COLOURS IN LADIES' DRESS.

Incongruity may be frequently observed in the adoption of colours

without reference to their accordance with the complexion or stature

of the wearer. We continually see a light-blue bonnet and flowers

surrounding a sallow countenance, or a pink opposed to one of a

glowing red; a pale complexion associated with a canary or lemon

yellow, or one of delicate red and white rendered almost colourless by

the vicinity of deep red. Now, if the lady with the sallow complexion

had worn a transparent white bonnet; or if the lady with the glowing

red complexion had lowered it by means of a bonnet of a deeper red

colour; if the pale lady had improved the cadaverous hue of her

countenance by surrounding it with pale-green, which, by contrast,

would have suffused it with a delicate pink hue; or had the face

'Whose red and white,

Nature's own sweet and cunning hand laid on,'

been arrayed in a light-blue, or light-green, or in a transparent

white bonnet, with blue or pink flowers on the inside--how different,

and how much more agreeable, would have been the impression on the

spectator! How frequently, again, do we see the dimensions of a tall

and _embonpoint_ figure magnified to almost Brobdignagian proportions

by a white dress, or a small woman reduced to Lilliputian size by a

black dress! Now, as the optical effect of white is to enlarge

objects, and that of black to diminish them, if the large woman had

been dressed in black, and the small woman in white, the apparent size

of each would have approached the ordinary stature, and the former

would not have appeared a giantess, or the latter a dwarf.--_Mrs

Merrifield in Art-Journal._

Chambers's Edinburgh Journal, No. 426 Volume 17, New Series, February 28, 1852 · 第 12 / 16 题