with followers, to abduct _Leonora_. The followers range themselves
against a wall in the background, until the Count has finished
"_Il Balen_." If their opinion was asked, they would probably be
in favour of his making rather less noise about it, if he really
means business--but of course it is not _their_ place to interfere.
_Leonora_ enters to take the veil, with procession of nuns, preceded
by four female acolytes--or are they pages?--in white tights, carrying
tapers. The Count and his followers are evidently a little taken
aback--an abduction not quite so simple an affair as they expected.
While they are working themselves up to it, _Manrico_ appears, as the
stage-direction says, "like a phantom." In a helmet, with a horsehair
tail, and a large white cloak, he does look extremely like the
_Ghost_ in _Hamlet_, and which is, perhaps, why the Count, under the
impression that he is an apparition from some other Opera, allows him
to Walk off with _Leonora_ under his very nose. Swords are drawn--with
the usual result of bringing down the Curtain.
[Illustration: "Azucena," or, "My pretty Chain!"]