The road from Llandovery to Brecon is as fine as that to Carmarthen,

though it is more sinuous and hilly. But it is perfectly surfaced and

climbs the hills in such long sweeping curves and easy uniform grades

that the steepest scarcely checks the flight of our car as it hastens

at a thirty-five mile gait to Brecon. It is growing late--we might

well wish for more time to admire the views from the hillside road.

The valleys are shrouded in the purple haze of twilight and the sky

is rich with sunset coloring. It has been a strenuous day for us--one

of our longest runs over much bad road. We note with satisfaction the

promise of a first-class hotel at Brecon, though we find it crowded

almost to our exclusion. But we are so weary that we vigorously

protest and a little shifting--with some complaint from the shifted

parties--makes room for us. We are told in awe-stricken whispers that

the congestion is partly due to the fact that Her Grace the Duchess of

B---- (wife of one of the richest peers in England) has arrived at the

hotel with her retinue, traveling in two motor cars. She was pointed

out to us in the morning as she walked along the promenade in very

short skirts, accompanied by her poodle. We heard of this duke often

in our journeyings, one old caretaker in a place owned by the nobleman

assuring us that his income was no less than a guinea a minute! The

duke owns many blocks of buildings in some of the busiest sections of

London. The land occupied by them came into possession of the family

through the marriage of the great-grandfather of the present holder of

the title with the daughter of a dairy farmer who owned much of the

quarter where London real estate is now of fabulous value--thus showing

that some of the English aristocracy rose to wealth by means quite as

plebeian as some of those across the water. Nowadays the penniless

duke would have crossed the Atlantic to recoup his fortune, instead of

turning to a rich dairyman's daughter in his own country.

But in indulging in this more or less interesting gossip, I am

forgetting Brecon and the Castle Hotel, rightly named in this instance,

for the hotel owns the old castle; it stands in the private grounds

which lie between the hotel and the river and are beautified with

flowers and shrubbery. Brecon boasts of great antiquity and it was

here that Sir John Price made overtures to Henry VIII. which resulted

in the union of England and Wales. The priory church is one of the

largest and most important in Wales and is interesting in architecture

as well as historical association. We saw the plain old house where

the ever-charming Mrs. Siddons was born--a distinction of which Brecon

is justly proud. And Brecon is not without its legend of Charles the

Wanderer, who passed a day or two at the priory during one of his

hurried marches in Wales, and the letter he wrote here is the first

record we have of his despair of the success of the royal cause.

My chapter is already too long--but what else might be expected of an

effort to crowd into a few pages the record of sights and impressions

that might well fill a volume?

VIII

SOME NOOKS AND CORNERS

Early next day we were in Hereford, for it is but forty miles from

Brecon by the Wye Valley road. It had been just one week since we had

passed through the town preparatory to our tour of South Wales--a

rather wearisome journey of well upon a thousand miles over some of

the worst of Welsh roads. It was not strange, then, that we gladly

seized the opportunity for a short rest in Hereford. There is something

fascinating about the fine old cathedral town. It appeals to one as

a place of repose and quiet, though this may be apparent rather than

real, for we found the Green Dragon filled to the point of turning away

would-be guests. The town stands sedately in the midst of the broad,

level meadows which surround it on every side, and through its very

center meanders the Wye, the queenliest of British rivers, as though

loath to leave the confines of such a pleasant place. It is a modern

city, despite its ancient history, for its old-time landmarks have

largely disappeared and its crowded lanes have been superseded by broad

streets. Even the cathedral has a distressingly new appearance, due

to the recent restoration, and a public park occupies the site of the

vanished castle. But for all that, one likes Hereford. Its newness is

not the cheap veneer so frequently evident in the resort towns; it is

solid and genuine throughout and there are enough antique corners to

redeem it from monotony. To sum up our impressions, Hereford is a place

one would gladly visit again--and again.

Jotted down on our map adjacent to the Tewkesbury road were blue

crosses, indicating several seldom-visited nooks and corners we had

learned of in our reading and which we determined to explore. No

recollection of our wanderings comes back to us rosier with romance

or more freighted with the spirit of rural England than that of our

meanderings through the leafy byways of Worcestershire in search of

Birtsmorton, Ripple, Stanton and Strensham. One will look long at the

map before he finds them and a deal of inquiry was necessary before we

reached Birtsmorton and its strange moated manor, Moreton Court. No

better idea could be given of the somnolence and utter retirement of

the little hamlet than the words of a local writer:

"Birtsmorton is remarkable for the almost total absence of the usual

signs of trade and industry; even agriculture is prosecuted within such

limits as consist with leaving an ample portion of its surface in the

good feudal condition of extended sheep walks and open downs. Such

Birtsmorton has ever been, such it still is--but, thanks to projected

railroads, such we trust it will not always be."

The projected railroad has not yet arrived and the lover of quietude

and of the truly rural will hope that it will still be long delayed. No

quainter old place did we find in our long quest for the quaint than

Moreton Court. Fancy a huge, rambling house, a mixture of brick and

half-timber, with a great gateway over which the ancient port-cullis

still shows its teeth, surrounded closely on all sides by the waters of

a very broad moat and connected with the outer world by a drawbridge.

Once inside the court, for you gain admission easily, you pause to

look at the strange assortment of gables, huge chimneys and mullioned

windows, all indicative of ancient state. Not less interesting is

the interior; one finds a staircase of solid black oak with a queer,

twisted newelpost, dark corridors leading to massive oaken doors,

chambers with ceilings intersected by heavy beams, and a state

apartment of surpassing beauty. This is a spacious room, paneled to

the ceiling with finely wrought dark oak, its mullioned oriel windows

overhanging the moat, which on this side widens to a lake. A marvelous

chimney-piece with the arms of the ancient owners attracts attention

and the scutcheons of a dozen forgotten noblemen are ranged as a frieze

around the walls.

We will not seek to learn the history of the old house, but some of

its legends have a strange fascination. It is surely appropriate that

Moreton Court should have its ghost--the "lily maid" who on winter

nights kneels over the grave of her murdered lover in the adjoining

churchyard. Her stern father had driven her from his home because of

her constancy to her yeoman lover, whom he caused to be hung on the

false charge of stealing a cow. The next morning the cruel sire found

his daughter dead at his door, covered with the winter snow. But

there is another grim old legend far better authenticated, which had

its origin in a sad incident occurring at Moreton Court two or three

centuries ago, and a sermon is still annually preached in the church

against dueling. A pair of lovers were plighting their troth in the

manor gardens when an unsuccessful rival of the happy youth chanced

upon them and a quarrel ensued which led to a duel fatal to both of

the combatants. The heart-broken maiden ended her days in sorrow at

Moreton Court and left by will a fund to provide for this annual

sermon. Another weird story they tell of the great Wolsey, in his youth

chaplain to the lords of Moreton Court. A recalcitrant priest from

Little Malvern Priory was condemned to crawl on all fours from his

cell to the summit of Ragged-Stone Hill and in his rage cursed all upon

whom the shadow of the hill should afterwards fall. Wolsey was one day

reading in the manor grounds when to his horror he found that the fatal

shadow of the hill-crest enveloped him.

But today, for all its history and legend, Moreton Court has

degenerated into an ill-kept tenement farmhouse and the banquet hall

with its richly moulded plaster roof is used as a storehouse for

cheese. The stagnant waters of the moat and the uncleanly dairy yard

directly in front of the house accord ill with its old-time state and

with our modern notions of sanitation. The church near at hand is older

and quite as unique as the manor; little restoration has interfered

with its antique charm. Its bench ends still show the Tudor Rose and

are undoubtedly those originally placed in the church. A "sanctuary

ring" in the door and an odd circular alms-chest are very unusual and

the altar tombs and screens are worthy of notice. In the church are

buried the ancient lords of Moreton Court, who sleep their long sleep

while church and manor degenerate into plebeian hands and gradually

fall into ruin.

We found it practically impossible at the close of the day to trace on

the map the maze of byways we threaded before reaching Worcester, and

now our wanderings come back only as a general impression. We crossed

the Severn at Tewkesbury but did not enter the town. A departure

from the Worcester road into a narrow lane led us in a mile or two

into Ripple, one of the quaintest and coziest of hamlets. Only a few

thatched cottages clustered about the stone market cross of immemorial

days--cottages overshadowed by no less immemorial elms, mantled with

ivy and dashed with the color of rose vines. Near the cross, relics of

days when there were rogues in Ripple--surely there are none now--are

the oaken stocks and weather-beaten whipping-post. What a quiet,

dreamy, secluded place it seems. It is hard indeed to imagine that

within a circle of fifty miles is a country teeming with cities. If the

village has any history we did not learn it--no great man is connected

with Ripple as Tennyson with Somersby, though Ripple is not unlike

Somersby. Ripple is worth a day's journey just for itself. Only one

lane leads to the village, but we left it over a wide common, passing

many gates to regain the main road.

[Illustration: TOWN CROSS, STOCKS AND WHIPPING POST, RIPPLE.]

We left this again in a few miles for Strensham, a village not unlike

Ripple, though larger. Its church, our "object of interest," is

situated in the fields a mile from the town. No open road leads to

it, only a rough stone-strewn path through the fields. They told us,

though, that we might take the car to the church, and we passed

through several gates before we paused in the green meadow in front of

the old structure. There was no one in charge; the doors were locked

and it looked as if our pains in coming were all for nothing. A man

who was trimming the hedge pointed out the rectory and a little effort

brought forth the rector himself, who seemed much pleased that pilgrims

should be interested enough to come to his church.

Surely Strensham Church is one of the quaintest of the smaller English

churches. The restorer's hand has not as yet marred its oddity--though

sorely needed, the rector said, to arrest too evident decay. The floor

is of uneven flagstones, interspersed here and there with remnants of

the original tiling. The high-backed oaken pews have been in place for

centuries, but, alas, have been covered by a coat of yellow "grained"

paint.

"I had a man come from London to give me the cost of removing the

paint," said the rector, "but he said it would be sixty pounds--quite

out of the question when money is so much needed to prevent actual

decay."

The rood loft, bearing a dozen painted panels of saints--as old,

perhaps, as the church, yet with colors rich and strong, is very

remarkable. Each face has a characteristic expression, in most cases

rather quaintly distorted, and each saint has some distinguishing

mark, as St. Anthony with his pig. There are several unusually fine

brasses, but the best of these had been torn from its original grave

before the altar a hundred years ago by an ambitious squire who desired

to occupy this place of honor himself.

"But like the man in the scriptures who sought the head of the table

only to be humiliated, the usurper is likely to be removed," said the

rector, "and the fourteenth century brass replaced over the grave."

The little church seems lonely and poverty-stricken, but the rectory

near at hand is a large, comfortable house surrounded by well-kept

gardens. Strensham village has a decided advantage over its lowly

neighbor, Ripple, for it is known to fame as the birthplace of Samuel

Butler, the author of "Hudibras."

A charming road leads through Upton-on-Severn to Malvern Wells and

Great Malvern, but we had no leisure to contemplate its beauties; a

car was bent on passing us--to which we were much averse, for the

road was very dusty. We had only a glimpse of the Malverns, with

their endless array of hotels, lodging-houses and other resort-town

characteristics. The two towns are practically continuous and lie

beneath the Malvern Hills, whose slopes, diversified with stone-walled

fields, groves and farm villages, stretch away to the blue haze that

nearly always envelops the summits. Yet Malvern is not without a touch

of antiquity--no doubt the Romans had a station here and the splendid

priory church rivals some of the cathedrals in size and dignity. Only

scanty ruins remain of the domestic portions of the abbey, which,

with the great beautifully carved Gothic gateway, constitute all that

is left of the old order besides the church. A delightful feature of

the towns is the Common--when we saw it, fine stretches of greensward

with many noble trees. The Common was at one time a royal domain,

and Charles I. in his stresses for money undertook to sell the land

to raise funds, but such rioting ensued in Malvern that a compromise

was effected by surrendering two-thirds of the Chase, as the Common

was then called, to the people. Though the forests have been greatly

thinned by the ax, there still remains enough of sylvan beauty to give

to Malvern Common an indescribable charm, and so intersected is it

with sinuous roads that it was with difficulty we started aright for

Worcester.

On our way to the cathedral city we passed the battlefield where the

momentous encounter took place between the forces of Cromwell and the

Royalists under Prince Charles--or, as his followers claimed, King

Charles II. through his Scotch coronation--which resulted in such

disaster to the royal arms. Cromwell called it his "crowning mercy,"

and indeed it ended all organized efforts against the Commonwealth

while the Protector lived. Charles fled to Boscobel, as already

related, and after many adventures reached France to remain until

peacefully recalled after Oliver's death.

Worcester is one of the fine old towns that tempt one to linger, no

matter how often he may come. Modern improvements have swept away many

of the relics of extreme antiquity; yet the Romans were certainly here,

and before them the early Britons had a fortified town on the site.

The streets are now lined with attractive shops and here is extensive

manufacturing--few indeed are the wayfarers who escape paying tribute

to "Royal Worcester" before they leave. Not a little of the charm

of the town is due to the Severn, lying broad, bright and still in

its very heart. We pause for tea--again the mild dissipation of the

Englishman attracts us--at the Star Hotel, and as we depart from the

city look lingeringly at the majestic yet graceful outlines of the

cathedral towers against the evening sky.

[Illustration: A WORCESTERSHIRE COMMON

From the Original Painting by B. W. Leader, R. A.]

Coventry is but forty miles away. The King's Head comes to our minds,

though ever so faintly, as something like home, and we may reach it by

the grace of the long twilight. And what a flight it is--through the

most delightful section of rural England, tinged with the golden

glows and purple shades of a perfect summer evening. We sweep over the

broad road to Droitwich, and as soon as we can solve the mystery of

its tortuous streets, we enter the excellent though rather narrow and

winding highway that leads through Alcester to Shakespeare's Stratford.

It had evidently been a gala day in the old town, for the streets

were thronged with people, mostly from the surrounding country,

though no doubt there was a goodly number of our fellow-countrymen

in the crowd, since it was now the height of the Stratford season.

Under the circumstances, the "eight-mile" limit notice posted on the

roads entering the town was quite superfluous; we could scarcely

have violated it--so it seemed, at least--had it been only a mile

an hour. Once away on the surpassing road to Coventry, the fifteen

miles occupied scarce half an hour, despite the checks at Warwick and

Kenilworth. Coventry was thronged with the happy "Week-End" holiday

crowd, through which we slowly made our way to the King's Head, where

we were now well known and received as warm a welcome as one may find

at an inn.

Sunday, by odds the best day for getting about London or the larger

cities, is not so satisfactory for touring in the rural sections.

The roads are thronged with pedestrians, including many women and

children. Not a few of the women pushed perambulators and often showed

a strange perversity in crossing to the farther side of the road in

front of the car. Besides, a number of the places one may desire to

visit are closed on Sundays, though the tendency is constantly towards

more liberality in this particular. Yet there was nothing agreeable

in lounging about a hotel, and Sunday--afternoons, at least--usually

found us on the road. It was very quiet in Nuneaton, the rather ugly

town which George Eliot made famous as "Milby." The farmhouse where the

authoress was born and the old manor, her home for many years, were not

accessible. The throngs of Sunday wayfarers made progress slow, but we

reached Tamworth for late luncheon at the excellent Castle Hotel and

learned that the castle--the tower of Scott's "Marmion," would be open

during the afternoon.

Tamworth Castle is now the property of the town corporation and the

grounds have been converted into a public park, which, judging from the

crowds that filled it on the fine afternoon, must be well appreciated.

The castle is situated on a high, apparently artificial mound. It has

been put in tolerable repair and is used as a museum. So well preserved

is it that one may gain a good idea of the domestic life of a feudal

nobleman of the fourteenth century--a life comfortless and rude,

judged by our present standards. There is much paneling and elaborate

wood-carving on the walls and mantels of many of the rooms, and one

may be quite lost in the devious passageways that lead to odd nooks

and quaint, irregular apartments. The view from the keep tower, with

its massive over-hanging battlements, was indeed a lovely one. The day

was perfectly clear, permitting a far-reaching outlook over the valley

of the Tame, a fertile country of meadow lands and yellowing harvest

fields, while westward in the distance the spires of Lichfield pierced

the silvery sky.

There is, perchance, something a little incongruous in a restored and

well-cared-for old-time castle such as Tamworth. It can never appeal

to the imagination as does the shattered, neglected ruin crumbling

away beneath its mantle of ivy and flaunting its banners of purple and

yellow wall-flowers. But after all, the Tamworth idea is the right one

and insures the preservation of many historic buildings which otherwise

might gradually fall into complete decay. And yet one almost shudders

to think of Ludlow or Raglan under such conditions.

We hastened over the broad road to Lichfield, and passing through its

irregular streets, with which we are now fairly familiar, followed the

river to Colwich, where we paused to admire the splendid Decorated

church which overshadows the quiet village. But few prettier and more

truly rural byroads did we find anywhere than the one running northward

from Colwich to Uttoxeter. On either side were flower-spangled

hedge-rows, or in places long ranks of over-arching trees. Though the

road was excellent, the trim neatness so characteristic of England was

quite wanting. The tangle of wild flowers, vines and shrubbery was

faintly suggestive of country roadsides in some of our Western states.

Midway we came into full view of a lonely ruined castle standing on

the crest of a gently rising hill, and surrounded by a lawnlike meadow

running down to the road. The ragged towers and crumbling walls stood

gray and forbidding against a background of giant trees, and these were

sharply outlined against the bluest of English skies. We learn later

that it is Chartley Castle, which stands in a tract of ancient forest

and heath land, upon which roams a herd of wild white cattle similar

to those of Chillingham. Over Chartley broods the somber memory of its

one-time owner, the Earl of Ferrars, who in a fit of anger murdered a

steward and was hanged two centuries ago for the crime at Tyburn. It

was his whim to be dressed in his wedding garments and hanged with a

silken cord. He was stoic to the last and would say no more than he

expressed in the misanthropic lines:

"In doubt I lived, in doubt I die,

Yet stand prepared the vast abyss to try,

And undismayed expect eternity."

A grim old tale that fits well with the lonely fortress, standing in

unguarded ruin in the mysterious forest about it.

[Illustration: RUINS OF CHARTLEY CASTLE, DERBYSHIRE.]

But the day was waning and we hastened on to Uttoxeter, a town to

which Nathaniel Hawthorne made a pilgrimage nearly half a century ago,

attracted by the fact that it is the birthplace of Dr. Samuel Johnson.

He regretted that there was no memorial of the great author in his

native town, but this has since been supplied. An ugly fountain has

been erected on the traditional spot where Johnson did penance, as he

described in a letter to Miss Seward on his return from Uttoxeter:

"Fifty years ago, madam, on the day, I committed a breach of filial

piety which has ever since lain heavy on my mind, and has not till

this day been expiated. My father ... had long been in the habit of

attending Uttoxeter market and opening a stall of his books during

that day. Confined to his bed by indisposition, he requested me, this

time fifty years, to visit the market in his place. But, madam, my

pride prevented me from doing my duty and I gave my father a refusal.

To do away the sin of disobedience, this day I went in a post-chaise

to Uttoxeter, and going into the market at the time of high business,

uncovered my head and stood with it bare an hour before the stall which

my father formerly used, exposed to the sneers of the standers-by and

the inclemency of the weather."

The open road to Derby is broad, straight, smooth and level--what

a combination of excellences for the motorist!--and the car skims

joyously along. There are many fine estates on either hand with wide

forest-dotted parks and imposing gateways. Derby is a large, rather

unattractive town and we do not care to linger. Mansfield appeals more

strongly to us, for Mansfield is the center of the Byron country.

The road is not a pleasing one, passing through towns crowded with

workingmen's cottages and climbing steep, stony hills. At dusk we come

into Mansfield and find it a larger town than we had fancied--a rather

modern city built around an ancient center, in the very heart of which

stands the old many-gabled Swan Inn.

IX

THE BYRON COUNTRY

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