ford, born genius of pioneering and promoting, swears he is going to
make this islands pastime one of the most popular on earth, and judging
by his personal valor, he cannot fail.
The thick board, somewhat coffin-shaped, with rounded ends, should be
over six feet long. This plank is floated out to the breaking water,
which can be done either wading alongside or lying face-downward
paddling; and there you wait for the right wave. When you see it coming,
stand ready to launch the board on the gathering slope, spring upon it,
and—keep on going if you can. Lie flat on your chest, hands grasping
the sides of the large end of the heavy timber, and steer with your
feet. The expert, having gauged the right speed, rises cautiously to his
knees, to full stature, and then, erect with feet in the churning foam,
makes straight for the beach, rides up the sparkling incline, and steps
easily from his grounded sea-car.
A brisk breeze this afternoon, with a rising surf, brought out the best
men, and we saw some splendid natives at close range, who took our
breath away with their reckless, beautiful performance. One, George
Freeth, who is only one quarter Hawaiian, is accounted the best
surf-board rider and swimmer in Honolulu.
When a gloriously bodied Hawaiian, naked but for a loin-cloth carved
against his shining bronze, takes form like a miracle in the
down-rushing smother of a breaking wave, arms outstretched and heels
winged with backward-streaming spray, you watch, stricken of speech. It
is not the sheer physical splendor of the thing that so moves one, for,
lighting and informing this, is an all dominating spirit of joyful
fearlessness and freedom that manifests an almost visible soul, and
lends a slow thrilling of awe to one’s contemplation of the beauty and
wonder of the human. What was it an old Attic philosopher exclaimed?
“Things marvelous there are many, but among all naught moves more truly
marvelous than man.”
And our journalist friend, malihini, white-skinned, slim, duplicated the
act, and Jack murmured, “Gee! What a sport he is—and what a sport this
is for white men too!” His glowing eyes, and a well-known firm
expression about the jaw, told me he would be satisfied with nothing
less than hours a day in the deep-water smokers. As it was, in the small
surf, he came safely in several times. I accomplished one successful
landing, slipping up the beach precisely to the feet of some stranger
hotel guests, who were not half so surprised as myself. It took some
while to learn to mount the board without help, for it is a cumbrous and
unruly affair in the heaving water.
The rising tide was populous with Saturday afternoon bathers, but
comparatively few women, except close inshore. A fleet of young
surf-boarders hovered around Ford and his haole pupils, for he loves
children and is a great favorite with these. Often, timing our
propelling wave, we would find a brown and smiling cherub of ten or so,
all eyes and teeth, timing the same wave, watching with anxiety lest we
fail and tangle up with the pitching slice of hardwood. Not a word would
he utter—but in every gesture was “See! See! This way! It is easy!”
Several times, on my own vociferous way, I was spilled diagonally down
the face of a combing wave, the board whirling as it overturned, and
slithering up-ended, while I swam to bottom for very life, in fear of a
smash on the cranium. And once I got it, coming up wildly, stars
shooting through my brain. And once Jack’s board, on which he had lain
too far forward, dived, struck bottom, and flung him head over heels in
the most ludicrous somersault. His own head was struck in the ensuing
mix-up and we were able to compare size and number of stars. Of course,
his stars were the bigger—because my power of speech was not equal to
his. It seems to us both that never were we so _wet_ in all our lives,
as during those laughing, strenuous, half-drowned hours in the milk warm
surf.
Sometimes, just sometimes, when I want to play the game beyond my known
vitality, I almost wish I were a boy. I do my best, as to-day; but when
it comes to piloting an enormous weighty plank out where the high surf
smokes, above a depth of twelve to fifteen feet, I fear that no vigor of
spirit can lend my scant five-feet-two, short hundred-and-eleven, the
needful endurance. Mr. Ford pooh-poohs: “Yes, you can. It’s easier than
you think—but better let your husband try it out first.”
[Illustration: (1) Old Hawaiian. (2) The Sudden Vision. (3) The Mirrored
Mountains. (Painting by Hitchcock.)]
Waikiki, June 2.
An eventful day, this, especially for Jack, who is in bed thinking it
over between groans, eyes puffed shut with a strange malady, and
agonizing in a severe case of sunburn. I can sympathize to some extent,
for, in addition to a considerable roasting, my whole body is racked
with muscular quirkings and lameness from the natatorial gymnastics of
the past forty-eight hours. Our program to-day began at ten, with a
delirious hour of canoe riding in a pounding sea. While less individual
boldness is called upon, this game is even more exciting than
surf-boarding, for more can take part in the shoreward rush.
The great canoes are the very embodiment of royal barbaric sea
spirit—dubbed out of hard koa logs, long, narrow, over two feet deep,
with slightly curved perpendicular sides and rounded bottoms; furnished
with steadying outriggers on the left, known as the “i-á-ku”—two curved
timbers, of the light tough hardwood, their outer ends fastened to the
heavy horizontal spar, or float, of wili-wili, called the “a-ma,” nearly
the canoe’s length. The hulls are painted lusterless, dead black, and
trimmed by a slightly in-set, royal-yellow inch-rail, broadening upward
at each end of the boat, with a sharp tip. There is an elegance of
savage warlikeness about these long sable shapes; but the sole warfare
in this day and age is with Neptune, when, manned by shining bronze
crews, they breast or fight through the oncoming legions of rearing,
trampling, neighing sea cavalry.
It required several men on a side to launch our forty-foot canoe, and
altogether eight embarked, vaulting aboard as she took the water, each
into a seat only just wide enough. Jack wielded a paddle, but I was
placed in the very bow, where, both outward and back, the sharpest
thrills are to be had. As we worked reefward in the high breaking flood,
more than once breath was knocked out of me when the bow lunged straight
into a stiff wall of green water just beginning to crest. Again, the
canoe poised horizontally on the springing knife-edge of a tall wave on
the imminence of overcurling, and then, forward-half in midair, plunged
head-into the oily abyss, with a prodigious slap that bounced us into
space, deafened with the grind of the shore-going leviathan at our
backs. I could hear Jack laughing in the abating tumult of sound, as he
watched me trimming my lines so as to present the least possible surface
to the next deluge. He knew, despite my desperate clutches at the canary
streak on either hand, that I was having the time of my life, as, from
his own past experience, he had told me I would have.
It was more than usually rough, so that our brown crew would not venture
out as far as we had hoped, shaking their curly heads like serious
children at the big white water on the barrier reef. Then they selected
a likely wave for the slide home, shouting strange cries to one another
that brought about the turning of the stern seaward to a low green
mounting hill that looked half a mile long and ridged higher and higher
to the burst.
“‘A hill, a gentle hill, Green and of mild declivity,’... It is not!”
some one quoted and commented on his Byron and the threatening young
mountain, with firm hands grasping his paddle, when, at exactly the
right instant, he joined the frantic shrill “_Hoe! Hoe!_” (_Paddle!
paddle like—everything!_) that sent all the blades madly flying to
maintain equal speed with the abrupt, emerald slope. Almost on end,
_wiki-wiki, faster—faster, and yet faster_, we shot, ever the curl of
white water behind, above, overhanging, menacing any laggard crew. Once
I dared to look back. Head above head I marked them all; but never can
fade the picture of the last of all, a magnificent Hawaiian sitting
stark in the stern, hardly breathing, curls straight back in the wind,
his biceps bulging to the weight of canoe and water against the steering
paddle, his wide brown eyes reflecting all the responsibility of
bringing right-side-up to shore his haole freight.
And then the stern settles a little at a time, as the seething bulk of
water dissipates upon the gentle up-slope of the land before the Moana,
while dripping crew and passengers swing around in the backwash and work
out to repeat the maneuver.
Few other canoes were tempted out to-day, but we saw one capsize by
coasting crookedly down a wave. The yellow outrigger rose in air, then
disappeared in white chaos. Everything emerged on the sleek back of the
comber, but the men were unable in the ensuing rough water to right the
swamped boat. We lost sight of them as the next breaker set us zipping
inshore, but later saw them swimming slowly in, towing the canoe
bottom-upward, like a black dead sea monster, and making a picnic of
their plight.
An hour of this tense and tingling recreation left us surprisingly
tired, as well as chilled from the strong breeze on wet suits. Mr. Ford,
with a paternal “I-told-you-so” smile at our enthusiasm over the
canoeing, was prompt for the next event on our program, a further lesson
in surf-boarding. After assisting me for a time I noticed he and Jack
were sending desireful glances toward the leaping backs of Pharaoh’s
Horses, and I knew they wanted to be quit of the pony breakers
inshore—the _wahine_ (woman) surf, as the native swimmers have it, and
manfulwise ride the big water. Our friend had a thorough pupil in Jack,
who with characteristic abandon never touched foot to sand in four
broiling hours.
Nursing my own reddened skin in the cool tent-house, I saw a weary
figure dragging its feet across the lawns, which it was hard to
recognize for Jack until he came quite near. Face and body, he was
covered with large swollen blotches, like hives, and his mouth and
throat were closing painfully. Rather against his wish, I sent Tochigi
to summon a doctor. He had not given a thought during those four hours,
face-downward on the board, to the fact that under the vertical rays of
a tropic sun a part of him never before so exposed was being cooked
through and through. Shoulders and back of neck were cruelly grilled;
but the really frightful damage was to the backs of his legs, especially
the tender hind-side of the knee joints, which were actually warping so
rapidly that in a few moments he could not stand erect because the limbs
refused to straighten. Between us we managed to get him into bed, and
later on, restless with the intolerable pain of his ruined surfaces, and
thinking my room might be cooler, he could progress there only on _heels
and palms, face upward_. “Don’t let me laugh—it hurts too much,” he
moaned through swollen lips, realizing the preposterous spectacle.
Little aid could be rendered, either of diagnosis or practice, by the
physician, Dr. Charles B. Cooper. From his six-foot-odd of height he
bent wide, black eyes upon the piteous mass on my bed, that indisputably
required all known sun-burn remedies; but the swollen blotches were
plainly beyond him. He had observed cases of mouth and throat swelling
from fruit poisoning in the tropics; but this patient had eaten nothing
that he had not been living on for weeks. And also there was the
blotched body.
“Just my luck!” this from the sufferer. “I’m always running into
something no one ever saw or heard of! Although this is something like
the shingles I had on the _Sophie Sutherland_.”
Dr. Cooper left some medicine, and later his filled prescription came
from a druggist, to relieve the torturing burn. Meantime I kept up a
steady changing of cool, wet cloths on the warped legs, while Jack’s “It
can’t last forever!” was the best cheer under the circumstances, until
the blotches began to subside and the throat could swallow grateful
drafts of cold water, and a supper of long, iced poi-cocktail—“Such
beneficent stuff,” he dwelt upon it.
You! All whiteskins who would learn Ford’s rejuvenescent royal sport,
take warning that the “particular star” which illumes our world, despite
its insidiousness, is particularly ardent in Hawaiian skies.
Pearl Lochs, June 6.
Home in our Dream Harbor, after a full week away. The burning hours at
Waikiki were beguiled with cool cloths and reading aloud, Jack taking
his turn when I grew nervous with my own distressed cuticle and an
aching ear from diving. Out of his grip of varied reading matter, he had
selected Lilian Bell’s “The Under Side of Things”—I wonder if with
reference to his fried-and-turned-over condition! A Bulletin reporter
lightened a half hour in an interview upon our unplotted future around
the globe, and told us that our erstwhile sailing master, leaving
yesterday for the Coast on the _Sierra_, had given the impression that
he considered the _Snark_ unsafe.
“He built her!” was Jack’s only comment.
“And sailed over two thousand miles in her,” the newspaper man grinned.
On Tuesday, waiving all discussion, Jack got into his clothing, the
operation (not an unappropriate word) accompanied by running commentary
on things as they were, which would be both interesting and instructive
in a biographical sense, did one dare the editorial censor. Neither of
us was this day “admirin’ how the world was made,” and my widest
sympathy was with his fevered sentiments concerning astronomy, geology,
the starry hereafter, mid-Pacific watering places—and
Alexander-Hume-Fords.
“But I warned you, and warned you!” fended poor Ford, suppressing a
snicker as the fervid cripple, now on his feet, essayed a step or two.
“And you’re luckier than I was the first time I got burned—worse than
you are—and by mistake used capsicum vaseline!—And anyway, I really
did think you had become toughened a bit on your month at sea.”
With stiff-crooked legs, for he could neither unbend nor further bend
the knees, and feet pitched some twenty inches apart, Jack’s action was
perforce unlike that of any known biped. So enamored did he become of
the wonder of it that he insisted upon employing it to progress to the
lanai for luncheon, where his most pitying acquaintances failed to keep
back their mirth. Be assured he enjoyed it all as much as they, for the
lessening hurt made him very happy. An hour face-downward on the beach
that fateful afternoon had not improved my own carriage, but I was not
unwilling to risk it on a short trip along Kalakaua Avenue to the
Aquarium, which Jack, from his memories, had pronounced a world-wonder.
In the cool many-roomed grotto, built of quarried lava, we forgot all
earthly dole, spellbound before the incredible forms and colors of the
sentient rainbows.
It is impossible to communicate an adequate idea of these color
organisms. If an object could be laughably lovely, any one of these fish
would serve; Striped Roman scarf effects showed behind the glass as if
in a shop window display; polka-dot patterns in color schemes beyond
imagining; against the crystal lay figured designs that manufacturers
would make no mistake in copying. And all were possessed of an
iridescent quality that made one expect them to melt into the shifting
greens of their element, as they faded into the farther spaces of the
tanks. But presently they would intensify, coming on larger and brighter
like marine headlights in Elfland.
One fish was an aquatic bird-of-paradise for hues, with a long spine
like an aigrette springing from midway of a body almost as round as a
coin and not much larger, with golden-brown beak and bold black eye. His
name was the kihi-kihi. The hinaleanukuiwi was a turquoise-blue,
five-inch shuttle, terminating in a peacock-blue wisp of tail, with fins
like ruffles tipped with stripes of yellow and black, and a long blue
needle for beak. The fins back of and below its beaded eyes were tiny
azure butterflies striped two ways with purple and gold; and on each
side the turquoise body a splotch of opaque gold rested like a sunbeam.
Around this bright blue marvel slowly wove one of magenta as vivid, and
half as long, of familiar shape but with the bulging eye of a frog
shaded by a thick ruby lid, two pale-pink fins shaped like
center-boards, and a dorsal fin carrying five smartly raked masts.
The kikakapu did not look his bristly name, being a mere shapeless
handful of pigments—green as a parrot, with birdlike head of harlequin
opal and parrot eye of black and yellow. Half of the dorsal was a
black-velvet spot rimmed with gold, his tail two shades of gray with a
root of scarlet. I have not patience to spell the name of an almost
perfect oval of blue black, with a flaming autumn leaf on each side, a
narrow dorsal of shaded rose and salmon-yellow bearing a dotted line of
red, and a gray and red flag for tail, while two sapphire-blue feathers
trailed underneath. Next him flaunted a bright yellow fish that had
patently been scissored midlength and grown a stiff mauve tail in the
middle of its vertical rear, to match a mauve-velvet, long-beaked face.
A canary-wing formed this one’s dorsal fin, and two absurd back-slanted
spikes and a ribby trailer decorated its horizontal base.
The opule and the luahine were both meant to be normally formed,—the
first, speckled on top like a mountain trout, its frills red and black
and blue, jaw crimson spotted, with grass-green gills and tiny gilt
fins, and on its dark sides three parallel rows of larger dots, and one
dropped below, of startling blue, each with an electric light behind!
The second, all brown save for a scarlet headlight on the tall dorsal,
was similarly lit up, all over, fins as well, the head zigzagged with
lightning streaks of the same electric blue. The akilolo wore cold blue
jewels on plum satin, with electric-green stripes on its head, crimson
and green fins and sharply demarked rudder of yellow.
One lovely thing would have been a little heart of gold, if its
white-and-gilt tail had not transformed it into a prefect ace of spades.
Another, modestly fashioned, bore pink fins socketed in emerald like the
head and tail, a yellow stomach, seal-brown back, with three broad
downward bands of the emerald joining a wide lateral band of the same,
decorated in hollow squares of indigo! There were also dainty
mother-of-pearl forms, and gorgeous autumnal petals of the ocean
drifting among the jeweled swimming creatures, with little rainbow crabs
lying on the bottom of sand and shells, and other crannied creatures.
An imaginative child could spin unending day dreams about these living
pictures in the Honolulu Aquarium; and for nightmares, there be
excellent specimens of the octopus family. These squid we have on the
Pacific Coast, but there is no way of observing them. Mr. Potter, the
superintendent, said his were unusually active to-day, and we saw them
displaying all their paces—a very useful spectacle for those who may
venture among the more unfrequented coral hummocks at Waikiki. A wader
can be made very uncomfortable by their ugly ability to attach to a rock
and a victim at one and the same time. They showed their fighting colors
through the glass, coming straight at us, their little devil’s-heads set
with narrow serpent-eyes glinting maliciously, and sharp turtle-beaks;
all their tentacles—awful constricting arms covered with awful
suckers—cast behind in the lightning dart.
When attacked, the squid opens an “ink bag,” fouling the water to the
confusion of its enemy. A native in trouble with one bites its head, and
to such mortal wound the pediculate marine dragon gives up the ghost.
The only thing about the squid that is not unpleasant is its color—in
action a rosy tan; but when curled in the rock crevices, protective
tinting makes it hard to find. Mr. Potter dropped some tiny crabs into
the tank from behind the scenes which caused an exhibition not soon to
be forgotten. The almost invisible squid, watching with one bright eye,
unwreathed its eight flexile, trailing limbs, rose swiftly, swooped, and
enfolded the prey as with a swirl of grey net or veiling. When the
monster presently unwound, the mites of crabs had been absorbed.
“And the Creator sat up nights inventing that,” Jack observed with
sacrilegious gravity. The superintendent looked appropriately startled,
but not unappreciative.
This Honolulu Aquarium, though small, is said to surpass in the beauty
of its exhibit anything in the world, not excepting the Italian; and
fancy our surprise to learn that it is not maintained by the Territory,
nor yet by the city, existing solely by the enterprise of the electric
railway company. The “colored” fish are recruited from the chance catch
of fishermen and from adjacent reefs by the Aquarium attendants. It is
not easy to understand why Honolulu remains luke-warm with regard to
this, one of her greatest attractions. Mr. Ford should be spoken to
about it!
Hawaii is a paradise for the visiting fisherman, where can be hooked
anything from a shark to small fry of various sorts, whether “painted”
or otherwise. Among the many game fish may be named black sea bass,
barracuda in schools, albacore, dolphin, swordfish, yellow-tail, amber
fish, leaping tuna and several other kinds of tuna—these of unthinkable
weight and size. And flying fish may be picked off with rifle or
shotgun—or netted, as by the old Hawaiians.[4]
Ever keen on the trail of Why and Wherefore, Jack has left no stone of
research unturned as to the cause of the violent swelling that succeeded
his sunburning, and has finally diagnosed it as urticaria.
Glad are we to rest once more in our Sweet Home, in sight of that bright
reminder of the long voyage yet to be, the _Snark_ and her unwonted
clatter of active repairs. For a Captain Rosehill has accepted the
commission, and “dry bones are rattling,” as Jack chuckled a moment ago
from the hammock. The sad old sea-dog has taken hold with a vengeance,
but professes little respect for all the modern “fol-de-rol of gewgaws”
that he found lying around, costly labor-saving gear, unavailing only
because of the ruinous mishandling it received in the post-earthquake
days of building. But standing with huge, limp-hanging arms, he _almost_
half-smiled at our big sea anchor—an article he has always yearned to
possess. Clearly it is the one thing aboard with which he is satisfied.
Jack finds endless source of amusement in his skipper and the
irrepressible Schwank, who, it seems, once sailed together. The
experience evidently has not endeared one to the other, and all our
gravity is taxed when the pair display their divergent ways of showing
dislike and contempt. Rosehill is a man of few words; but words are not
needed when Schwank’s name is mentioned. The sound of that raucous
proper noun curdles the old sailor’s sober and asymmetrical features. On
the other hand, Schwank is voluble and expressive. Never in his wildest
tales of that ill-starred voyage with Rosehill has he hinted that he was
ship’s cook under Rosehill. When he recounts how the vessel was wrecked,
one would conclude that Schwank had been in command instead of the
other, and, in giving this intentional twist, he loses sight of the fact
that it looks much as if he, Schwank, must be responsible for the loss.
“I told Rosehill to brace up,” he will roar pompously, throwing a mighty
chest. He always appears about to rise triumphant from the solid earth.
Nor has he lost all of his piratical tendencies. From his acre of
fruitful soil, he sells produce at extortionate prices, and is clever
enough to vend the same through his most beautiful offspring. When
Maria-of-the-Seraph-Smile or Ysabel-of-the-Divine-Gaze stands before me
in the very artistry of colorful and revealing tatters, proffering a
scraggly pineapple or an abortive tomato, valued at Israelitic sums,
they are not to be gainsaid. The pleasure is mine to be robbed.
Pearl Lochs, June 7.
When you come to Hawaii, do not fail to visit one of the big sugar
plantations, to see the working of this foremost industry of the
Territory, for nowhere in the world has it been brought to such
perfection. Mr. Ford had arranged a trip to the Ewa Plantation, a short
distance by rail southwest of the Lochs. With him came a young South
African millionaire, who was much more bent upon discussing socialism
with Jack London than inspecting sugar mills—although in the varied
nationalities among the laborers he might find a rare mine of
sociological data.
The railroad traverses a level of country dotted with pretty villages
peopled by imported human breeds. In my mind’s eye lingers one wee
hamlet like a jewel in the sun—a cluster of little Portuguese shacks
covered with brilliant flowering vines and hedged with scarlet hibiscus,
all imaged in an unrippled stream that brimmed even with its green
banks. Not for nothing were these sunny-blooded children of Portugal
blessed with wide and beautiful eyes; for they can see no virtue in a
dwelling that is not surrounded and entwined with living color. No
matter how squalid their circumstance, they do not rest until growing
things begin to weave a covering of beauty. The tourist could not please
himself more than by hunting out these adoptive spots of color in
Hawaii.
Our station was in the center of the Plantation, which embraces about
5,000 acres. It was the far-sighted sire of Princess Kawananakoa, Mr.
Campbell, who only ten years ago bought this property for one dollar an
acre. Last year its output of sugar was over 29,000 tons. One alone of
the underground pumping plants which we wandered through, cost $180,000;
and every day 70,000,000 gallons of water are pumped on this Plantation.
The manager devoted his day to our party. It must be more or less of a
satisfaction, however, to a man of his patent capabilities, lord over
the complicated affairs of such a project and its horde of workers, to
display his achievement to men who can comprehend its enormousness and
possibilities.
In comfortable chairs on a flat car drawn by a small locomotive, over a
network of tracks that intersect the property, we rode from point to
point, meanwhile simmering gently in the moist hot air thick with odor
of growing cane, or, near the huge mill, of sugar in the making. The
land reminded us of Southern California in springtime, with tree-arbored
roads and flower-drifted banks and fine irrigating ditches. We want to
spend a day on horseback at Ewa, in the lanes and byways with their
lovely vistas. Judging from Mr. Renton’s own leisurely enjoyment of the
occasion and frequent halting of the car that we might gather
wildflowers and wild red tomatoes the size of cranberries, one would not
have dreamed how busy a man he is.
It is hard, in the peaceful heart of this agricultural prospect, to
realize that not long ago it was a place dark with pain and blood and
terror. For here, a hundred and eleven years ago, Kamehameha the Great
dedicated a temple, _heiau_, with human sacrifices, preparatory to
sailing for Kauai on conquest bent.
Sugar cane is classified as a “giant perennial grass,” but, unlike most
members of the grass family, has solid stems, and grows from eight to
twenty feet high. The origin of cane in these islands is unknown though
it is thought to have been introduced from the South Sea Islands by
early native navigators in their exploring canoes. It was used as an
article of diet at the time white men first set foot in Hawaii, but not
made into sugar until about 1828; and less than a decade afterward the
first exportation of sugar was shipped. Primitive stone or wooden
rollers pressed out the sweet juice, which was boiled in crude iron
vessels. Present-day processes have been brought to a high state of
scientific excellence, and probably no plant in the world has been so
exhaustively exploited. The red lava soil, decomposed through the ages,
has been found through experimentation to be the most productive, and
the irrigation scheme of one of these large plantations, with its
artesian wells and mountain reservoirs whence water is carried great
distances, is a colossal feat of engineering.
A man once wrote that agriculture in the tropics consisted of not
hindering the growth of things. But the raising and converting into
sugar of these vast areas of rustling sugar-in-the-stem is not such
smooth luck, for either employer or employed. He who would manufacture
sugar has many formidable if infinitesimal foes to success, among which
are named the nimble leaf hopper, the cane borer, the leaf roller, the
mole cricket, the mealy bug, the cypress girdler, and Fisher’s rose
beetle, known locally as the Olinda bug. To discover the natural enemies
of these pests requires an able corps of entomologists seeking over the
face of the globe, as well as working sedulously in the Experiment
Station in Honolulu.
The mill, with its enormous processes, I shall not attempt to describe
further than to assure that it is a place of breathless interest and
wonder. One sees and tastes the sugar in its successive phases of
manufacture, up to the point where it is shipped to the States for the
last stage of refining.
And more absorbing than these technicalities of the Plantation were the
human races represented among the workers who live and labor, are born,
married, and die within its confines. Through a bewilder of foreign
villages we wandered on foot—Japanese, Chinese, Portuguese, Norwegian,
Spanish, Swedish, Korean, Porto Rican; even the Russians were here but
lately. One cannot fail to note the scarcity of Hawaiian laborers—and
rejoice in it, for they are proud and free creatures, and it would seem
pity to bind them on their own soil. On the other hand, there is no
gainsaying that they are capable toilers when they will. Indeed, it is
said that they accomplish twice the work that a Japanese is willing to
do in a day; but following pay day the Hawaiian is likely not to appear
again until all his money is gloriously squandered. He is strong and
trustworthy, and makes an excellent overseer, or _luna_, as well as
teacher; for he is not merely imitative, but intelligent in applying
what he has learned.
We were led into schools and kindergartens maintained for the scores of
children, and presided over for the most part by white women. In one
room there was a Japanese-Hawaiian teacher—a sweet and maidenly young
thing, her Nipponese strain lending an elusive delicacy to the round
warm native features. In faultless English she explained the duties of
her schoolroom, showing great pride in a sewing class then in session,
and pointing through the window to where the boys of her class could be
seen putting the yard to rights.
I thought we could never leave the kindergartens, with their engaging
babies of endless colors and variety of lineaments, pure types and
crossbred. Most beautiful of all were the Portuguese, with only one
drawback to their childish charm—the grave maturity of their faces.
Bella, however, two-years-tiny, golden-eyed and gold-tawny of skin,
forgot her temperamental soberness and coquetted shamelessly from an
absurd chair in the circle on the bright floor, when she should have
been attending to Teacher. But even Bella came to grief. Like some other
coquettes she was winningly familiar at a distance; but when I tried to
cultivate a closer acquaintance with the young pomegranate blossom, and
take a picture of her loveliness, she fell victim to a panic of
embarrassment and terror that ended in violent weeping in Teacher’s lap.
Homeward bound, it seemed as if we had been transported to and from a
foreign land for the day, though what land was the problem, in view of
the manifold types we had walked among.
In the soft black evening, some of our neighbors drifted across the
yielding turf beneath the ancient trees, the women taking form in the
velvet dark like tall spirit vestals trailing dim draperies and swirling
incense. We lay in the cool grass, the lighted ends of our scented punks
flitting and darting like fireflies, and listened to Peer Gynt from the
Victor indoors, and Mascagni’s orchestral paradises of sound, Patti’s
rippling treble, and Emma Eames’s clear fluting of “Still as the Night,”
floating upward to the sighing obligato of a rising wind from across the
rustling reef-waters.
Sweet land of palms and peace, love and song—and yet, those who knew
her in days gone by would walk sadly now in remembered haunts. Old faces
are missing, and faces resembling them are few. The Hawaii of yesterday
passes, and it makes even the stranger pensive to see the changing. To
one who views her from the height of his heart, a bright commercial
future is cold compensation for the irreplaceable loss of the old
Hawaii.
Pearl Lochs, June 11.
A bit of real Hawaii was ours last night—Hawaii as she is, with more
than a trace of what she has been. It came about through an invitation
from one of our neighbors, who owns the cemetery near Pearl City, to
accompany his wife and himself to a native _luau_ (loo-ah-oo—quickly,
loo-ow), meaning feast. And a luau becomes a _hookupu_ when the guests
bring the food. We four were the only white guests, for in these latter
days the natives are chary of including foreigners in their more
intimate entertainments. But for our friend’s confidential and
sympathetic relation toward them, nothing would have induced them to
consent to our intrusion.
The feast was a sort of “benefit,” given at the christening of the baby
of one “Willie,” this being a familiar custom among the people. Mr.
Willie and his pretty, giggly wife were in a small frenzy of hospitality
and diffidence at receiving a man who writes books, and ran out to the
gate calling “Come in! Come in! Come in!” in rapid sweet staccato.
We should have preferred to remain in the garden of palms and flowers.
But we were ushered to the cottage, where one glance into the hot little
parlor, fainting with heavy-scented bouquets, every window sealed tight
as if in a New England winter, taught us that this was the pride of
their simple, generous lives, with its neat furniture and immaculate
“tidies” on chair, sofa, and exact center-table. Head and neck and
shoulders, we were garlanded with ropes of buff ginger blossoms twined
with mailé, and sat around straight-backed in delighted discomfort,
praying for fans. Admiring the handsome slumbering infant who was the
object and beneficiary of the festival, we strove the while to express
to our host and hostess how glad and honored we felt to be with them.
From the cool twilight lanai floated in the most bewitching, sleepy,
sensuous music, rippled through with gurgles of lazy laughter.
Presently, left to wander at will, whom should we discover in the happy
huddle of musicians but Madame Alapai herself, not at all the grand
prima of her Prince’s park, but a benevolent, smiling wahine, robed
simply like all the rest in spotless white holoku, and unaffectedly
ready, once her sudden, laughing bashfulness was conquered, to warble
anything and everything she knew.
The coyness of these winsome brown women is only skin deep, for to
smiles and sincerity they warm and unfold like their own tropic blossoms
to the morning sun. Deliciously they laugh at everything or nothing,
with an abandon that does not tire, but draws the becharmed malihini
fervently to wish he were one of them for the nonce—a product of
sunshine and dew and affection, without painful responsibility, with no
care but the living, loving present.
Madame Alapai accompanied the first American tour of the Royal Hawaiian
Band. The story runs that she was prepared to go on the second, but her
husband, jealous of her successes and advantages, decided he needed a
change of air and scene, and made the manager of his song-bird a
proposition the prompt rejection of which cost the band its prima donna.
His amiable suggestion was that he travel with the troupe and be paid a
salary for the honor of his mere company, since he possessed no
marketable talent. It seemed enough to his limited vision that he should
allow his wife to earn _her_ salary. Be it credited the lady that the
facts were made public without her assistance, for she remains guiltless
of shaming her life-companion by ridicule or criticism. When asked why
she did not go to the Coast the second time, she replies, with a
slightly lofty air that is without offense, what of its childlikeness:
“Oh, they wanted me to go, but I refused.”
She sang for us without reserve, out of her very good repertory. Her
voice is remarkable, and I never heard another of its kind, for it is
more like a stringed instrument than anything I can think of—metallic,
but sweetly so, pure and true as a lark’s, with falls and slurs that are
indescribably musical and human. The love-eyed men and women lounging
about her with their guitars and ukuleles, garlanded with drooping roses
and carnations and ginger, were commendably vain of showing off their
first singer in the land, and thrummed their loveliest to her every
song. None can waken strings as do these people. Their fingers bestow
caresses to which wood and steel and cord become sentient and
tremulously responsive.
The ukulele, with its petite guitar-shape, and four slender strings,
seems a part of the Hawaiian at every merrymaking. It hailed originally
from Portugal, but one seldom remembers this, so native has it become to
the Islands. Primitive Hawaiians played on a crude little affair that
was a mere stick from the wood of the _ulei_, a flowering indigenous
shrub. The tuneful stick was cut eighteen or twenty inches long and
three or four wide, strung across with gut, and was held in the teeth
like a Jew’s harp, while the strings were swept with a fine grass-straw.
Lovers thus whispered through their teeth an understood language of
longing and trysting, the light wood vibrating the voice to some
distance in the still night.
From temporary arbors broke the clatter of busy wahines making ready the
feast, and new guests laughed their way into the garden. Our nostrils
twitched to unknown but appetizing odors. We expected as a matter of
course that we should be invited to sit cross-legged on grass-mats, and
were disappointed to find a table prepared for the more distinguished of
the company.
At every place was a heap of food so attractive that one did not know
which mysterious packet to open first. Each diner had at least a quart
of poi, of the approved royal-pink tint, in a big shiny goblet carved
from a coconut thinned and polished and scalloped around the brim, and
this substance as usual formed the pièce de résistance. There are
varying consistencies of poi. The “one-finger” poi is thick enough to
admit of a mouthful being twirled at one twirl upon the forefinger;
two-fingered poi is thinner, requiring two digits to carry the required
portion. I do not know whether or not three-fingered poi is ever
exceeded; but if it is, I am sure no true Hawaiian or kamaaina would
hesitate to apply his whole fist to it.
It is etiquette to sample every delicacy forthwith, rather than to
finish any one or two until all have been tasted. And we depended solely
upon our fingers in place of forks and spoons. A twist of poi on the
forefinger is conveyed neatly to the lips, followed by a pinch of salt
salmon, for seasoning, or of hot roast fish or beef or fowl steaming in
freshly opened leaf-wrappings; for this is the incomparable way roast
foods are prepared, then laid in the ground among heated stones, and
covered with earth. Thus none of the essential flavor is liberated until
the clean hot leaves of the ti-plant, or the canna in absence of the ti,
are removed at table.
There was also chicken stewed in coconut milk, sweet and tasty; for
relishes, outlandish forms of sea-life, particularly the _opihis_
(o-pe-hees), salt and savory, which we may come to prefer to raw
oysters. Mullet is eaten raw, cut in tempting little gray cubes and
dusted with coarse red salt. Jack pronounced it one of his favorite
articles of diet henceforth. I may in time acquire a liking for
well-seasoned raw fish, which in all logic is less offensive than live
raw oysters and squirming razor-back clams; but fairly certain am I that
never shall I assimilate _ake_ (ah-kay)—which is raw liver and chile
peppers.
Small crabs, _alemihi_, were very good, and pinkish round tidbits from
squid tentacles; to say nothing of some little parboiled lobsters.
[Illustration: (1) Diamond Head. (2) A Pair of Jacks—Atkinson and
London. (3) Ahuimanu.]
One toothsome accompaniment to a Hawaiian meal is the _kukui_, or
candlenut (_Aleurites Moluccana_). Its meat is baked and crushed, then
mixed with native salt. Pinches of this relish, called _i-na-mo-na_, are
taken with poi and other viands, and it is sometimes stirred in to
season a mess of raw mullet. The kukui tree, a comparatively recent
introduction from the South Seas, has nearly as many uses as the coconut
palm, for aside from the gustatory excellence of its nut, a gum from the
bark is valuable, and a dye found in the nut shell was formerly used to
paint the intricate patterns of the tapa that served for clothing. This
dye also formed a waterproofing for tapa cloaks, and with it tattoo
artists drew fashionable designs into the flesh of their patrons, who
also rubbed their bodies with oil pressed from the nut, especially in
making them slippery for wrestling and fighting. The nuts strung on the
midrib of a coconut leaf formed the Hawaiians’ only torch. The oil of
the nut, expressed under pressure, is a valuable paint oil.
For the drinking we were given choice of a mild beer and “pop”
(soda-water of various colors), and coconut water in the shell; and for
dessert, the not unpleasant anti-climax of good old vanilla ice cream to
remind us that Hawaii has long been in the grasp of Jack’s “inevitable
white man.”
Next came the dancing. Mr. Moore had promised us a hula; but a hula,
except by professional dancers, is more easily promised than delivered.
The native must be in the precise right humor before any performance is
forthcoming for the malihini. Our pleasant task was to overcome the
shyness that whelmed both Kanakas and wahines when we coaxed them to
show their paces. Few, very likely, had ever danced before strangers.
Indeed, for the most part, the hula is frowned upon by haole residents.
And the majority of these were simple rural folk with a terror of
wrong-doing. I think the Hawaiians are quick to detect a meretricious
gayety or any patronizing, overdone familiarity; and to make them feel
one’s genuine interest in their customs is the only means by which to
establish a basis of confidence. Left to themselves, they will dance
anywhere at any time. Tochigi witnessed his first hula on Toby’s train!
He did not comment upon it; but after seeing Americans dance, each
couple following its own method, he had respectfully observed that he
thought we danced more for our own pleasure than for that of onlookers.
At length a bolder or more persuadable spirit, yearning to express the
real general desire to please, broke through the crust of reserve and
began a series of convolutions to the endless two-step measure of
guitars and ukuleles that during the luau had throbbed in a leafy corner
of the grass shelter.
Arch faces lighted, hands clapped and feet beat time, eyes and teeth
flashed in the dim light of lanterns and lamps, and flower-burdened
shoulders swung involuntarily to the rhythm. One after another added the
music of his throat to an old hula that has never seen printer’s ink,
while the violin threnody of the Alapai raised the plaintive, savage
lilt to something incommunicably high and haunting.
Jack seemed in a trance, his eyes like stars, while his broad shoulders
swayed to the measure. Discovering my regard, caught in his emotion of
delight in this pregnant folk dance and song, he did not smile, but
half-veiled his eyes as he laid a hand on mine in token of
acknowledgment of my comprehension of his deep mood. For in every
manifestation of human life, he goes down into the tie ribs of racial
development, as if in eternal quest to connect up the abysmal past with
the palpable present.
A pause, full of murmurs and low laughter, then a strapping young wahine
with the profile of Diana seized an old guitar. With a shout to another
girl to get on her feet, she leaned over and swept the strings
masterfully with the backs of her fingers, at the same time setting up a
wanton, thrilling hula song that was a love cry in the starlight, each
repeated phrase ending in a fainting, crooning, tremulous falsetto which
trailed into a vanishing wisp of sound. She could not sit quietly, but
swung her body and lissom limbs in rhythm like a wild thing possessed,
seeming to galvanize the dancers by sheer force of will, for one by one
they sprang to the bidding of her voice and magnetic fingers, into the
flickering light where they swayed and bent and undulated like mad sweet
nymphs and fauns. Now and again a brown sprite separated from the moving
group, and came to dance before the haole guests, the dance a
provocation to join the revelry. Sometimes the love appeal was
unmistakable, accompanied by singing words we wotted not of, but which
were the cause of good-natured merriment from the others. Then abruptly
the performer would become impersonal in face and gesture, and melt back
into the weaving group.
After a while the dancing lagged, and we sensed it was time to relieve
these kind people of our more or less restraining presence. They had
done so much, and to wear out such welcome would have been a crime
against good heart and manners.
Having neglected to ask the obliging Tony to wait his dummy, down the
track we footed, listening to small noises of the night, among which was
the sighing of water buffalo, those grotesque gray shapes that patiently
toil by day in the rice fields.
Pearl Lochs, June 14.
At luncheon to-day Miss Johnson introduced us to a girl from Maine, and
it was a unique experience to sit in the hot-house air, gazing out upon
the hot-house vegetation, the while we conversed in “down-east”
colloquialisms. “Did you see her jump at the sound of that falling
leaf!” Jack laughed on the way home, for the young stranger had been not
the only one startled when a twenty-foot frond let go its parent palm
and crashed to earth.
Our captain of the roseate name is painting the _Snark_, and she floats,
a boat of white enamel, in the still blue and silver of the morning
flood; while for frame to the fair picture a painted double-rainbow
overarches, flinging the misty fringes of its ends in our enraptured
faces. From the shell-pink dawn, through the green and golden day, to
sunset and purple twilight and starshine, we move in beauty. “What a lot
of people must have been shanghaied here by their own desire!” Jack
ruminates. And truly, Hawaii is sufficient excuse for never going home.
One of our pleasures, of a Sunday, is watching the yachts from Honolulu
sail into Pearl Harbor and slant about on the crisping water, for a look
at the _Snark_. Last Sunday came a corps of young engineers from the
Iron Works, who had offered to give their holiday for the fellow who
wrote “The Game” and “The Sea Wolf.” Jack was much touched; and
especially pleased at the tribute to “The Game,” which novel is a
favorite of his own.
Last evening we had opportunity again to come in contact with the
Hawaiians, receiving a party in our sylvan drawing- and music-room. Miss
Johnson had told us that Judge Hookano (Ho-o-kah-no), the native
district judge at Pearl City, wished to bring his wife to call. To our
prompt invitation they responded with the large immediate family as well
as more distant relatives. One of these, who dislikes Americans, during
a conversation with Miss Johnson concerning the Londons, remarked: “Oh,
yes, the English are always very nice.” “But the Londons are
American—very American!” Miss Johnson straightened her out. However,
the dusky lady was cordial enough when our meeting took place, as were
all the party. The Judge proved an intelligent and kindly soul, and Mrs.
Hookano whom we had long admired at a distance, is a magnificently
proportioned woman with the port of a queen, always attired in stately
lines of black lawn or silk.
None of our visitors had heard Hawaiian music on the phonograph and
clapped their shapely hands over the hulas like joyous children. But
those merry hands folded devoutly when the Trinity Choir voices rose on
the night air, and all joined in singing the harmonies of “Lead, Kindly
Light” and the several other beautiful hymns. The spirit of these folk
is so sweet, so guileless; I know I shall love them forever. Manners
among them are gentle and considerate, so courteous in every
conventional observance, prompted by their simple, affectionate hearts.
Hookano means _proud_, and these who bear the name demonstrate a
blending of pride and gentlehood that is altogether aristocratic.
While Jack manipulated the talking-machine, I lay happily with head in a
friendly lap, while satin-brown fingers caressed face and hair; looking
high through the lacy foliage to where big stars hung like bright fruit
in the branches. Jack ended the machine-made concert with the Hawaiian
National Anthem, and the Judge removed his hat and stood, the others
rising about him. Then we cajoled them into contributing their own
music, and after some hesitation, untinged by the faintest
unwillingness, they settled dreamily to singing their melodies—brown
velvet maids with laughing, shining eyes, who warbled in voices thin and
penetrating as sweet zither-strings, softly, as if afraid to vex the
calm night with greater volume.
At parting we walked to the gate, arms around the shoulders of our new
friends, their own Aloha nui on our lips. And every aloha spoken or sung
in Hawaii is the tender tone-fall of a dying bell, tolling for the olden
Hawaii Nei.
Then, arms-around, we two paced back across the grass, and stood for a
moment on the edge of our bewitching garden, looking at the slender
sliver of a new moon of good omen dipping low above the shadowy hills.
Waikiki, June 25.
Once more in the tent-cottage at Waikiki, as the hub for many spokes of
exploration in the Islands. I mistrust we shall never again pursue the
idyllic life of the peninsula. Unfortunately, no way has been devised to
live in two or more places simultaneously—except in the imagination,
and that we can richly do. Artemus Ward is responsible for the delicious
paradox: “No man can be in two places at once unless he is a bird.”
Many jaunts are in prospect: an automobile journey around Oahu; a yacht
race girdling the same island, on which “Wahine Kapu,” no woman, is writ
large upon the visages of the yachtsmen; a torchlight fishing expedition
fifty miles distant with Prince Cupid, under the same no-petticoat
mandate; a wonderful trip to Maui, to camp through the greatest extinct
crater in the world, Haleakala, said to surpass Ætna in extent and
elevation; and Jack has been deftly pulling wires to bring about a visit
for us both to the famous Leper Settlement on Molokai, which is said to
occupy one of the most beautiful sites in the Islands. Lucius E.
Pinkham, president of the Board of Health, has been our guest to dinner,
and not only has he put no obstacles in our way, but appears anxious for
us to see Molokai. There has been considerable misrepresentation of the
Settlement, and he evidently believes that Jack will paint a just
picture. Mr. Pinkham seems to have the welfare of the lepers close at
heart; and I have heard that when he fails to obtain from the Government
certain appropriations for improvements, he draws on his own funds.
Thus, the air is brimful of glamour and interest, which helps to offset
a tender regret for the lovely Lochs and for our neighbors who have been
so lavish in neighborliness. One night before we departed, the Hookano
young folk arranged a crabbing party, and sang the hours away under the
light of a half-moon; another time, at sunset, we fished off the lee
shore of the peninsula, where we landed a mess of “colored fish” like a
flock of wet butterflies.
Here at the Beach life is so gay there is hardly chance to sleep and
work, what with arrivals of transports and the ensuing frivolities in
the hotel lanai, varied by swimming and surf-boarding under sun and
moon. One fine day we essayed to ride the breakers in a Canadian canoe,
and capsized in a wild smoker exactly as we had been warned. I stayed
under water such a time that Jack, alarmed, came hunting for me; but I
was safe beneath the overturned canoe, which I was holding from bumping
my head. He was so relieved to find me unhurt and capable of staying
submerged so long that promptly he read me a lecture upon swimming as
fast as possible from a capsized boat, to avoid being struck in event of
succeeding rollers flinging it about.
One night we attended a moonlight swimming party at a seaside home and
became acquainted with more of the white Islands’ kamaainas. A lovely
custom prevails here among the owners, who, in absences abroad, allow
friends the use of their suburban places for occasions of this kind.
Across the hedges we peeped into the next garden where, in the smother
of scented foliage, there still lurks the house Robert Louis Stevenson
once occupied.
After a military dance at the hotel last evening, tables were carried
out on the lawn to the sands-edge, where supper was served by silent,
swift Japanese in white. It was like a dream, there among the trees hung
with soft rosy lights, our eyes sweeping the horizon touched by a low
gold disk of moon, and on across the effervescing foam of an ebbing tide
at our feet, and the white sea horses charging the crescent beach, to
Diamond Head purple black against the star-dusted southern sky. “Do you
know where you are?” And there was but one answer to Jack’s
whisper—“Just Waikiki,” which tells it all. The charm of Waikiki—it is
the charm of Hawaii Nei, “All Hawaii.”
June 28.
To Mr. Ford we owe a new debt of gratitude. And so does Hawaii, for such
another promoter never existed. All he does is for Hawaii, desiring
nothing for himself except the pleasure of sharing the attractions of
his adopted land. The past two days have been spent encircling Oahu, or
partly so, since only the railroad continues around the entire
shore-line, the automobile drive cutting across a tableland midway of
the island. Oahu comprises an area of 598 square miles, is trapezoidal
in shape, its coast the most regular of any in the group. Another
notable feature is that it possesses two distinct mountain chains,
Koolau and Waianae, whereas the other islands have isolated peaks and no
distinct ranges. Waianae is much the older of the two. The geology of
this volcanic isle is a continual temptation to diverge.
Two machines carried ten of us, including the drivers. The party was
composed of men whom Mr. Ford wanted Jack to know, representing the best
of Hawaii’s white citizenship. There was Mr. Joseph P. Cooke, dominating
figure of Alexander & Baldwin, which firm is the leading financial force
of the Islands (it was Mr. Cooke’s missionary grandparents, the Amos P.
Cookes, who founded and for many years conducted what was known as the
“Chiefs’ School,” afterward called the “Royal School,” which was
patronized by all of the higher chiefs and their families); Mr. Lorrin
A. Thurston, also descended from the first missionaries, and associated
conspicuously with the affairs of Hawaii, both monarchical and
republican—and incidentally owner of the morning paper; and Senor A. de
Souza Canavarro, Portuguese Consul, an able man who has lived here
twenty years and whose brain is shelved with Islands lore.
The world was all dewy cool and the air redolent with flowers when,
after an early dip in the surf, we glided down Kalakaua Avenue between
the awakening duck ponds with their lily pads and grassy partitions.
Leaving the center of town by way of Nuuanu Avenue, along which an
electric car runs for two miles, we headed for the storied heights of
the Pali (precipice), and presently began climbing between converging
mountains to the pass through the Koolau Range. This Nuuanu Valley is a
wondrous residence section, of old-fashioned white mansions of by-gone
styles of architecture, still wearing their stateliness like a page in
history. The dwellers therein are cooled by every breeze—not to mention
frequent rains. It is a humorous custom for a resident to say, “I live
at the first shower,” or the second shower, or even the third, according
to his distance from moister elevations in the city limits. The rainfall
in upper Nuuanu, and Manoa, the next valley to the southeast, is from
140 inches to 150 inches annually. In lower Nuuanu—only three or four
miles distant—it averages around 30-35 inches. Many of these old houses
stand amidst expansive lawns, the driveways columned with royal
palms—the first brought to the Islands. One white New England house was
pointed out as having been the country home of Queen Emma, bought with
its adjoining acres by the Government and turned into a public park. The
building contains some of the Queen’s furniture, and other antiques of
the period. “The Daughters of Hawaii,” an organization of Hawaii-born
women of all nationalities, has the care of the premises.
I promised myself an afternoon in the cemetery, where quaint tombs show
through beautiful trees and shrubbery, and where, in the Mausoleum, are
laid the bones of the Kamehameha and Kalakaua dynasties. King Lunalilo,
who was the last of the Kamehamehas and preceded Kalakaua, rests in a
mausoleum at Kawaiahao Church in town.
Up we swung on a smooth road graded along the hillsides, the flanks of
the valley drawing together, the violet-shadowed walls of the mountains
growing more sheer until they seemed almost to overtop with their
clouded heads breaking into morning gold—Lanihuli and Konahuanui rising
three thousand feet to left and right. From a keen curve, we looked back
and down the green miles we had come, to a fairy white city suffused in
blue mist beside a fairy blue sea.
Four miles from the end of the car-track, quite unexpectedly to me,
suddenly the car emerged from a narrow defile upon a platform hewn out
of the rocky earth, and my senses were momentarily stunned, for the high
island had broken off, fallen away beneath our feet to the east and
north. Alighting, we pressed against a wall of wind that eternally
drafts through the gap, and threading among a score of small pack-mules
resting on the way to Honolulu, gained the railed brink of the Pali. In
the center of a scene that had haunted me for years, since I beheld it
in a painting at the Pan-American Exposition at Buffalo, I looked a
thousand feet into an emerald abyss. Over its awful pitch Kamehameha a
century ago forced the warriors of the King of Oahu, Kalanikupule—a
“legion of the lost ones” whose shining skulls became souvenirs for
strong climbers in succeeding generations. Some one pointed to a ferny,
bowery spot far below, where Prince Cupid once kept a hunting cabin; but
there was now neither trace of it nor of any trail penetrating the dense
jungle.
To the left, lying northwest, stretch the perpendicular, inaccessible
ramparts of the Koolau Range, which extends the length of the island,
bastioned by erosions, and based in rich green slopes of forest and
pasture that fall away to alluvial plains fertile with rice and cane,
and rippled with green hillocks. Where we stood, a spur of the range
bent in a right-angle to the eastward at our back; and off to the right,
the great valley is bounded by desultory low hills, amid which an
alluring red road winds to Kailua and Waimanalo by the sapphire sea,
where we are told the bathing beaches and surf are unsurpassed.
A reef-embraced bay on the white-fringed shore caused me to inquire why
Honolulu had not been builded upon this cool windward coast of Oahu,
with its opulent and ready-made soil. “Any navigator could tell you
that,” Jack chided. “Honolulu was begun when there was no steam, and the
lee side of the island was the only safe anchorage for sailing vessels.”
The sun was now burning up the moving mists below, and through
opalescent rents and thinning spaces we could trace the ruddy ribbon of
road we were to travel. If I had dreamed of the majestic grandeur of
these mountains, of the wondrous painted valley to the east, how feebly
I should have anticipated other islands until first exploring this one.
Jack keeps repeating that he cannot understand why it is not thronged
with tourists, and calls it the garden of the world. We have seen
nothing like it in America or Europe. And yet Oahu is not generally
spoken of as by any means the most beautiful of the Hawaiian Islands.
Instead, both residents and visitors rave over the “Garden Isle,” Kauai,
the Kona coast of Hawaii and that Big Island’s gulches, the wonders of
Maui with its Iao Valley and Haleakala, “The House of the Sun.” What
must they all be, say we, if these persons have not been stirred by
Windward Oahu!
After clinging spellbound to our windy vantage for half an hour
(meanwhile speculating how many times Kalanikupule’s unfortunate army
bumped in its headlong fall), we coasted the serpentine road that is
railed and reënforced with masonry, fairly hanging to a stark wall for
the best part of two miles. I noticed that Mr. Cooke preferred himself
to negotiate his car on this blood-tingling descent, until we rounded
into the undulating floor of the plain whence we stared abruptly up at
the astonishing way we had come, with its retaining walls of cement,
some of them four hundred feet in length.
One stands at the base of an uncompromising two-thousand-foot crag, an
outjut of the range, and it appears but a few hundred feet to its head.
For there is an elusiveness about the atmosphere that makes unreal the
sternest palisades, the ruggedest gorges. Everything is as if seen in a
mirror that has been dulled by a silver breath. That is it—it is all a
reflection—these are mirrored mountains and shall always remain to me
like something envisioned in a glass.
I for one was commencing to realize how early I had breakfasted, when
the machines turned aside from the road on which we had been running
through miles of the Kahuku sugar plantation into a private driveway
that led to Mrs. James B. Castle’s sea-rim retreat, The Dunes. Having
been called unexpectedly to Honolulu, she had left the manager of the
plantation to do the honors, together with a note of apology embodying
the wish that we make ourselves at home, and a request that we write in
her guest book. After luncheon the men insisted that I inscribe
something fitting for them to witness. Warm and tired, I wrote the
following uninspired if grateful sentiment:
“With appreciation of the perfect hospitality—and deep regret
that the giver was absent.”
The others followed with their signatures; and when Mr. Ford’s turn
came, his eye read what I had written, but his unresting mind must have
been wool-gathering, for he scribbled:
“Hoping that every passer-by may be as fortunate.”
A chorus of derision caused him to bend an alarmed eye upon the page,
which he carefully scanned, especially my latter phrase. And then out
came the page.
We were shown over the labor barracks, neat settlements of Japanese and
Portuguese, in which we saw swarms of beautiful children rolling in the
grass. The Portuguese flocked around the Consul, who was apparently an
old and loved friend.
Several miles farther, we came to the Reform School, where the erring
youth of Oahu, largely of native stock, are guided in the way they
should go. There was not a criminal face among them, and probably the
majority are detained for temperamental laxness of one sort or another.
Emotional they are, easily led, and inordinately fond of games of
chance—but dishonest never. A small sugar plantation is carried on in
connection with the school, which is worked by the boys.
Our last lap was from the Reform School to Haleiwa Hotel, at Waialua,
which lies at the sea edge of the Waialua Plantation. Haleiwa means
“House Beautiful,” and is pronounced Hah-lay-e-vah. There is so much
dissension as to how the “v” sound crept into the “w,” that I am going
to retire with the statement that Alexander, in his splendid “History of
the Hawaiian People,” remarks that “The letter ‘w’ generally sounds like
‘v’ between the penult and final syllable of a word.”
House and grounds are very attractive, broad lawns sloping to an estuary
just inside the beach; and in this river-like bit of water picturesque
fishing boats and canoes lie at anchor. A span of rustic Japanese bridge
leads to the bath-houses, and thither we went for a swim before dinner.
I would not advise beginners to choose this beach for their first
swimming lessons. It shelves with startling abruptness, while the
undertow is more noticeable than at Waikiki. But for those who can take
care of themselves, this lively water is good sport and more bracing
than on the leeward coast.
We strolled through the gardens and along green little dams between duck
ponds spotted with lily pads, and the men renewed their boyhood by
“chucking” rocks into a sumptuous mango tree, bringing down the
russet-gold, luscious fruit for an appetizer. I may some day be rash
enough to describe the flavor of a mango, or try to; but not yet—though
I seem to resent some author’s statement that it bears more than a trace
of turpentine.
Leaving Haleiwa next morning, we deserted the seashore for very
different country. The motor ascended steadily toward the southwest, on
a fine red road—so red that on ahead the very atmosphere was tinged.
Looking back as we climbed, many a lovely surf-picture rewarded the
quest of our eyes, white breakers ruffling the creamy beaches, with a
sea bluer than the deep blue sky.
At an elevation of about eight hundred feet one strikes the rolling
green prairieland of the “Plains,” where the ocean is visible northwest
and southeast, on two sides of the island. It is a wonderful plateau,
between mountain-walls, swept by the freshening northeast trade—miles
upon miles of rich grazing, and hill upon hill ruled with blue-green
lines of pineapple growth. At one plantation we stopped to look around
at the fabulously promising industry. Mr. Kellogg, the manager, gave an
interesting demonstration of how simple is the cultivation of the
luscious “pines,” and held stoutly that a woman, unaided, could earn a
good living out of a moderate patch. The first “pine” plantation in
Hawaii was established in Manoa valley, back of Honolulu, by a
Devonshire man, Captain John Kidwell. He started in the early ‘80’s with
native shoots from the Kona Coast, later importing old stumps from
Florida. In 1892 a hundred thousand plants were growing, and the
Hawaiian Fruit and Packing Company was established, the second canning
industry in Hawaii—fish-canning having been the only other.
Although like prairie seen from a distance, we discovered that this
section of Oahu is serrated by enormous gullies, in character resembling
our California barrancas, but of vastly greater proportions. A huge dam
has been constructed for the purpose of conserving the water for
irrigation.
Something went wrong with one of our machines and we were obliged to
telephone from Wahiawa to Honolulu for some parts. Think of this old
savage isle in the middle of the Pacific Ocean, where, from its high
interior, one may talk over a wire to a modern city, for modern parts of
a “horseless carriage,” to be sent by steam over a steel track! It is
stimulating once in a day to ponder the age in which we live.
And on one of these ridges near Wahiawa, not so long ago, there preyed a
regular ogre, a robber-chief whose habit it was to lie in wait in a
narrow pass, and pounce upon his victims, whom he slew on a large, flat
rock, and ate them—the only sure-enough cannibal in Hawaiian history.
June 29.
“Have you been in the Cleghorn Gardens?” is a frequent question to the
malihini, and only another way of asking if one has seen the gardens of
the late Princess Victoria Kaiulani, lovely hybrid flower of Scottish
and Polynesian parentage, daughter of a princess of Hawaii, Miriam
Likelike (sister of Liliuokalani and Kalakaua) and the Honorable
Archibald Scott Cleghorn. We are too late by twenty years to be welcomed
by Likelike, and eight years behind time to hear the merriment of
Kaiulani in her father’s house—Kaiulani, who would now be of the same
age as Jack London. King Kalakaua died at the Palace Hotel in San
Francisco on January 20, 1891, and when his remains arrived in Honolulu
from the U. S. S. _Charleston_ nine days later, and his sister
Liliuokalani was proclaimed his successor, the little Princess Kaiulani,
their niece, was appointed heir apparent.
The house, Ainahau, is not visible from the Avenue. Here the bereft
consort of Likelike lives in solitary state with his servants, amid the
relics of unforgotten days. He receives few visitors, and we felt as if
breaking his privacy were an intrusion, even though by invitation. But
the commandingly tall, courtly Scot, wide brown eyes smiling
benevolently under white hair and beetling brows, paced halfway down his
palm-pillared driveway in greeting, and led our little party about the
green-shady ways of the wonderland of flowers and vines, lily ponds and
arbors, “Where Kaiulani sat,” or sewed, or read, or entertained—all in
a forest of high interlacing trees of many varieties, both native and
foreign. I was most fascinated by a splendid banyan, a tree which from
childhood I had wanted to see. This pleased the owner, whose especial
pride it is—“Kaiulani’s banyan”; although he is obliged to trim it
unmercifully lest its predatory tentacles capture the entire park.
Into nurseries and vegetable gardens we followed him, and real grass
huts that have stood untouched for years. Another pride of Mr.
Cleghorn’s is his sixteen varieties of hibiscus, of sizes and shapes and
tints that we would hardly have believed possible—magic puffs of
exquisite color springing like miracles from slender green stems that
are often too slight, and snap under the full blossom-weight. Honolulu
holds an annual hibiscus exhibition, in which many leading citizens
compete.
The portion of the house once occupied by the vanished Princess is never
opened to strangers, nor used in any way. Only her father wanders there,
investing the pretty suite of rooms with recollection of her tuneful
young presence. For she was little over twenty when she died.
But we were made welcome in the great drawing-room, reached by three
broad descending steps, walled with rare books, and containing works of
art and curios from all the world: old furniture from European palaces
that would be the despair of a repulsed collector; tables of lustrous
Hawaiian woods fashioned to order in Germany half a century ago; rare
oriental vases set upon flare-topped pedestals ingeniously made from
inverted tree stumps of native brown _kou_ wood, polished like marble; a
quaint and stately concert grand piano; old portraits of royalty, white
and dusky; and, most fascinating of all, treasures of Hawaiian courts,
among them some of the marvelous feather work. In dim corners, _kahilis_
stand as if on guard—barbaric royal insignia, plumed staffs of state,
some of them twice the height of a man. The feathers are fastened at
right angles to the pole of shining hardwood, forming a barrel-shaped
decoration, somewhat like our hearse-plumes of a past generation. But
the kahili is only sometimes of funereal hue, more often flaming in
scarlet, or some grade of the rich yellows loved of the Islanders.
Originally a fly-brush in savage courts, the kahili progressed in
dignity through the dynasties to an indispensable adjunct to official
occasions, sometimes exceeding thirty feet in height. To me, it and the
outrigger canoe are the most significantly impressive of royal barbaric
forms.
Mr. Cleghorn suggested that he could arrange a private audience with
Queen Liliuokalani at her residence in town, if we desired. Which
reminds me that Jack holds a letter of introduction to her from Charles
Warren Stoddard, who knew her in the days of her tempestuous reign. He
and Jack have called each other Dad and Son for years, though acquainted
only by correspondence. But we have little wish to intrude upon the
Queen, for it can be scant pleasure to her to meet Americans, no matter
how sympathetic they may be with her changed state.
Upon a carven desk lay open a guest book, an old ledger, in which we
were asked to leave our hand. The first name written in this thick tome
is that of “Oskar, of Sweden and Norway,” and, running over the yellowed
pages, among other notable autographs we read that of Agassiz.
Here, there, and everywhere, in photograph, in oil portraiture, on wall
and upon easel, we met the lovely, pale face of Kaiulani, in whose
memory her father seems to exist in a mood of adoration. Every event
dates from her untimely passing. “When Kaiulani died,” he would begin;
or “Since Kaiulani went away,” and “Before Kaiulani left me—” was the
burden of his thought and conversation concerning the past of which we
loved to hear. Pictures show her to have been a woman compounded of the
beauty of her dual races, proud, loving, sensitive, spirituelle, with
the characteristic curling mouth and luminous brown eyes of the
Hawaiian, looking out wistfully upon a world of pleasure and opportunity
that could not detain her frail body. Flower of romance she was—romance
that nothing in the old books of South Sea adventuring can rival; her
sire, a handsome roving boy ashore from an English ship back in the
’50’s; her mother a dusky princess of the blood royal, who loved the
handsome fair-skinned youth and constituted him governor of Oahu under
the Crown, that she might with honor espouse him.
And now, the boy, grown old—his Caucasian vitality having survived the
gentle Polynesian blood of the wife who brought him laurels in her own
land,—having watched the changing administrations of that land for
nearly threescore years, abides alone with the shadow of her and of the
daughter with the poet brow who did honor to them both by coming into
being. To this beloved child-woman, previous to her voyage to England’s
Court, Robert Louis Stevenson, living where we peeped into the garden
but a few nights gone, sent the following:
[Written in April to Kaiulani in the April of her age; and at
Waikiki, within easy walk of Kaiulani’s banyan! When she comes
to my land and her father’s, and the rain beats upon the window
(as I fear it will), let her look at this page; it will be like
a weed gathered and pressed at home; and she will remember her
own islands, and the shadow of the mighty tree; and she will
hear the peacocks screaming in the dusk and the wind blowing in
the palms; and she will think of her father sitting there
alone.—R. L. S.]
“Forth from her land to mine she goes,
The island maid, the island rose,
Light of heart and bright of face:
The daughter of a double race.
“Her islands here, in Southern sun,
Shall mourn their Kaiulani gone;
And I in her dear banyan shade.
Look vainly for my little maid.
“But our Scots islands far away
Shall glitter with unwonted day,
And cast for once their tempests by
To smile in Kaiulani’s eye.”
Aboard the _Noeau_, bound for Molokai, Monday Evening, July 1.
_Noeau_ (No-a-ah-oo—quickly No-a-ow)—the very name has a mournful,
ominous sound; _Noeau_, ship of despair, ferry of human freight
condemned. We are not merry, Jack and I, for what we have witnessed
during the past two hours would wring emotion from a graven image. And
just when we would cheer a trifle, it not being our mutual temperament
long to remain downcast, our eyes are again compelled by the huddle of
doomed fellow-creatures amidst their pathetic bundles of belongings on
the open after-deck of the plunging interisland steamer bound for
Molokai.
None of it did we miss—the parting and the embarkation of the banished;
and never, should I live a thousand fair years, shall I forget the
memory of that strange, rending wailing, escaping bestiality by its very
deliberateness; for, no matter how deep and true may be the grief, this
wailing expression of it constitutes a ceremonial in this as in other
countries where it survives as a set form of lamentation. Shrill,
piercing, it curdled the primitive life-current in us, every tone in the
gamut of sorrow being played upon the plaintive word _auwe_
(ah-oo-way’—quickly ow-way’), _alas_, in recurrent chorusing when each
parting took place and the loved one stepped upon the gangplank,
untouched by officers and crew of the small steamer.
“Clean” passengers were taken aboard first, the vessel picking up at
another wharf those who bore no return ticket to the land of the clean.
As the _Noeau_ ranged alongside, the crowd ashore appeared like any
other dock-gathering of natives, even to the flowers; but suddenly Jack
at my elbow jerked out, “_Look_—look at that boy’s face!” It was a lad
of twelve or so, and one of his cheeks was so swollen that the bursting
eye seemed as if extended on a fleshy horn. Beside him a woman hovered,
her face dark with sorrow. We were soon quick to detect the marks and
roved from face to face, selecting more or less accurately those who
proved later to be passengers for the dark fifty-odd miles across Kaiwi
Channel and along the north coast of Molokai to the village of
Kalaupapa, is their final destination and home on this earth.
But one can only see what one can see, and there were men and women who
bore no apparent blemish; and yet these are now among the disfigured
company on the lurching after-deck.
The ultimate wrench of hearts and hands, the supreme acme of ruth, came
when, separated by the widening breach between steamer and dock, the
lost and the deserted gazed upon one another, and the last offerings of
leis fell short into the water. No normal malihini could stand by
unwrung; it was utterly, hopelessly sad—a funeral in which the dead
themselves walked.
Toward one white child, a blonde-haired little German maid, we felt
especial solicitude. Her bronze companions all had dear ones to wail for
them and for whom to “keen.” She stood quite apart, with dry eyes old
before their time, watching an alien race voice its woe in ways she had
not learned. Whose baby is she? To whom is she dear? Where is the mother
who bore her? And the answer was just now volunteered by the
Superintendent of the Leper colony, returning from a vacation, Mr. J. D.
McVeigh. The child’s mother is already in Kalaupapa, far gone with a
rapid form of leprosy; and this little daughter, who had been left with
a drunken father who treated her ill, has been found with the same
manifestation, and will live but a few years. So she is going to her
own, and her own is waiting for her, and it is well. But think of the
whole distorted face of the dream of life...
[Illustration: (1) Princess Likelike (Mrs. Cleghorn). (2) Princess
Victoria Kaiulani. (3) Kaiulani at Ainahau. (4) “Kaiulani’s Banyan.”]
...Now the white child has fallen asleep in a dull red sunset glow, her
flaxen head in the lap of a beautiful hapa haole girl who carries no
apparent spot of corrosion. She looks down right motherly upon the tired
face of the small Saxon maid. Hawaiian women eternally “rock cradles in
their hearts,” which are so expansive that it is said to matter little
whose child they cradle—bringing up one another’s offspring with
impartial loving-kindness. This practice extended even into highest
circles, as Liliuokalani attests in her entertaining book, “Hawaii’s
Story by Hawaii’s Queen.” She herself was “given away” at birth, wrapped
in the finest tapa cloth, to Konia, a granddaughter of Kamehameha the
Great, wedded to a high chief, Paki. Their own daughter, Bernice Pauahi.
Liliuokalani’s foster-sister, was afterward married to C. R. Bishop,
Minister of Foreign Affairs in 1893 under King Lunallio, Kalakaua’s
predecessor. The Queen writes that in using the term foster-sister she
merely adopts one customary in the English language, there being no such
modification recognized in her own tongue. As a matter of fact, in
childhood she knew no other parents than Paki and Konia, no other sister
than Pauahi. Her own father and mother were no more than interesting
acquaintances. For this custom she offers only the reason that the
alliance by adoption cemented ties of friendship between chiefs, which,
spreading to the common people, doubtless encouraged harmony—a harmony
that would have delighted King Solomon, to say nothing of white men’s
courts of law!
They forget quickly, these Hawaiians, one hears; and one must believe, I
suppose—and, believing, thank whatever gods may be; for this blissful
latitude never was created for the harboring of grief. But the ability
or tendency to forget pain has little to do with its momentary
poignancy. The passionate Hawaiian suffers with all the abandon of the
blood that keeps him always young. The sorrow is real, and the weeping.
If these people could not recover speedily from despair, they would die
off faster than they are already perishing from their arcadian isles.
On our deck, observing the dolorous scene aft, is a young native girl,
round and ripe and more lovely than any we have yet seen. Clean and
wholesome, unsullied by any blight, a happy body, she stands beside her
father, a stalwart gray-haired Hawaiian with lofty mien. One wonders
what are the young girl’s thoughts as she gazes upon these wrecks of her
kind. And yet, she herself might have to be sought in Molokai another
year. As well seek her under-ground, is the next thought. Poor human
flesh and blood!
Kalaupapa, Molokai, July 2.
We are trying to reconstruct whatever mind-picture we have hitherto
entertained of that grave of living death, Molokai. But it is no use,
and we would best give it up. Eye and brain are possessed of the
bewildering actuality, and having expected Heaven knows what lugubrious
prospect, we are all at sea. Certain it is that our preconceptions were
far removed from the joyous sunny scene now before us, as I rock in a
hammock on the Superintendent’s lanai, shaded from the late sunshine by
a starry screen of white jasmine. Jack stretches at length on a rattan
lounge, cigarette in one hand and long cool glass in the other; and what
we see is a serene pasture of many acres, a sort of bulging village
green, in the center a white bandstand breathing of festivity. Around
the verdant semi-hemisphere, widely straggling as if space and real
estate values were the least consideration of mankind, are dotted the
flower-bedecked homes of the leprous inhabitants. Breaking gaily into
this vision of repose, a cowboy on a black horse dashes across the field
and out of sight. A leper. Two comely wahines in ruffly white holokus,
starched to a nicety, stroll chatting by the house, looking up brightly
to smile Aloha with eyes and lips. Lepers. Jack looks at me. I look at
Jack. And this is Molokai the dread; Molokai, isle of despair, where
Father Damien spent his martyrdom.
The Settlement lies on a low triangle, a sort of wide-based peninsula,
selected by Dr. Hutchinson in 1865, shut effectively off as it is from
the rest of the island to the south by a formidable wall rising over two
thousand feet against the deep-blue sky—a wall of mystery, for it is
well-nigh unscalable except by the bands of wild goats that we can
discover only by aid of Mr. McVeigh’s telescope. Every little while, as
a sailor sweeps the horizon, he steps to the glass, hidden from the
community by the jasmine screen, and studies the land of his charge,
keeping track of the doings of the village.
The only trail out of or into this isolated lowland zigzags the bare
face of the pali near its northern end, at the seagirt extremity of the
Settlement reserve. A silvery-green cluster of kukui trees marks the
beginning of the trail not far up from the water’s edge. Thus far and no
farther may the residents of the peninsula stray; and the telescope is
most often trained to this point of the compass. That trail does not
look over-inviting; but we have set our hearts upon leaving Kalaupapa by
this route, albeit Mr. McVeigh, who knows what is in our thought, warns
that it is undergoing repairs and is unsafe. Indeed, he has gone so far
as to hint that it is out of the question for us to ascend now.
In view of the pleasant reality of the island, yesternight’s racking
experience seems a nightmare. Over and above pity for the stricken
exiles, we were none too comfortable ourselves. In the tiny stuffy
staterooms it was impossible to sleep, and except for coolness the
populous deck was scarcely less disturbing. Besides the Superintendent,
the other passengers were hapa haoles and a white Catholic father with
his Bishop, bound for the Settlement to inspect their institutions.
We turned in early on deck-mattresses, after listening to some thrilling
yarns from the captain and mate of the sorry little steamer, to say
nothing of those of Mr. McVeigh, who sparkles with Hibernian wit. As the
miles and time increased between the lepers and the harbor of farewells,
they searched out their ubiquitous ukeleles and guitars, and rendered us
happier for their presence. All would have been well, and the music and
murmuring voices soon have had us drowsing, but for a tipsy native
sailor who chipped in noisily with ribald song and speech that was
loudly profane.
At intervals the captain and mates issued from their unrestful cubbies
on to the short strip of plunging deck (these interisland channels have
a reputation equal to the passage between Dover and Calais), and
conversed at length in unmuffled accents. To cap my sleepless
discomfort, Jack, who had been fighting all night, he avers
unconsciously, to wrest away the soft pillow he had insisted upon my
using, finally appropriated the same with a determined “pounding of the
ear” in hobo parlance. And poor I, lacking the meanness to reclaim it at
price of rousing him from his troubled slumber, languished upon a
neck-wrenching bolster stuffed, I swear, with scrap-iron. It has since
occurred to us that it may have been a life-preserver.
At the chill hour of four, all passengers for Kalaupapa were landed in a
rough-and-ready life-boat through breakers which, to our regret, were
the reverse of boisterous. We had looked forward to making through a
breach of surf like that shown in photographs of Kalaupapa Landing. But
it was novel enough, this being let down the lurching black flank of the
ship where she rolled in the unseen swell, into an uncertain boat where
muscular arms eased us into invisible seats. The merest fitful whisper
of air was stirring, and there was something solemn in our progress,
deep-dipping oars sending the heavy boat in large, slow rhythm over a
broad swell and under the frown of a wall of darker darkness against the
jeweled southern sky.
The landing is a small concrete breakwater, into the crooked arm of
which we slipped, trusting in the lantern gleam to hands of natives that
reached to help. We wondered, entirely without alarm, if they were
leprous fingers we grasped, but rested upon fate and climbed our
spryest.
The wall was rimmed with sitting figures, and when our twenty-five leper
passengers set foot on the cement, some were greeted in low, hesitant
Hawaiian speech as if by acquaintances. In the flicker of the swinging
lanterns we saw a white woman’s anxious face and two pale hands
stretched out. And tears were in my eyes to see the German mother and
child united, even in their awful plight.
A silent Japanese took charge of me and my suitcase, and I was carried
in a cart up a gentle rise to this cottage smothered in trees, the door
of which is reached by way of a fragrant, vine-clasped arbor. The night
was almost grewsomely still, and I tried to pierce the gloom to judge
how near was that oppressive wall in the velvet black to the south.
The Japanese turned me over to his wife, a small motherly thing who
fluttered me into a bright white room with canopied bed, into which she
indicated I was to plump forthwith; that the bath was just across the
lanai; breakfast at eight; and could she do anything for me?
After breakfast the official “clean” members of the colony dropped in,
Doctors Goodhue and Hollmann, the pioneer resident surgeon and his
assistant, with their wives, as well as the German-Hawaiian parents of
Mrs. Goodhue, who had tramped down the pali the previous day from their
ranch in the highlands “beyond the pale,” to visit their daughter. Jack
and I promptly registered the thought that if they could negotiate that
trail, why not we?
Never have we spent a day of such strange interest. Before luncheon, Mr.
McVeigh drove us to within two or three hundred yards of the foot of the
pali, to see the Kalaupapa Rifle Club at practice. Quite as a matter of
course we sat on benches side by side with the lepers, and when our
turns came, stood in their shooting boxes, and with rifles warm from
their hands hit the target at two hundred yards. Oh, I did not quite
make the bull’s-eye, but there were certain drawbacks to my best
marksmanship—the heavy and unfamiliar gun that I had not the strength
to hold perfectly steady, and the audience of curious men whose personal
characteristics were far from quieting to malihini wahine nerves. We
were duly decorated with the proud red badge of the Club, bearing
“Kalaupapa Rifle Club, 1907,” in gilt letters.
But fancy watching these blasted remnants of humanity, lost in the
delight of scoring, their knotted hands holding the guns, on the
triggers the stumps of what had once been fingers, while their poor
ruined eyes strove to run along the sights...
It took all our steel, at first, to avoid shrinking from their
hideousness; but, assured as we were of the safety of mingling, our
concern was to let them know we were unafraid. And it made such a
touching difference. From out their watchful silence and bashful
loneliness they emerged into their natural care-free Hawaiian spirits.
For, you must know, all leprosy is not painful. There is what is termed
the anæsthetic variety, which twists and deforms but which ceases from
twinging as the disease progresses or is arrested, and the nerves go to
sleep. Another and loathsome form manifests itself in running sores; but
Dr. Goodhue now takes prompt action with such cases, his brave, deft
surgery producing marvelous results. Tubercular leprosy makes swift
inroads and quick disposal of the sufferer. But it should make the
public happier to know that here the majority of the patients come and
go about the business of their lives as in other villages the world
over, if with less beauty of face and form.
In the afternoon Dr. Hollmann took us in charge and showed us first the
Bishop (Catholic) Home for Girls, presided over by Mother Marianne, the
plucky, aged Mother Superior of Hawaii Nei. Here she spends most of her
life, two sisters living with her. Like a tall spirit she guided us
across the playground and through schoolrooms and dormitories. In one of
the latter we recognized a young girl who came on the _Noeau_ last
night. Standing in a corner talking with two old friends whose faces
were almost obliterated, this latest comer neither looked nor acted as
if there was anything unusual about them. She has a rare sense of
adjustment, that girl—or else is mercifully wanting in imagination.
Women seem more susceptible to the ruin of disease, mental or physical,
than their brothers—at least they show it more ruinously. I have
noticed in feeble-minded and insanity institutions that the eclipse of
personality is more complete among the females. Perhaps it is because we
are used to especial comeliness in women; and to see a vacant or
disfigured countenance above feminine habiliments instead of the sweet
flower of woman’s face, is dreadful beyond the dreadfulness of man’s
features under similar misfortune.
“Would you like to hear the girls sing?”
_Like_ was hardly the word; I would have fled weeping from what could
only be an ordeal to every one. But we could not refuse good Mother
Marianne the opportunity to display the talents of her pupils, and a
Sister was dispatched to summon them.
Draggingly enough they came, unsmiling, their bloated or contracted
features emerging grotesquely from the clean holokus. Every gesture and
averted head bespoke a piteous shame over lost fairness—a sensitive
pridefulness that does not appear to trouble the male patients.
Clustered round a piano, one played with hands that were not hands—for
where were the fingers? But play she did, and weep I did, in a corner,
in sheer uncontrol of heartache at the girlish voices gone shrill and
sexless and tinny like the old French piano, and the writhen mouths that
tried to frame words carolled in happier days. They gazed dumbly at the
white wahine who grieved for them—indeed, it would have been difficult
to say who was sorrier for the other. Out of their horrible eye-pits
they watched us go, and I wonder if Jack’s sad face and my wet cheek
were any solace to them. But they called Aloha bravely as we went down
the steps, as did a group of girls under a hau tree—one of whom, a
beautiful thing, crossing the inclosure with the high-breasted,
processional carriage of Hawaiian, showed no mark of the curse upon her
swart skin where the blood surged in response to our greeting.
The Bay View Home was our next objective, in which are kept the most
advanced cases of the men. Nothing would do but Jack would see
everything to be seen—and where he goes and can take me, there does he
wish me to go to learn the face, fair and foul, of the world in which we
live. Here we found several of our own race who appeared quite
cheerful—let us say philosophical. One in particular, a ghastly white
old man whose eyes hung impossibly upon his cheeks, spoke with the
gentlest Christian fortitude, trying to smile with a lip that fanned his
chest—I do not exaggerate. Only one there was who seemed not in the
slightest resigned—he who led us among his brother sufferers in this
house of tardy dissolution.
“Do any of them ever become used to their condition?”
His terrible eyes came down to my face with a look of utter
hopelessness.
“I have been here twenty-five years, Mrs. London, and I am not used to
it yet.”
Glancing back from the gate, we saw him still standing on the lanai,
straight and tall, gazing out over the sea; a man once wealthy and
honored in his world—a senator, in fact. And now there remains nothing,
after his two and a half disintegrating decades of exile, but long years
of the same to follow; at the end of which he sees himself, an unsightly
object, laid in the ground out of the light of heaven.
There is one hope, always, for those of the lepers who think—the
shining hope that blessed science, now aroused, may discover at any
illuminated moment the natural enemy of the _bacillus lepræ_ which has
been isolated and become thoroughly familiar to the germ specialists.
Jack, visiting the Kalihi Detention Home and Experiment Station, in
Honolulu, was shown the _bacillus lepræ_ under the microscope. Plans are
under way for a federal experiment laboratory and hospital on Molokai
for the study of the evil germ. The Settlement itself is a territorial
care, managed by the Board of Health.
In still another building we inspected the little dispensary, and here
met Annie Kekoa, a half-white telephone operator from Hilo, on Hawaii,
daughter of a native minister. One of her small hands is very slightly
warped; otherwise she is without blemish, and very charming—educated
and refined, with the loveliest brown eyes and heart-shaped face. Being
a deft typewriter, she is employed in the dispensary to fill her days,
for she is unreconciled to her changed condition. Little she spoke of
herself, but was eager for news of Honolulu and our own travels. We told
her of a resemblance she bears to a friend at home, and she said in a
shaken voice: “When you see your friend again, tell her she has a little
sister on Molokai.” At the moment of parting, a sudden impulse caused us
both to forget the rules, and we reached for each other’s hands. I know
I shall never be sorry.
“Major” Lee, one-time American engineer in the Inter-Island Steamship
Company, demonstrated the workings of a newly installed steam poi
factory. He was in the gayest of humors, and ever so proud of his
spick-and-span machinery. “We’re not so badly off here as the Outside
chooses to think,” he announced, patting a rotund boiler. And then, with
explosive earnestness: “I say, Mr. London—give ’em a breeze about us,
will you? Tell ’em how we really live. Nobody knows—nobody has told
half the truth about Molokai and the splendid way things are run. Why,
they give the impression that you can go around with a basket and pick
up fingers and toes and hands and feet. They don’t take the trouble to
find out the truth, and nobody seems to put ’em straight. Why, leprosy
doesn’t work that way, anyhow. Things don’t _fall off_: they _take
up_—they absorb. We’ve got our pride, you know and we don’t like the
wrong thing believed on the Outside, naturally. So you give the public a
breeze about us, Mr. London, and you’ll have the gratitude of the
fellows on Molokai.”
And I thought I saw, in Jack’s active eye, a hint of the fair breeze to
a gale that he would set a-blowing on the subject of “the fellows on
Molokai.”
When “Major” Lee sailed his last trip on the old Line, the luckier
engineers of the _Noeau_, taking him to Kalaupapa, said: “Come on down
to our rooms, and be comfortable.” Lee protested—No, it would not be
right; it wouldn’t be playing the game; he was a leper now, a leper, do
you hear?—and things were different, old fellows.... “Different, your
granny!” and with friendly oaths and suspicious movements of
shirtsleeves across eyes, the chief and his men had their old comrade
into their quarters and gave him the best they had, even to a
stirrup-cup—an infringement of orders, as alcohol is the best
accomplice of leprosy.
Leaving Kalaupapa, we drove to the elder village, Kalawao, across the
mile of the rolling peninsula, a pathway of beauty from the iron-bound,
surf-fountained sea line, to the grandeurs of the persistent pali to the
south, which is beyond word-painting, unfolding like a giant panorama
even along that scant mile. Such crannied canyons, crowded with ferns;
such shelves for waterfalls that banner out in the searching wind; such
green of tree and purple of shadow. Midway of the trip, Dr. Hollmann
turned to the left up a short, steep knoll, from the top of which our
eyes dropped into a tiny crater—deep, emerald cup jeweled with red
stones, a deeper emerald pool in the bottom, fringed with clashing sisal
swords. We came near having a more intimate view of the inverted cone,
for a sudden powerful gust of the strong trade that sweeps the peninsula
caught us off guard and obliged us to lean sharply back against the
blast. Descending the outer slopes of the miniature extinct volcano, we
poked around amidst some nameless graves, the old cement mounds and
decorations crumbling to dust. The place was provocative of much
speculation upon human destiny.
In Kalawao we called at the Catholic Home for Boys, presided over by
Father Emmerau and the Brothers, and met up with Brother Dutton, veteran
of the Civil War, Thirteenth Wisconsin, who later entered the
priesthood, and has immolated himself for years among the leper youth.
We found him very entertaining, as he found Jack, with whose career he
proved himself well acquainted.
Across the road in a little churchyard, we stood beside the tombstone of
Father Damien—name revered by every one who knows how this simple
Belgian priest came to no sanitary, law-abiding, well-ordered community
such as to-day adorns this shunned region. He realized his destination
before he leaped from the boat; and, once ashore, did not shrink nor
turn back from the duty he had imposed upon himself. A life of toil and
a fearful lingering death were the forfeit of this true martyr of modern
times. We have seen photographs of him in the progressing stages of his
torment, and nothing more frightful can be conjured.
Never had we thought to stand beside his grave. Just a little oblong
plot of tended green, inclosed in iron railing, with a white marble
cross and a footstone—that is all; fittingly simple for the simple
worker, as is the Damien Chapel alongside, into which we stepped with
the Bishop, our fellow passenger on the _Noeau_, and Fathers Emmerau and
Maxime, to see the modest altar. Standing before the shrine in the
subdued light, it seemed as if there could have been no death for the
devoted young priest who came so far to lay down his life for his
friends.
* * * * *
After dinner, cooked by the pretty Japanese Masa and her husband, the
other household came over to our lanai. And while we talked, in through
the twilight stole vibrations of swept strings, and the sob of a violin,
and voices of the men’s “Glee Club” that wove in perfect
harmonies—voices thrilling as the metal wires but sharpened and thinned
by corroded throats. There we sat in plenitude of health and
circumstance, while at the gate, through which none but the clean may
ever stray, outside the pale of ordinary human association, these poor
pariahs, these shapes that once were men in a world of men, sang to us,
the whole, the fortunate, who possess return passage for that free
world, the Outside—lost world to them.
On and on they sang, the melting Hawaiian airs, charming “Ua Like No a
Like,” and “Dargie Hula,” “Mauna Kea” beloved of Jack, and his more than
favorite, Kalakaua’s “Sweet Lei Lehua,” with tripping, ripping hula
harmonies unnumbered. At the end of an hour bewitched, to Mr. McVeigh’s
low “Good night, boys,” their last Queen’s “Aloha Oe,” with its fadeless
“Love to You,” that has helped to make Hawaii the Heart-Home of
countless lovers the world over, laid the uttermost touch of eloquence
upon the strange occasion. The sweet-souled musicians, who in their
extremity could offer pleasure of sound if not of sight to us happy
ones, melted away in the blue starlight, the hulaing of their voices
that could not cease abruptly, drifting faint and fainter on the wind.
Kalaupapa, Wednesday, July 3, 1907.
“Quick! First thought! _Where are you?_” Jack quizzed, as through the
jasmine we peered at a score of vociferous lepers running impromptu
horse races on the rounding face of the green. Remote, fearsome Molokai,
where the wretched victims of an Asiatic blight try out their own fine
animals for the prize events of the Glorious Fourth! And all forenoon we
listened to no less than four separate and distinct brass bands
practicing in regardless fervor for the great day. Laughing, chattering
wahines bustled about the sunny landscape, carrying rolls of calico and
bunting; for they, too, will turn out in force on the morrow to show how
the women of Hawaii once rode throughout the kingdom, following upon
that gift of the first horse by Captain Cook to Kamehameha, astride in
long, flowing skirts of bright colors—the _pa’u_ riders of familiar
illustrations.
Mr. McVeigh, satisfaction limned upon his Gaelic countenance at all this
gay preparation, is much occupied, together with his _kokuas_ (helpers),
in an effort to forestall another brand of conviviality that is sought
by the lepers on their feast days; and, denied all forms of alcohol,
they slyly distil “swipes” from anything and everything that will
ferment—even potatoes.
But the lusty Superintendent was not too busy to plan for us a ride to
the little valleys of the pali. There was an odd assortment of
mounts—every one of which, despite the appearance of two I could name,
was excellent in its way. Jack’s allotment was a stout, small-footed
beastie little larger than a Shetland, and to me fell an undersized,
gentle-seeming white palfrey. To my observant eye, Jack _looked_ more
than courtesy would allow him to express, for his appearance was highly
ridiculous. Although of medium height, his feet hung absurdly near the
ground, and his small Australian saddle nearly covered the pony.
We ambled along for a short distance, when our host’s huge gray suddenly
bolted, followed by the others, and I as suddenly became aware that my
husband was no longer by my side. The next instant I was in the thick of
a small stampede across country, the meekness of the milk-white palfrey
a patent delusion and snare, while Jack’s inadequate scrap, leaping like
a jackrabbit, had outdistanced the larger horses. Every one was
laughing, and Jack, now enjoying the practical joke, waved an arm and
disappeared down Damien Road in a cloud of red dust.
Pulling up to a decorous gait through Kalawao, we left the peninsula and
held on around the base of the pali till the spent breakers washed our
trail, where a tremendous wall of volcanic rock rose abruptly on the
right. The trail for the most part was over bowlders covered with
seaweed, and we two came to appreciate these pig-headed little horses
whose faultless bare hoofs carried us unslipping.
Skirting the outleaning black wall, we looked ahead to a coast line of
lordly promontories that rise beachless from out the peacock-blue ocean,
and between which are grand valleys inaccessible except by boat and then
only in calm weather. Two of these valleys, Pelekunu and Wailau, contain
settlements of non-leprous Hawaiians, who are said to live much as they
did before the discovery of the Islands, although they now sell their
produce to the Leper Settlement.
Turning into the broad entrance of a swiftly narrowing cleft called
Waikolu, we rode as far as the horses could go, and some nice problems
were set them on the sliding, crumbling trail. We overheard the
Superintendent’s undertone to Dr. Goodhue: “No malihini riders with us
to-day!” which is encouragement that we may be permitted to travel the
coveted zigzag out of the Settlement. Then tethering the animals in the
kukui shade, we proceeded on foot up a muddy steep where the vegetation,
drenched overnight with rain, in turn drenched us and cooled our
perspiring skins. Except for the trail—and for all we knew that might
have been a wild-pig run—the valley appeared innocent of man; but
presently we gained to where orderly patches of water taro with its
heart-shaped leaves terraced the steep, like a nursery of lilies, and
glimpsed idyllic pictures of grass-houses clinging to ferny ledges of
the mountain side, shaded by large banana and breadfruit trees, and
learned that in these upland vales live certain of the lepers who,
preferring an agricultural life, furnish the Settlement with vegetables
and fruit. And we tried some “mountain apples,” the _ohia ai_, as
distinguished from the _ohia lehua_ which furnishes a beautiful dark
hardwood. This fruit is pear-shaped, red and varnished as cherries, and
sweet and pulpy like marshmallows.
Here were also many pandanus trees (_pandanus ordoratissimus_), called
_lauhala_ or _hala_ by the natives. Lest one fall into the misconception
that the Hawaiian tongue is a simple one, or depreciate the manifold
importance of the pandanus, it is interesting to note that the tree
itself is known more strictly as _puuhala_; the flat, pointed knives of
leaves, _lauhala_; the edible nut growing at the base, _ahuihala_; the
flower from which leis are strung, _hinana_. _Aakala_ are the many
stilted aerial roots which uphold the tree and even branch downward from
some of the limbs. These gradually lift the trunk, at the same time
anchoring it to the ground in all directions. They bear a very slight
resemblance to the mangrove, but are straight, while the other writhes
into an inextricable tangle. The pandanus is also familiarly spoken of
as the screw-pine, from the manner in which its sheaves of blades twist
in a perfect spiral upon the hole.
The number of its benefits to mankind is rivaled only by the coconut.
The _puuhala_, besides furnishing food in the shape of nuts and esthetic
pleasure by its orange leis and its tropical beauty, is the staple for
mat-, hat-, fan-, and cushion-weaving. Of old, strands of its fiber went
to make deadly slings for warfare. The fibrous wood of the mature trees
is hard and takes so high a polish that it is used in making the
handsome turned bowls that have come to be known as calabashes.
Jack’s imagination went a-roving over the possibilities of the
peninsula: “Why, look here, Mate Woman,” he planned, “we could, if ever
we contracted leprosy, live here according to our means. I could go on
writing and earning money, and we could have a mountain place, a town
house down in the village, a bungalow anywhere on the seashore that
suited us, set up our own dairy with imported Jerseys, and ride our own
horses, as well as sail our own yacht—within the prescribed radius, of
course—and let Dr. Goodhue experiment on our cure!—Isn’t it all
practical enough?” this to the grinning “Jack” McVeigh, who was
regarding him with unconcealed delight, and who assured us he wished us
no harm, but for the pleasure of our company he could almost hope the
plan might come to pass!
Hours Jack London spends “cramming” on leprosy from every book the
doctors have in their libraries. And literally it is one of the themes
about which what is not known fills many volumes. The only point upon
which all agree is that they are sure of nothing as regards the means by
which the disease is communicated. The nearest they can hazard is that
it is _feebly_ contagious, and that a person to contract it must have a
predisposition. Thus, one might enter the warm blankets of a leper just
risen, and, by hours of contact with the effluvia therein, “catch” the
disease. The same if one slept long in touch with a victim—and then
only if one had the predisposition. But who is to know if the
predisposition be his? Certain theories as to the mode of contagion were
given us as settled facts by the authorities of the Lazar Hospital in
Havana, where we first became interested in leprosy; but that there is
little dependence to be placed on these opinions is borne out by at
least two known cases on Molokai; one, a native who has remained “clean”
though living with a wife so far gone that she attends to her yearly
babies with her deft feet; and the other, a wahine who has buried five
successive leprous husbands, and has failed to contract their malady.
We recall that in Havana we were assured that no attendant, no Caucasian
living for years within the confines of the institution, had ever become
afflicted; and the same is held on Molokai—which reports make us, as
visitors, feel secure. On the other hand, several of the few white men
here assert that they are absolutely ignorant as to the means of their
own contagion, not having, to their knowledge, been exposed. One of
these is the village storekeeper, a hearty soul whom we have seen riding
about in smart togs on a good horse. He possesses but a spot—on one
foot—which to date has neither increased nor diminished. When he
discovered the “damned spot,” promptly he reported himself to the Board
of Health; and here he makes the courageous best of his situation.
No positive cure of leprosy has yet been discovered. But occasionally
some patient is found upon bacteriological examination to have no
leprosy in him—never having had leprosy. Such are discharged from the
Settlement. Nine times out of ten, they do not want to go, and will
practice any innocent fraud to retain residence in the place that has
become a congenial home.
In some ways the inhabitants of this peninsula are the happiest in the
world. Food and shelter are automatic; pocket-money may be earned.
Several private individuals conduct stores. The helpers, kokuas, are in
the main lepers, and earn salaries. The Board of Health carries on
agriculture, dairying, stock-raising, and the members of the colony are
paid for their labor, and themselves own many heads of cattle and horses
which run pasture-free over some 5,000 acres. The men possess their
fishing boats and launches, and sell fish to the Board of Health for
Settlement consumption. Sometimes a catch of 4,000 pounds is made in a
night. It is not an unhappy community—quite the reverse. And their
religions are not interfered with, which is amply shown by the six
different churches that flourish here. Also there is a Young Men’s
Christian Association.
Long we rested on the Goodhue lanai to-night, and long the shadowy leper
orchestra serenaded beyond the hibiscus hedges, while some one recalled
a story of Charles Warren Stoddard’s “Joe of Lahaina,” in which a
Hawaiian boy, bright companion of other days, crept to the gateway in
the dusk, and there from the dust called to his old friend. Forever
separated, they talked of old times when they had walked arm in arm, and
arms about shoulders, in Sweet Lahaina.
July 4.
This morning we were shocked from dreams by noises so outlandish as to
make us wonder if we were not struggling in nightmare—unearthly
cackling mirth and guttural shoutings and half-animal cries that hurried
us into kimonos and sandals to join our household at the gate where they
were watching a scene as weird as the ghastly din. Only a little after
five o’clock, the atmosphere was vague, and overhead we heard the
rasping cry of a bosun bird, _koae_. In the eery whispering dawn there
gamboled a score or so “horribles,” men and women already horrible
enough, God wot, and but thinly disguised in all manner of extravagant
costumings. They wore masks of home manufacture, in which the makers had
unwittingly imitated the lamentable grotesquerie of the features of
their companions—the lopping mouth, knobby or almost effaced nose,
flapping ear; while, equally correct in similitude, the hue of these
false-true visages was invariably an unpleasant, pestilent yellow. Great
heaven!—do our normal countenances appear abnormal to them?
Some of the actors in this serio-comic performance were astride
cavorting horses, some on foot; and one, an agile clown in dots and
frills, seemed neither afoot nor horseback, in a way of speaking, for he
traveled in company with a trained donkey that lay down peaceably
whenever it was mounted. One motley harlequin, whose ghostly white mask
did not conceal a huge bulbous ear, exhibited with dramatic gesture and
native elocution a dancing bear personified by a man in a brown shag to
represent fur.